Heron, Patrick. <br/><br/>
The changing forms of art. 

 - London  Routledge & K. Paul  [1955] 
 - xxiii, 290 p.  illus.  23 cm. 
<br/><br/>Bibliographical references included in "Notes" (p. 281-284) 
<br/><br/> The necessity of distortion in painting --  Hills and faces: Hitchens, Lanyon --  Space in contemporary painting and architecture --  Submerged rhythm: A potter's aesthetic --  Cubism, constructivism and the architect --  Braque --  Picasso --  Pierre Bonnard and abstraction --  Maurice de Vlaminck --  Four notes: Klee, Matisse, Soutine, Léger --  Modern English romantics: Sutherland, Vaughan, Wynter --  Paul Nash --  Five types of abstraction: Nicholson, Pasmore, Scott, Hilton, Wells --  Sculpture: fruit or thorn? Moore, Hepworth, Calder, Butler, Matisse --  Twenty-five fragments  Cézanne's watercolours --  Rome, April 1953 --  Rouault's 'Guerre' and 'Miserère' aquatints --  Artists in Cornwall --  Frances Hodgkins --  Alan Davie --  James Cant in London --  Massimo Campigli --  A paradox of criticism --  Apropos of Sickert, Keene and Cézanne --  Matthew Smith -English fauve --  The living dead --  Tintoretto and Braque --  Realism in Titian --  Leonardo -scientist --  Abstraction in Rembrandt --  Luminosity and voluminosity in drawings --  Paris --  The power of Paris --  Three schools in post-war Paris --  The philosophy of Herbert Read --  Mexico --  Turner resurgent --  Space in French landscape.  pt. 1.  pt. 2.  pt. 3.  pt. 4. 
<br/><br/><label>LCCN: </label>55004470  
<br/><br/><label>Nat. Bib. No.: </label>GB55-11671 
<br/><br/><label>Subjects--Topical Terms: </label><br/>Arte Critica<br/>Estetica<br/>Painters--France<br/>Painters--England.<br/>Art
<br/><br/><label>LC Class. No.: </label>N7445  / .H566 1955 
<br/><br/><label>Dewey Class. No.: </label>759