Music borrowing and copyright law : a genre-by-genre analysis / edited by Enrico Bonadio and Chen Wei Zhu.
Editor: Oxford, UK ; New York, NY : Hart Publishing, 2023Descripción: xviii, 464 pages : illustrations, music ; 25 cmTipo de contenido:- text
- still image
- notated music
- unmediated
- volume
- 9781509949380
- K 1450 .M87 2023
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca de Derecho Mons. Fremiot Torres Oliver Sala de Música | K 1450 .M87 2023 (Navegar estantería(Abre debajo)) | Disponible | 70000000906733 |
Descripciones mejoradas de Syndetics:
This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world.It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Indian traditional music, Australian indigenous music, Maori music and many others. This genre-conscious analysis builds on a theoretical section in which musicologists and lawyers offer their insights into fundamental issues concerning music genre categorisation, the typology of music borrowing and copyright law's ontological struggle with musical borrowing in theory and practice. The chapters are threaded together by a central theme, ie, that the cumulative nature of music creativity is the result of collective bargaining processes among many 'musicking' parties that have socially constructed creative music authorship under a rich mix of generic conventions.
Includes bibliographical references and index.
Part I: Music genres, borrowing and copyright. Defining music genres : critical issues with music taxonomies / Franco Fabbri -- A brief history and typology of musical borrowing and reworking / J Peter Burkholder -- Litigating musical universals and particulars : copyright law's ontological struggle with music borrowing / Chen Wei Zhu -- We can work it out : methods in forensic musicology / Joe Bennett -- Forensic musicology in action : a personal perspective / Guy Protheroe -- Borrowing from traditional culture : ownership and commodification of traditional music from a cultural custodianship perspective / Anthony CK Kakooza -- Part II: Analysing music genres and their relationship with copyright. Section A: General. Pop and the musical unconscious / Jose Bellido -- 'Do the right thing' or 'fight the power' : hip-hop music, sampling and copyright law / Joyce Lee and Marc Mimler -- Understanding the creative processes, musical borrowing and copyright protection of the electronic dance music industry / Nicola Lucchi -- How jazz persists at the periphery of copyright / Katherine M Leo -- Confronting an extractive raciliased genre system : black lives matter, royalty recovery and musical reparations / Olufunmilayo B Arewa and Matt Stahl -- 'Not like pyrates' : borrowing, copyright and creativity in the eighteenth century / Ann van Allen-Russell -- Section B: Americas. Remix, reuse and reggae : creativity and copyright in Jamaican music / Enrico Bonadio and Bryan Khan -- Rhythm and melody sans humanité : copyright and the development of calypso music / Bryan Khan -- Pholourie bina chutney : copyright and cultural identity in Indo-Caribbean music / Bryan Khan -- River Plate tango : appropriation, borrowing and innovation / Maximiliano Marzetti -- Section C: Europe. Ownership as sharing : the practices of Irish folk music / Luke McDonagh -- Hungarian musical heritage goes viral -- Hungarian folk music from a copyright perspective / Péter Mezei and Gergely Békés -- Flamenco music, borrowing practices and the limits of copyright / Antoni Rubí-Puig -- Canzone napoletana, chanson francaise and southern Italian folk music : who took from whom? / Giovanni Maria Riccio -- Greek traditional music : creativity, copyright and the commons / Stavroula Karapapa -- Section D: Africa and Middle East. Israeli music genres : appropriation and borrowing as a tool for national and cultural emergence and structuring / Omri Rachum-Twaig -- Feel the Benga beat : music borrowing and copyright law in Kenya / Marisella N Ouma -- The many facets of borrowing and creativity in South African music / Tobias Schonwetter and Bram Van Wiele -- Section E: Asia and Oceania. History, functionality and dignity : traditional Chinese music borrowing and copyright protection in China / Tianxiang He and Jing Li -- Music borrowing in the history of Japanese music / Ryu Kojima -- Creation and the dreamtime : Indigenous music in Australia / Michael Blakeney -- E tu, stand up : copyright and Maori music / Jonathan Barrett
"This ground-breaking book examines the multifaceted dynamics between copyright law and music borrowing within a rich diversity of music genres from across the world. It evaluates how copyright laws under different generic conventions may influence, or are influenced by, time-honoured creative borrowing practices. Leading experts from around the world scrutinise a carefully selected range of musical genres, including pop, hip-hop, jazz, blues, electronic and dance music, as well as a diversity of region-specific genres, such as Jamaican music, River Plate Tango, Irish folk music, Hungarian folk music, Flamenco, Australian indigenous music, Maori music and many others." --