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The black tulip Alexandre Dumas ; simplified by Michael West ; illustrated by Roy Spencer.

Por: Colaborador(es): Series NMSR [New method supplementary readers] ; stage 4Detalles de publicación: Harlow, Essex Longman 1964.Edición: New edDescripción: v, 95 p. ill. 19 cmISBN:
  • 0582534798
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Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro Biblioteca Encarnación Valdés ESL 843 D886ta I (Navegar estantería(Abre debajo)) c. 3 Disponible 80000001457194
Libro Biblioteca Encarnación Valdés ESL 843 D886ta I (Navegar estantería(Abre debajo)) Disponible 80000001174815
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Vocabulary level: 1500 words.

From the Collection of books of English as a second language.

Notas de autor provistas por Syndetics

After an idle youth, Alexandre Dumas went to Paris and spent some years writing. A volume of short stories and some farces were his only productions until 1927, when his play Henri III (1829) became a success and made him famous. It was as a storyteller rather than a playwright, however, that Dumas gained enduring success. Perhaps the most broadly popular of French romantic novelists, Dumas published some 1,200 volumes during his lifetime. These were not all written by him, however, but were the works of a body of collaborators known as "Dumas & Co." Some of his best works were plagiarized. For example, The Three Musketeers (1844) was taken from the Memoirs of Artagnan by an eighteenth-century writer, and The Count of Monte Cristo (1845) from Penchet's A Diamond and a Vengeance. At the end of his life, drained of money and sapped by his work, Dumas left Paris and went to live at his son's villa, where he remained until his death.

(Bowker Author Biography)

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