Para una tumba sin nombre Juan Carlos Onetti ; estudio preliminar por Josefina Ludmer.
Series Pocket EDHASADetalles de publicación: Barcelona EDHASA c1978.Descripción: 125 p. 18 cmISBN:- 8435002136
- 863
- PQ8519.O59 P34 1978
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca Encarnación Valdés Colección General bev | U 863 O58pb2 (Navegar estantería(Abre debajo)) | Disponible | 80000001031049 |
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Bibliography: p. 51-52.
Notas de autor provistas por Syndetics
Onetti's subject is the decay and materialism of the modern world, but he presents it in a dense, indirect prose style that creates a world often bordering on nightmare. The narrator of A Brief Life (1950) creates a number of other existences for himself to escape the boredom and limits, symbolized by his wife's mastectomy, of his own. Ultimately, the created worlds take over supposed reality. The Shipyard (1961), generally considered his best novel, demonstrates the central character's inability to control his life in an absurd existence. Onetti's characters never cease trying to create meaning, but they flounder helplessly in a world that is beyond their efforts at control.(Bowker Author Biography)