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  <titleInfo>
    <title>Digital Hadid</title>
    <subTitle>landscapes in motion</subTitle>
  </titleInfo>
  <titleInfo type="uniform">
    <title>Hadid digitale</title>
  </titleInfo>
  <name type="personal">
    <namePart>Schumacher, Patrik</namePart>
    <namePart type="date">1961-</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
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    </place>
    <dateIssued encoding="marc">2004</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <language objectPart="translation">
    <languageTerm authority="iso639-2b" type="code">ita</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>93 p. ill. (some col.) 19 cm.</extent>
  </physicalDescription>
  <abstract>A "The book describes the transition from drawing to computing in the work of Zaha Hadid. The hallmark of Zaha Hadid's early work was the innovation and expansion of graphic media to be utilised as new design techniques. On this basis a new architectural language and conception of space was developed. The analog techniques employed - like interpenetraion, isometric and perspectival distortion, dynamic bending and warping - anticipate the possibilities currently offered by advanced animation software. Intermediate techniques like distortion and "smearing" using the xerox machine established a fertile ground for the quick assimilation of the new digital tools in the process of form finding. The book elaborates a series of recent projects where various digital techniques have become an essential ingredient of the project development."--Jacket.</abstract>
  <tableOfContents>I. The prehistory of the new digitally based architecture : The quest of new design media ; Zaha Hadid in her own words ; Graphic space ; Post-modernism, deconstructivism, folding ; Mechanisms of invention --
II Current work: Towards a new digitally based architectural language : Organic interarticulation ; Center for Contemporary Arts, Rome ; Art Center, Graz ; Quebec National Library, Montreal ; One North masterplan, Singapore ; BMW plant: central building, Leipzig ; Ice-storm, Lounging environment ; Z-scape, Longing furniture ; BBC music centre and office, London ; Fine Arts Center, University of Connecticut ; Fast train station, Florence ; Fast train station, Naples ; The Temporary Guggenheim, Tokyo ; Guggenheim, Taichung.</tableOfContents>
  <note type="statement of responsibility">Patrik Schumacher.</note>
  <note>Includes bibliographical references (p. [89]).</note>
  <subject authority="lcsh">
    <name type="personal">
      <namePart>Hadid, Zaha</namePart>
    </name>
    <topic>Criticism and interpretation</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Architectural design</topic>
    <topic>Data processing</topic>
  </subject>
  <classification authority="lcc">NA1469.H33 S38 2004</classification>
  <classification authority="ddc" edition="22">720/.92</classification>
  <identifier type="isbn">3764301724</identifier>
  <identifier type="isbn">9783764301729</identifier>
  <identifier type="lccn">2004301187</identifier>
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    <recordCreationDate encoding="marc">012710</recordCreationDate>
    <recordChangeDate encoding="iso8601">20210929162718.0</recordChangeDate>
    <languageOfCataloging>
      <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
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