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The pigman's legacy Paul Zindel.

Por: Detalles de publicación: New York Harper & Row c1980.Edición: 1st edDescripción: viii, 183 p. ill. 21 cmISBN:
  • 0060268530
  • 0060268549 (lib. bdg.)
Clasificación LoC:
  • PZ7.Z647 Pj 1980
Resumen: Haunted by the memory of a dead friend, two teenagers join an old man in a series of misadventures.
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Descripciones mejoradas de Syndetics:

Zindel's successful and moving follow-up to The Pigman picks up four months later, as John and Lorraine are determined to rectify their past mistakes by helping a new friend any way they can.

Haunted by the memory of a dead friend, two teenagers join an old man in a series of misadventures.

Reseñas proporcionadas por Syndetics

School Library Journal Review

Gr 8 Up-In celebration of the 40th anniversary of the publication of Paul Zindel's award-winning novel, The Pigman (HarperCollins, 1968), Zindel's son David has produced audiobook versions of The Pigman and The Pigman's Legacy (Harper, 1980). In the first title, as a result of a phone prank, high school sophomores John and Lorraine become friends with Mr. Pignati (the Pigman), an elderly widower. The conflicted teens feel alienated from everything, but the Pigman's enthusiasm for life soon spills over onto them. John and Lorraine go roller skating with their new friend, and he suffers a heart attack and is hospitalized. The teens have a party at the Pigman's house, and his pig collection and some of his late wife's clothes are destroyed. When Mr. Pignati comes home unexpectedly, he's distraught and feels betrayed by the teens. They try to make it up to him by taking him to the zoo, where he learns that his beloved gorilla, Bobo, has died. This trauma causes the Pigman to have a fatal heart attack. In The Pigman's Legacy, John and Lorraine discover that a homeless man is living in Mr. Pignati's abandoned house. Thinking that this is a chance for them to make up for what happened to the Pigman, they try to befriend the surly old man. After to Atlantic City to cheer up the man, they discover that the true legacy of the Pigman is love. Both stories are told in chapters that alternate between John and Lorraine's point of view, narrated by Charlie McWade and Eden Riegel who do an outstanding job of bringing the characters to life. An added bonus is a fascinating interview with Paul Zindel discussing his craft. These remarkable audiobooks, which still offer important messages to today's teens, are a must-have for high school and public libraries.-Kathy Miller, Baldwin High School Baldwin City, KS (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Notas de autor provistas por Syndetics

Paul Zindel Born on Staten Island, New York, Zindel was raised by a single mother who pursued a variety of odd and mostly unsuccessful jobs and took in terminally ill patients to supplement the family income. Due to her eccentricity and restlessness, the mother moved the family from one apartment to another, making it difficult for Zindel to form lasting friendships. As a consequence, the boy lived in the world of his imagination, developing interests in both science and writing. Zindel majored in chemistry at Wagner College on Staten Island, completing both bachelors and masters degrees. During this period he also took a creative-writing course offered by the playwright Edward Albee. After college he worked briefly as a technical writer for a chemical company and then discovered a more fulfilling vocation as a teacher of chemistry and physics at a Staten Island high school. It was during this period in the early 1960s that Zindel was able to develop his potential as a playwright by drawing on his own background as well as the experiences of his young students. The Effect of Gamma Rays on Man-in-the-Moon Marigolds premiered at the Alley Theater in Houston in 1965, was presented in a condensed version on television the following year, and finally opened off-Broadway at the Mercer-O'Casey Theater in 1970. Because of a fire in the theater, the play was moved, with a new cast, to the New Theater on Broadway, where it ran for a total of 819 performances. In addition to being enormously popular, Gamma Rays earned in 1970 an Obie Award as the best play of the season, the New York Drama Critics Circle Award as the best American play, and the Vernon Rice Drama Desk Award for most promising playwright. In 1971 the play was awarded the Pulitzer Prize in Drama. Gamma Rays is the story of an embittered, half-mad widow, Beatrice Hunsdorfer; her teenaged daughters, Ruth and Tillie; and Nanny, a decrepit old woman who boards with them. The family lives in chaos, with Beatrice dealing out petty vengeance to everyone. Nanny has been abandoned by her daughter. Ruth is wanton, untidy, and subject to seizures. Tillie, however, has become interested in science and enters her marigold experiment in the science fair; by exposing the marigold seeds to radiation, she shows that some produce normal plants, others produce mutations with beautiful double blooms, while still others die. The metaphor, of course, is that Tillie has emerged from her chaotic environment as a beautiful and whole person, a human "double bloom." Zindel's other plays include And Miss Reardon Drinks a Little (1971), The Secret Affairs of Mildred Wild(1973), Let Me Hear You Whisper (1973), and Ladies at the Alamo(1975). While these plays continue to show Zindel's skill in writing excellent roles for women, none of them have matched the critical and popular success of Gamma Rays. Since the late 1960s, Zindel has also written several novels for young adults. The Pigman (1968), which is about a lonely widower and two destructive teenagers, has sold more than 1 million copies. His other novels include My Darling, My Hamburger (1969), I Never Loved Your Mind (1970), Pardon Me, You're Stepping on My Eyeball (1976), Confessions of a Teenage Baboon (1977), and The Undertaker's Gone Bananas (1978). As in Gamma Rays, these works display not only a penchant for grotesque humor but an uncanny awareness of the problems of teenagers. Zindel's works, which also include several screenplays, explore the themes of loneliness, escapism, and eccentricity. His best works are humorous, perceptive, and warm; they present an affirmation of life emerging from desperate and grotesque circumstances. He is especially noted for his excellent women's roles, which has helped sustain him as a best-selling playwright for school and community groups. (Bowker Author Biography)
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