The manifesto house : buildings that changed the future of architecture / Owen Hopkins. txt

Por:

Hopkins, Owen, 1984- [author]

Editor: New Haven : Yale University Press, 2025Descripción: 240 p. : ill. : col. : 27 cmTipo de contenido:

still image
text

Tipo de medio:

unmediated

Tipo de soporte:

volume

ISBN:

9780300260540
0300260547

Otro título:

Buildings that changed the future of architecture

Tema(s): Clasificación CDD:

23 728

Clasificación LoC:

NA7125 H655 2025

Contenidos:

Introduction -- The house as a theme in the history of architectural ideas 7 -- Looking back: 1. Andrea Palladio, Villa Rotonda, outside Vicenza, Italy, 1566- c. 1590 24 -- 2. Sir John Soane, Sir John Soane’s Museum, London, UK, from 1792 32 -- 3. Philip Webb, Red House, Bexleyheath, London, UK, 1858- 60 42 -- 4. Luis Barragán, Casa Barragán, Mexico City, Mexico, 1948 50 -- 5. Robert Venturi, Vanna Venturi House, Philadelphia, Pennsylvania, USA, 1959- 64 60 -- 6. Charles Jencks and Terry Farell, The Thematic House, London, UK, 1979- 84 70 -- 7. Worofilia, Keru Mbuubenne, Senegal, 2018- 21 78 -- Looking out: 8. Frank Lloyd Wright, Fallingwater, Mill Run, Pennsylvania, USA, 1936-8 92 -- 9. Alvar Aalto, Villa Mairea, Noormarkku, Finland, 1938-9 102 -- 10. Lina Bo Bardi, Casa de Vidro, São Paulk, Brasil, 1949- 52 112 -- 11. Harry and Penelope Seidler, Harry and Penelope Seidler House, Sydney, Australia, 1966-7 122 -- 12. Sarah Wigglesworth and Jeremy Till, 9/10 Stock Orchard Street, Islington, London, 1999-2001 132 -- 13. Anupama Kundoo, Wall House Auroville, India, 2000 142 -- 14. Sou Fujimoto, House NA, Tokyo, Japan, 2012 152 -- Looking forward : 15. Konstantin Melnikov, Melnikov House, Moscow, Russia, 1927-9 164 -- 16. Adolf Loos, Villa Müller, Střešovice, Prague, Czech Republic, 1928-30 174 -- 17. Eileen Gary, E-1027, Roquebrune-Cap-Martin, France, 1929 184 -- 18. Le Corbusier, Villa Savoye, Poissy, France,1929 184 -- 19. Mies van der Rohe, Farnsworth House, Plano, Illinois, USA, 1951 200 -- 20. Richard and Su Rogers, 22 Parside, Wimbledon, London, UK, 1969 210 -- 21. Krista Kim, Mars House, Virtual object, 2020 220 -- Epilogue -- Architecture at the crossroads 230 -- Acknowledgments 232 -- Notes 233 -- Further reading 236 – Index 238 -- Credits 240 --

Resumen: "Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different--houses that stand outside of these expectations and instead are conceived to embody whole new theories or agendas. We call these "manifesto houses." For the first time, this compelling thread in the history of architecture is surveyed by Owen Hopkins. He brings together a collection of twenty-one such manifesto houses, exploring the visions for architecture conjured by Andrea Palladio, Eileen Gray, Frank Lloyd Wright, Harry Seidler, Lina Bo Bardi, Anupama Kundoo, and Sou Fujimoto, among others. The Manifesto House looks in detail at the ideas and ambitions embodied in each house, the contexts that shaped them, and their impact and influence on the future of architecture"-- Provided by publisher.

Existencias
Imagen de cubierta	Tipo de ítem	Biblioteca actual	Biblioteca de origen	Colección	Ubicación en estantería	Signatura topográfica	Materiales especificados	Info Vol	URL	Copia número	Estado	Notas	Fecha de vencimiento	Código de barras	Reserva de ítems	Prioridad de la cola de reserva de ejemplar	Reservas para cursos
	Libro Col. General CARIBET	CARIBET Biblioteca Arquitectura Colección General CARIBET				General NA7125 H655 2025 (Navegar estantería(Abre debajo))				1	Disponible			91000000753152

Total de reservas: 0

Descripciones mejoradas de Syndetics:

Manifesto houses reflect new visions for how we can live. Often extreme and uncompromising, they are vehicles for innovation, new ideas, and new ways of doing things.

Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different--houses that stand outside of these expectations and instead are conceived to embody whole new theories or agendas. We call these "manifesto houses."

For the first time, this compelling thread in the history of architecture is surveyed by Owen Hopkins. He brings together a collection of twenty-one such manifesto houses, exploring the visions for architecture conjured by Andrea Palladio, Eileen Gray, Frank Lloyd Wright, Harry Seidler, Lina Bo Bardi, Anupama Kundoo, and Sou Fujimoto, among others. The Manifesto House looks in detail at the ideas and ambitions embodied in each house, the contexts that shaped them, and their impact and influence on the future of architecture.

Includes bibliographical references (pages 236-237) and index.

Introduction --
The house as a theme in the history of architectural ideas 7 --
Looking back:
1. Andrea Palladio, Villa Rotonda, outside Vicenza, Italy, 1566- c. 1590 24 --
2. Sir John Soane, Sir John Soane’s Museum, London, UK, from 1792 32 --
3. Philip Webb, Red House, Bexleyheath, London, UK, 1858- 60 42 --
4. Luis Barragán, Casa Barragán, Mexico City, Mexico, 1948 50 --
5. Robert Venturi, Vanna Venturi House, Philadelphia, Pennsylvania, USA, 1959- 64 60 --
6. Charles Jencks and Terry Farell, The Thematic House, London, UK, 1979- 84 70 --
7. Worofilia, Keru Mbuubenne, Senegal, 2018- 21 78 --
Looking out:
8. Frank Lloyd Wright, Fallingwater, Mill Run, Pennsylvania, USA, 1936-8 92 --
9. Alvar Aalto, Villa Mairea, Noormarkku, Finland, 1938-9 102 --
10. Lina Bo Bardi, Casa de Vidro, São Paulk, Brasil, 1949- 52 112 --
11. Harry and Penelope Seidler, Harry and Penelope Seidler House, Sydney, Australia, 1966-7 122 --
12. Sarah Wigglesworth and Jeremy Till, 9/10 Stock Orchard Street, Islington, London, 1999-2001 132 --
13. Anupama Kundoo, Wall House Auroville, India, 2000 142 --
14. Sou Fujimoto, House NA, Tokyo, Japan, 2012 152 --
Looking forward :
15. Konstantin Melnikov, Melnikov House, Moscow, Russia, 1927-9 164 --
16. Adolf Loos, Villa Müller, Střešovice, Prague, Czech Republic, 1928-30 174 --
17. Eileen Gary, E-1027, Roquebrune-Cap-Martin, France, 1929 184 --
18. Le Corbusier, Villa Savoye, Poissy, France,1929 184 --
19. Mies van der Rohe, Farnsworth House, Plano, Illinois, USA, 1951 200 --
20. Richard and Su Rogers, 22 Parside, Wimbledon, London, UK, 1969 210 --
21. Krista Kim, Mars House, Virtual object, 2020 220 --

Epilogue --
Architecture at the crossroads 230 --
Acknowledgments 232 --
Notes 233 --
Further reading 236 –
Index 238 --
Credits 240 --

"Most houses are the product of multiple layers of norms and expectations built up over time, whether methods, materials, and technologies or social, cultural, economic, and political pressures. Yet at various moments houses have been built that break with the past and do something different--houses that stand outside of these expectations and instead are conceived to embody whole new theories or agendas. We call these "manifesto houses." For the first time, this compelling thread in the history of architecture is surveyed by Owen Hopkins. He brings together a collection of twenty-one such manifesto houses, exploring the visions for architecture conjured by Andrea Palladio, Eileen Gray, Frank Lloyd Wright, Harry Seidler, Lina Bo Bardi, Anupama Kundoo, and Sou Fujimoto, among others. The Manifesto House looks in detail at the ideas and ambitions embodied in each house, the contexts that shaped them, and their impact and influence on the future of architecture"-- Provided by publisher.

Reseñas proporcionadas por Syndetics

CHOICE Review

Hopkins (Royal Academy of Arts) defines "manifesto houses" as houses that "conjure new, totalizing visions for how we live, where whole theories of architecture--explicitly or implicitly conceived--are encapsulated into a single building." Thus, his latest effort surveys some of the most celebrated and debated houses in the world, looking at the ideas, ambitions, context, and influence they had on subsequent architecture. Spanning a period from the late 16th century to 2020, Hopkins takes readers on a tour of 21 such manifesto houses, highlighting the personalities, politics, social expectations, and economic restraints at the time of design/construction and their effects on architectural history. Hopkins believes that it is only the creation of shared ideas and agendas that can truly transform the designs we urgently need to emerge in this society. The Manifesto House is beautifully illustrated, with plenty of high-quality color and black-and-white photographs, diagrams, drawings, and floor plans that enhance readers' understanding of the supporting text. Summing Up: Recommended. All readership levels. --Robert Paul Meden, emeritus, American College of the Building Arts

Notas de autor provistas por Syndetics

Owen Hopkins is an architectural writer, historian and curator. He is the author of The Brutalists , Reading Architecture , and The Museum.

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