02959nam a2200385Ia 4500003000600000005001700006008004100023010001700064020001500081020001800096035002300114040003400137041001300171042001400184049001200198050002500210082001600235100003800251240002000289245006000309264003400369300004200403336002600445337002800471338002700499490003800526504005100564505074100615520085701356600006202213650005702275942004202332999001902374952018002393pucpr20210929162718.0012710s2004    sz a     b    000 0 eng    a  2004301187  a3764301724  a9783764301729  a(OCoLC)ocm52785394  apucprcpucprdpucprbengerda1 aenghita  alccopycat  aCARIBET00aNA1469.H33bS38 200400a720/.922221 aSchumacher, Patrikd1961-927500410aHadid digitale.10aDigital Hadidblandscapes in motioncPatrik Schumacher.  aSwitzerlandbBirkhauserc2004  a93 p.bill. (some col.)c19 cm.fbook  2rdacontentbtxtatext  2rdamediabnaunmediaded  2rdacarrierbncavolume 4aThe IT revolution in architecture  aIncludes bibliographical references (p. [89]).  aI. The prehistory of the new digitally based architecture : The quest of new design media ; Zaha Hadid in her own words ; Graphic space ; Post-modernism, deconstructivism, folding ; Mechanisms of invention --
II Current work: Towards a new digitally based architectural language : Organic interarticulation ; Center for Contemporary Arts, Rome ; Art Center, Graz ; Quebec National Library, Montreal ; One North masterplan, Singapore ; BMW plant: central building, Leipzig ; Ice-storm, Lounging environment ; Z-scape, Longing furniture ; BBC music centre and office, London ; Fine Arts Center, University of Connecticut ; Fast train station, Florence ; Fast train station, Naples ; The Temporary Guggenheim, Tokyo ; Guggenheim, Taichung.  aA "The book describes the transition from drawing to computing in the work of Zaha Hadid. The hallmark of Zaha Hadid's early work was the innovation and expansion of graphic media to be utilised as new design techniques. On this basis a new architectural language and conception of space was developed. The analog techniques employed - like interpenetraion, isometric and perspectival distortion, dynamic bending and warping - anticipate the possibilities currently offered by advanced animation software. Intermediate techniques like distortion and "smearing" using the xerox machine established a fertile ground for the quick assimilation of the new digital tools in the process of form finding. The book elaborates a series of recent projects where various digital techniques have become an essential ingredient of the project development."--Jacket.10aHadid, ZahaxCriticism and interpretation.92321142Local 0aArchitectural design.xData processing9540782Local  c6hNA1469.H332lcckGeneralmS38 2004  c214347d214347  00102lcc40708beala4b4c33d2016-05-27eamazong12.44i443133l4m3oGeneral NA1469.H33 S38 2004p91000000001172r2020-03-10 00:00:00s2020-02-28t1v22.44w2016-05-27y6