TY  - BOOK
AU  - Heron,Patrick
TI  - The changing forms of art
AV  - N7445 .H566 1955
U1  - 759 18
PY  - 1955///]
CY  - London
PB  - Routledge & K. Paul
KW  - Arte Critica
KW  - larpcal
KW  - Local
KW  - Estetica
KW  - LEMB
KW  - Painters
KW  - France
KW  - England
KW  - Art
N1  - Bibliographical references included in "Notes" (p. 281-284); pt. 1; The necessity of distortion in painting --; Hills and faces: Hitchens, Lanyon --; Space in contemporary painting and architecture --; Submerged rhythm: A potter's aesthetic --; Cubism, constructivism and the architect --; pt. 2; Braque --; Picasso --; Pierre Bonnard and abstraction --; Maurice de Vlaminck --; Four notes: Klee, Matisse, Soutine, Léger --; pt. 3; Modern English romantics: Sutherland, Vaughan, Wynter --; Paul Nash --; Five types of abstraction: Nicholson, Pasmore, Scott, Hilton, Wells --; Sculpture: fruit or thorn? Moore, Hepworth, Calder, Butler, Matisse --; pt. 4; Twenty-five fragments; Cézanne's watercolours --; Rome, April 1953 --; Rouault's 'Guerre' and 'Miserère' aquatints --; Artists in Cornwall --; Frances Hodgkins --; Alan Davie --; James Cant in London --; Massimo Campigli --; A paradox of criticism --; Apropos of Sickert, Keene and Cézanne --; Matthew Smith -English fauve --; The living dead --; Tintoretto and Braque --; Realism in Titian --; Leonardo -scientist --; Abstraction in Rembrandt --; Luminosity and voluminosity in drawings --; Paris --; The power of Paris --; Three schools in post-war Paris --; The philosophy of Herbert Read --; Mexico --; Turner resurgent --; Space in French landscape
ER  -