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  <titleInfo>
    <title>Writers in between languages</title>
    <subTitle>minority literatures in the global scene</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Olaziregi, Mari Jose.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">nvu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Reno</placeTerm>
    </place>
    <publisher>Center for Basque Studies/University of Nevada</publisher>
    <dateIssued>2009</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>313 p. 25 cm.</extent>
  </physicalDescription>
  <abstract>"Collection of articles by Basque writers and American and European academics on the globalization of literature, postcolonialism, and new ethnic landscapes. Also treats topics such as center and periphery dualities, subaltern identities, so-called borderlands thought, and the effect of Creoleness"--Provided by publisher.</abstract>
  <tableOfContents>Creation (writers): writing in Basque in a global space from the periphery -- I do not know who 'I' is -- The cork and the anchor -- Identity, language, creation (an autobiographical vision) -- Five reasons for writing in the language of -- The neighborhood -- Eight crucial decisions (a Basque writer is obliged to face) -- Re-creation (academics):On the lightness of being: the conflict of belonging in Basque literature -- The astigmatic vision and the perception of minority literatures -- Charting national identities: the excursion mode -- Critical Basque studies: a place for literature in postnationalist identity -- Josep Pla: localism, or a complete way of viewing the world -- Post-hispanism, or the long goodbye of national philology -- On visible and invisible languages:Bernardo Atxaga's Soinujolearen semea in translation -- Memory, past, and writing in the global scene: Bernardo Atxaga's El hijo del acordeonista and Carme Riera's La mitad del alma -- Exile, dissemination, and homogenization:the case of equatorial guinea as the space of a minority literature -- Salvador Espriu and the Marrano home of language.</tableOfContents>
  <note type="statement of responsibility">edited by Mari Jose Olaziregi.</note>
  <note>Includes index.</note>
  <subject authority="lcsh">
    <topic>Basque literature</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Postcolonialism in literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Ethnology in literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Nationalism and literature</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Literature and globalization</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Basque language</topic>
    <topic>History</topic>
  </subject>
  <classification authority="lcc">PH5281 .W75 2009</classification>
  <classification authority="ddc" edition="22">899.9209 W9561</classification>
  <identifier type="isbn">9781877802904 (hardcover)</identifier>
  <identifier type="lccn">2009042046</identifier>
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    <recordCreationDate encoding="marc">091006</recordCreationDate>
    <recordChangeDate encoding="iso8601">20160527203014.0</recordChangeDate>
    <recordIdentifier>294880</recordIdentifier>
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