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The cognition of the literary work of art. Translated by Ruth Ann Crowley and Kenneth R. Olson.
Idioma: Series Northwestern University studies in phenomenology & existential philosophyDetalles de publicación: Evanston [Ill.] Northwestern University Press 1973.Descripción: xxx, 436 p. 24 cmISBN:- 0810104245
- 801/.9
- PN45 .I513
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Translation of Vom Erkennen des literarischen Kunstwerks.
Includes bibliographical references.
Tabla de contenidos provista por Syndetics
- Translators' Introduction
- Introduction
- § 1 The area of investigation
- § 2 Preliminary sketch of the problem
- § 3 Adaptation of cognition to the basic structure of the object of cognition
- § 4 Basic assertions about the essential structure of the literary work of art
- § 5 The literary work as fixed in writing
- § 6 Delimitation of the topic and first basic theses
- 1 The Processes Entering into the Cognition of the Literary Work of Art
- § 7 Apprehension of the written signs and verbal sounds
- § 8 Understanding verbal and sentence meanings
- § 9 Passive and active reading
- § 10 Objectification as the transition from the intentional states of affairs to the objects portrayed in the literary work
- § 11 Concretization fo the portrayed objectivities
- § 12 Actualization and concretization of the aspects
- § 13 Peculiarity of understanding the literary work of art as a poetical work
- § 13a The combination of all the strata of the work into a whole and the apprehension of its idea
- § 14 Influence of the composite nature of the apprehension of the literary work of art on the form of its concretization
- 2 Temporal Perspective in the Concretization of the Literary Work of Art
- § 15 The structure of the sequence of parts in the work
- § 16 Becoming acquainted with the literary work of art during reading
- § 17 The phenomena of "temporal perspective"
- § 18 Temporal perspective in the concretization of the ilterary work of art
- § 19 Cognition of the literary work of art after reading
- 3 Remarks on the Cognition of the Scientific Work
- § 20 On the difference between the scientific work and the literary work of art
- § 21 The understanding of the scientific work and the perceptive apprehending of the literary work of art
- 4 Varieties of the Cognition of the Literary Work of Art
- § 22 Outlook on further problems
- § 23 On various attitudes in the cognition of the literary work of art
- § 24 The aesthetic experience and the aesthetic object
- § 25 Is there a specifically "literary" experience or does it belong to the aesthetic experiences?
- § 26 Some observations on literary aesthetic experiences
- § 27 The preaesthetic investigation of the literary work of art
- § 28 The reflective cognition of the aesthetic concretization of the literary work of art
- § 29 The difference between the aesthetic experience of the literary work of art and the reflective cognition of its aesthetic concretization
- 5 Outlook on Some Problems for the Critical Consideration of Knowledge about the Literary Work of Art
- § 30 Introductory remarks
- § 31 Problems for the critique of knoweldge of the preaesthetic reflective cognition of the literary work of art
- § 32 Some problems for the critique of knowledge of the aesthetic experience
- § 33 Some epistemological problems in the cognition of the aesthetic concretization of the literary work of art
- Afterword
- Index