Louis XIV's architect : Louis Le Vau, France's most important builder. / txt

Por:

Ballard, Richard [(Historian), author]

Barnsley ; Havertown : Pen & Sword History, 2023Descripción: x, 236 pages : 8 unnumbered pages of plates : illustrations ; 24 cmTipo de contenido:

text

Tipo de medio:

unmediaded

Tipo de soporte:

volume

ISBN:

9781399054195

Tema(s):

Clasificación LoC:

NA1053.L38 B35 2023

Contenidos:

Preface iv -- Chapter 1. A Family in the Building Trade 1 -- Chapter 2. The Architect and his Clients 21 -- Chapter 3. Vincennes: A Royal Project 40 -- Chapter 4. Mazarin’s Louvre 55 -- Chapter 5. Vaux-le-Vicomte: Fouquet 66 -- Chapter 6. Colbert: A Difficult Taskmaster 88 -- Chapter 7. The King in All His Glory 104 -- Chapter 8. Mazarin’s Memorial 135 -- Chapter 9. A Metallurgical disaster 153 -- Chapter 10. In the Shadow of his Successors 172 -- A Glossary of Architectural Terms 201 -- Notes to the Text 206 -- Acknowledgement 207 -- Notes 209 -- Select Bibliography 227 -- Index 229 --

Resumen: A must-read for those seeking to understand the intersection of politics and art in a pivotal moment of European history. This is a study of royal absolutism in a most extreme form in modern European history, and of the nature of Louis XIV's concept of personal glory and of the embodiment of France as a new superpower. It is a study of political ideas expressed in architecture to establish Versailles as the centre of French world power and royal prestige. It is also a personal story, full of social, cultural, and economic history of the period as seen in the life and work of Louis Le Vau, from a humble family of craftsmen, who was a self-taught architect in the early history of the profession, skilled in technical craft skills and even grand design. He was a major contributor to the architectural glories of Paris including the Louvre, Vincennes, Versailles and the College of the Four Nations. And all achieved despite interference from the great magnates of the age like Mazarin and Colbert and constant mind-changing by the King who wanted every feature in the buildings to reflect his concept of personal, royal, prestige. Le Vau was Louis XIV's First Architect from 1654 until his death and disgrace in 1670. The social, cultural, economic and political backdrop is striking with court intrigue, scandal, corruption, luxury, indulgence and the rise of a rich bourgeoisie, but the main thrust of the story concerns Louis XIV and the royal personal ambition, and the work of a stone-cutter's son who became the Sun King's instrument. The study is good on the more technical features of architectural history - reminiscent of Pevsner's marvellous Buildings of England series

Existencias
Imagen de cubierta	Tipo de ítem	Biblioteca actual	Biblioteca de origen	Colección	Ubicación en estantería	Signatura topográfica	Materiales especificados	Info Vol	URL	Copia número	Estado	Notas	Fecha de vencimiento	Código de barras	Reserva de ítems	Prioridad de la cola de reserva de ejemplar	Reservas para cursos
	Libro Col. General CARIBET	CARIBET Biblioteca Arquitectura Colección General CARIBET				General NA1053.L38 B35 2023 (Navegar estantería(Abre debajo))				1	Disponible			91000000754267

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Descripciones mejoradas de Syndetics:

A must-read for those seeking to understand the intersection of politics and art in a pivotal moment of European history.

This is a study of royal absolutism in a most extreme form in modern European history, and of the nature of Louis XIV's concept of personal glory and of the embodiment of France as a new superpower. It is a study of political ideas expressed in architecture to establish Versailles as the centre of French world power and royal prestige.It is also a personal story, full of social, cultural, and economic history of the period as seen in the life and work of Louis Le Vau, from a humble family of craftsmen, who was a self-taught architect in the early history of the profession, skilled in technical craft skills and even grand design. He was a major contributor to the architectural glories of Paris including the Louvre, Vincennes, Versailles and the College of the Four Nations. And all achieved despite interference from the great magnates of the age like Mazarin and Colbert and constant mind-changing by the King who wanted every feature in the buildings to reflect his concept of personal, royal, prestige. Le Vau was Louis XIV's First Architect from 1654 until his death and disgrace in 1670.The social, cultural, economic and political backdrop is striking with court intrigue, scandal, corruption, luxury, indulgence and the rise of a rich bourgeoisie, but the main thrust of the story concerns Louis XIV and the royal personal ambition, and the work of a stone-cutter's son who became the Sun King's instrument.The study is good on the more technical features of architectural history - reminiscent of Pevsner's marvellous Buildings of England series.

Includes bibliographical references and index.

Preface iv --
Chapter 1. A Family in the Building Trade 1 --
Chapter 2. The Architect and his Clients 21 --
Chapter 3. Vincennes: A Royal Project 40 --
Chapter 4. Mazarin’s Louvre 55 --
Chapter 5. Vaux-le-Vicomte: Fouquet 66 --
Chapter 6. Colbert: A Difficult Taskmaster 88 --
Chapter 7. The King in All His Glory 104 --
Chapter 8. Mazarin’s Memorial 135 --
Chapter 9. A Metallurgical disaster 153 --
Chapter 10. In the Shadow of his Successors 172 --
A Glossary of Architectural Terms 201 --
Notes to the Text 206 --
Acknowledgement 207 --
Notes 209 --
Select Bibliography 227 --
Index 229 --

A must-read for those seeking to understand the intersection of politics and art in a pivotal moment of European history. This is a study of royal absolutism in a most extreme form in modern European history, and of the nature of Louis XIV's concept of personal glory and of the embodiment of France as a new superpower. It is a study of political ideas expressed in architecture to establish Versailles as the centre of French world power and royal prestige. It is also a personal story, full of social, cultural, and economic history of the period as seen in the life and work of Louis Le Vau, from a humble family of craftsmen, who was a self-taught architect in the early history of the profession, skilled in technical craft skills and even grand design. He was a major contributor to the architectural glories of Paris including the Louvre, Vincennes, Versailles and the College of the Four Nations. And all achieved despite interference from the great magnates of the age like Mazarin and Colbert and constant mind-changing by the King who wanted every feature in the buildings to reflect his concept of personal, royal, prestige. Le Vau was Louis XIV's First Architect from 1654 until his death and disgrace in 1670. The social, cultural, economic and political backdrop is striking with court intrigue, scandal, corruption, luxury, indulgence and the rise of a rich bourgeoisie, but the main thrust of the story concerns Louis XIV and the royal personal ambition, and the work of a stone-cutter's son who became the Sun King's instrument. The study is good on the more technical features of architectural history - reminiscent of Pevsner's marvellous Buildings of England series

English

Notas de autor provistas por Syndetics

Richard Ballard is an historian of France who specialises in cultural, social, economic and personal histories, so essential for making the backdrop of huge political movements, from revolutions and war, come to life. The period of early modern France was a zenith of French glory as typified and personalised by Louis XIV. This approach makes for absorbing reading for both specialists, students and, above all, for general readers. The author's range is wide and he has published on late medieval France during the period of the Hundred Years War and the French Revolution, all full of fascinating experiences at multiple levels, and from Paris to the provinces. He brings history into personal and even every-day contact. He writes with flair and is a good read, while deeply researching in French archives - national and provincial - and rare sources. He has long been resident in the Charent-Maritime and is now in the Avenue de Saint-Cloud at Versailles, good for archive access and modern French cultural life. He read history at Oxford and taught history at Eton College, Wells Cathedral School, Haileybury College and Westminster School. His publications include The Unseen Terror: The French Revolution in the Provinces; A New Dictionary of the French Revolution and England, France and Aquitaine: From Victory to Defeat in the Hundred Years War (Pen and Sword 2020). He is a gifted illustrator and has provided drawings of architectural buildings and features to support photographs.

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