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  <titleInfo>
    <nonSort>The </nonSort>
    <title>Oxford companion to jazz</title>
  </titleInfo>
  <name type="personal">
    <namePart>Kirchner, Bill.</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <genre authority="marc">biography</genre>
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    <place>
      <placeTerm type="text">Oxford</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Oxford University Press</publisher>
    <dateIssued>2000</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xi, 852 p. ill. 26 cm.</extent>
  </physicalDescription>
  <tableOfContents>African roots of jazz -- European roots of jazz -- Ragtime then and now -- The early origins of jazz -- New York roots: Black Broadway, James Reese Europe, early pianists -- The blues in jazz -- Bessie Smith -- King Oliver, Jelly Roll Morton, and Sidney Bechet: Ménage à trois, New Orleans style -- Louis Armstrong -- Bix Beiderbecke -- Duke Ellington -- Hot music in the 1920s: the "Jazz Age," appearances and realities -- Pianists of the 1920s and 1930s -- Coleman Hawkins -- Lester Young -- Streamlining jazz: major soloists of the 1930s and 1940s -- Jazz singing: between blues and bebop --Ella Fitzgerald, Sarah Vaughn, and Billie Holiday -- Jazz and the American song -- Pre-swing era big bands and jazz composing and arranging -- Swing era big bands and jazz composing and arranging -- The advent of bebop -- The New Orleans revival -- Charlie Parker -- Cool jazz and West Coast jazz -- Jazz and classical music: to the third stream and beyond -- Pianists of the 1940s and 1950s -- Hard bop -- Miles Davis -- Big bands and jazz composing and arranging after World War II -- Thelonius Monk and Charles Mingus -- John Coltrane -- The avant-garde, 1949-1967 -- Pianists of the 1960s and 1970s -- Jazz singing since the 1940s -- Jazz since 1968 -- Fusion -- Jazz repertory -- Latin jazz -- Jazz in Europe: the real world music or the full circle -- Jazz and Brazilian music -- Jazz in Africa: the ins and outs -- Jazz in Japan -- Jazz in Canada and Australia -- The clarinet in jazz -- The saxophone in jazz -- The trumpet in jazz -- The trombone in jazz -- The electric guitar and vibraphone in jazz: batteries not included -- Miscellaneous instruments in jazz -- The bass in jazz -- Jazz drumming -- Jazz and dance -- Jazz and film and television -- Jazz clubs --Jazz and American literature -- Jazz criticism -- Jazz education -- Recorded jazz -- Jazz improvisation and concepts of virtuosity.</tableOfContents>
  <note type="statement of responsibility">edited by Bill Kirchner.</note>
  <note>Includes bibliographical references (p. 799-806) and indexes.</note>
  <subject authority="lcsh">
    <topic>Jazz</topic>
    <topic>History and Criticism</topic>
  </subject>
  <classification authority="lcc">ML3507 .O94 2000</classification>
  <identifier type="isbn">019512510X (cloth : alk. paper)</identifier>
  <identifier type="lccn">99088598</identifier>
  <recordInfo>
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    <recordCreationDate encoding="marc">991202</recordCreationDate>
    <recordChangeDate encoding="iso8601">20160527192343.0</recordChangeDate>
    <recordIdentifier source="OCoLC">260661</recordIdentifier>
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