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  <titleInfo>
    <title>I.M. Pei</title>
    <subTitle>complete works</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Jodidio Philip</namePart>
    <namePart type="date">1954-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Strong, Janet Adams</namePart>
    <namePart type="date">1951-</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
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    <dateIssued encoding="marc">2008</dateIssued>
    <issuance>monographic</issuance>
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  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <form authority="gmd">txt</form>
    <extent>367 p. ill. ;col. ;plans. ; 29 cm.</extent>
  </physicalDescription>
  <abstract>"When I.M. Pei - one of the world's most celebrated architects and a master of light, space, and geometry - was awarded the Pritzker Prize in 1983, the jury said he had "given this century some of its most beautiful interior spaces and exterior forms." I.M. Pei: Complete Works attests to this statement by showcasing Pei's transcendent, sculptural forms from more than 50 years of work, using his best known and widely admired Louvre project as a focal point." "Often working with a palette of stone, concrete, glass, and steel, Pei has taken his vision of modern architecture across the globe with commissions in locations as diverse as Qatar, China, Luxembourg, Japan, and Germany. Meanwhile, major projects such as the JFK Library in Boston and the East Building of the National Gallery of Art in Washington, D.C. have made him a household name in the United States. This volume honors Pei's tremendous influence by exclusively discussing the projects that he - rather than any of his partners - had direct, personal interest in. Insightful texts by renowned writers Philip Jodidio, Janet Adams Strong, and Carter Wiseman insure that this first-ever monographic study of the master architect will be an invaluable source for years to come"-- Jacket.</abstract>
  <tableOfContents>Architecture is art and history / I.M. Pei --
Introduction / Carter Wiseman --
1948-1995: I.M. Pei, continuum and evolution / Janet Strong --
The Helix, New York, 1948-49 (unbuilt) --
Gulf Oil Building, Atlanta, Georgia, 1949-50 --
Webb &amp; Knapp executive offices, New York, 1949-52 --
Pei residence, Katonah, New York, 1952 --
Mile High Center, Denver, Colorado, 1952-56 --
Southwest Washington Urban Redevelopment, Washington, D.C., 1953-62 --
The Hyperboloid, New York, 1954-56 (unbuilt) --
Kips Bay Plaza, New York, 1957-62 -- 
Luce Memorial Chapel, Tunghai University, Taichung, Taiwan, 1956-63 -- 
Society Hill, Philadelphia, Pennsylvania, 1957-64 -- 
Massachusetts Institute of Technology, Cambridge, Massachusetts: Cecil and Ida Green Center for Earth Sciences (1959-64); Camille Edouard Dreyfus Chemistry Building (1964-70); Ralph Landau Chemical Engineering Building (1972-76) -- 
East-West Center, University of Hawaii, Manoa, Hawaii, 1960-63 -- 
University Plaza, New York University, New York, 1960-66 -- 
National Airlines Terminal, John F. Kennedy International Airport, New York, 1960-70 -- 
National Center for Atmospheric Research, Boulder, Colorado, 1961-67 -- 
Everson Museum, Syracuse, New York, 1961-68 -- 
Federal Aviation Administration air traffic control towers, various locations, 1962-65 -- 
Cleo Rogers Memorial County Library, Columbus, Indiana, 1963-71-- 
ALICO (Wilmington Tower), Wilmington, Delaware, 1963-71 -- 
John Fitzgerald Kennedy Library, Dorchester, Massachusetts, 1964-79 -- 
Canadian Imperial Bank of Commerce (CIBC), Commerce Court, Toronto, Canada, 1965-73 -- 
Des Moines Art Center addition, Des Moines, Iowa, 1965-68 -- 
Dallas City Hall, Dallas, Texas, 1966-77 -- 
Bedford-Stuyvesant Superblock, Brooklyn, New York, 1966-69 --
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, 1968-73 -- 
National Gallery of Art, East building, Washington, D.C., 1968-78 -- 
Paul Mellon Center for the Arts, The Choate School, Wallingford, Connecticut, 1968-73 -- 
Oversea-Chinese Banking Corporation Centre (OCBC), Singapore, 1970-76 -- 
Raffles City, Singapore, 1969-86 --
Laura Spellman Rockefeller Halls, Princeton University, Princeton, New Jersey, 1971-73 -- 
Museum of Fine Arts, West Wing and renovations, Boston, Massachusetts, 1977-81 (renovation 1977-86) -- 
IBM office building, Purchase, New York, 1977-84 -- 
Texas Commerce Tower, United Energy Plaza, Houston, Texas, 1978-82 -- 
Wiesner Building, Center for Arts &amp; Media Technology, Massachusetts Institute of Technology, Cambridge, Massachusetts, 1978-84 -- 
Fragrant Hill Hotel, Beijing, China, 1979-82 -- 
Morton H. Meyerson Symphony Center, Dallas, Texas, 1981-89 -- 
Bank of China, Hong Kong, 1982-89 -- 
Choate Rosemary Hall Science Center, Wallingford, Connecticut, 1985-89 -- 
Creative Artists Agency, Beverly Hills, California, 1986-89 -- 
Rock and Roll Hall of Fame + Museum, Cleveland, Ohio, 1987-95 -- 
1983-2008: I.M. Pei and the challenge of history / Philip Jodidio --
Grand Louvre, Paris, France; Phase I: 1983-89; Phase II: 1989-93 --
Pei and the Louvre / Emile J. Biasini --
Four Seasons Hotel, New York, 1989-93 -- 
"Joy of Angels" Bell Tower, Misono, Shigaraki, Shiga, Japan, 1988-90 --
Miho Museum, Misono, Shigaraki, Shiga, Japan, 1991-97 -- 
Bank of China head office, Beijing, China, 1994-2001 -- 
Musée d'Art Moderne Grand-Duc Jean (MUDAM), Luxembourg, 1995-2006 -- 
Deutsches Historiches Museum Zeughaus, Berlin, Germany, 1996-2003 -- 
Oare Pavilion, Wiltshire, United Kingdom, 1999-2003 -- 
Suzhou Museum, Suzhou, China, 2000-06 -- 
Museum of Islamic Art, Doha, Qatar, 2000-08 --</tableOfContents>
  <note type="statement of responsibility">by Philip Jodidio and Janet Adams Strong ; edited by Philip Jodidio ; foreword by I.M. Pei ; introduction by Carter Wiseman.</note>
  <note>Include index</note>
  <note>Include Bibliography</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Pei, I. M</namePart>
      <namePart type="date">1917-</namePart>
    </name>
    <topic>Criticism and interpretation</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Architecture, Modern</topic>
    <temporal>20th century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Architecture, Modern</topic>
    <temporal>21st century</temporal>
  </subject>
  <subject authority="lcsh">
    <topic>Chinese Americans</topic>
    <topic>architects</topic>
    <topic>Criticism and interpretation</topic>
  </subject>
  <classification authority="lcc">NA737.P365 J63 2008</classification>
  <classification authority="ddc" edition="22">720.92</classification>
  <identifier type="isbn">9780847831456</identifier>
  <identifier type="isbn">0847831450</identifier>
  <identifier type="lccn">2008925165</identifier>
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    <recordCreationDate encoding="marc">052710</recordCreationDate>
    <recordChangeDate encoding="iso8601">20220630191055.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
    </languageOfCataloging>
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