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Patria o muerte! The great zoo, and other poems. Translated and edited by Robert Márquez.
Idioma: Detalles de publicación: New York Monthly Review Press [1972]Descripción: 223 p. 22 cmISBN:- 0853452563
- 861
- PQ7389.G84 P36
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca Encarnación Valdés Colección General bev | Cu861 G958g E (Navegar estantería(Abre debajo)) | Disponible | 80000000992472 |
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Spanish and English.
Translation of : El gran zoo, and other poems, 1925-1969.
Notas de autor provistas por Syndetics
Guillen, one of the leaders of the Afro-Antillean school of poetry, was inspired by popular dance, ballads, song rhythms, and speech patterns, all of which show a heavy African influence. In his first volumes, Motives of Sound (1930) and Songoro Cosongo (1931), meaning is communicated primarily through sound, and many poems are in regional popular dialect. Much of his subsequent poetry reflects his profound social commitment: West Indies Limited (1934) opposes imperialism, and Spain (1937) expresses his support for the republic during the Spanish civil war. Tengo (1964) deals with the Cuban Revolution in a tone aimed at a popular audience. All Guillen's work is an intense effort to relate poetry to the culture of the Cuban people and to political and social protest.(Bowker Author Biography)