02048nam a22003617a 4500003000600000005001700006008004100023010001700064020001800081020001500099035002400114040003400138042001400172050002100186082001600207082001400223100002700237245011300264250005300377264006500430300006200495336002600557337002800583338002700611504006600638505077900704650005501483650003701538650004701575650001501622650002901637700002001666pucpr20191203204704.0012710s20062008nyua     b    001 0 eng d  a  2007921092  a9780847830480  a0847830480  a(OCoLC)ocn166387913  apucprcpucprdpucprbengerda  alccopycat00aNA2760bE45 200804a720.92222204a724.62221 aEisenman, Peterd1932-10aTen canonical buildings 1950-2000 /cPeter Eisenman ; foreword by Stan Allen ; edited by Ariane Lourie.htxt  aFirst published in the United States of America   aNew York :bRizzoli International Publications, Inc. ,c2008  a303 p.bill. (some col.), plans (some col.)c27 cm.fbook  2rdacontentbtxtatext  2rdamediabnaunmediaded  2rdacarrierbncavolume  aIncludes bibliographical references (p. [289-299]) and index.0 aProfiles of text: Luigi Moretti, Casa "Il Girasole," 1947-50 -- The umbrella diagram: Ludwig Mies van der Rohe, Farnsworth House, 1946-51 -- Textual heresies: Le Corbusier, Palais des Congrès-Strasbourg, 1962-64 -- From plaid grid to diachronic space: Louis I. Kahn, Adler House and DeVore House, 1954-55 -- The nine-square diagram and its contradictions: Robert Venturi, Vanna Venturi House, 1959-64 -- Material inversions: James Stirling, Leicester Engineering Building, 1959-63 -- Texts of analogy: Aldo Rossi, Cemetery of San Cataldo, 1971-78 -- Strategies of the void: Rem Koolhaas, Jussieu Libraries, 1992-93 -- The deconstruction of the axis: Daniel Libeskind, Jewish Museum, 1989-99 -- The soft umbrella diagram: Frank O. Gehry, Peter B. Lewis Building, 1997-2002. 0aArchitecturexComposition, proportion, etc.2Local 0aArchitecturexPhilosophy.2Local 0aArchitecture, Moderny20th century.2Local 0aArchitects 0aArchitecture, Postmodern1 aLourie, Ariane.