History of modern art : painting, sculpture, architecture, photography
Prentice Hall, Inc. 1998ISBN:- 9780132273237
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | Biblioteca Encarnación Valdés | Ej. | Disponible | 80000002657081 |
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Descripciones mejoradas de Syndetics:
For undergraduate course in Modern Art, Origins of Modernism, Art Since 1945, Contemporary Art and other course focusing on art in the 20th century.Long considered the survey of modern art, this engrossing and liberally illustrated text traces the development of trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. Retaining its encyclopedic nature and chronological approach, it now comes thoroughly reworked by Marla Prather, a leading 20th-century art curator at the National Gallery of Art, with refreshing new analyses, a considerably expanded picture program, and a more absorbing and unified narrative.
Tabla de contenidos provista por Syndetics
- Prefaces and Acknowledgments(p. 11)
- 1 The Prehistory of Modern Painting(p. 17)
- 2 Realism, Impressionism, and Early Photography(p. 29)
- 3 Post-Impressionism(p. 64)
- 4 The Origins of Modern Architecture and Design(p. 90)
- 5 Art Nouveau(p. 99)
- 6 The Origins of Modern Sculpture(p. 120)
- 7 Fauvism(p. 131)
- 8 Expressionism in Germany(p. 141)
- 9 The Figurative Tradition in Early Twentieth-Century Sculpture(p. 171)
- 10 Cubism(p. 181)
- 11 Towards Abstraction(p. 217)
- 12 Early Twentieth-Century Architecture(p. 236)
- 13 From Fantasy to Dada and the New Objectivity(p. 250)
- 14 The School of Paris Between the Wars(p. 291)
- 15 Surrealism(p. 306)
- 16 Modern Architecture Between the Wars(p. 355)
- 17 International Abstraction Between the Wars(p. 370)
- 18 American Art Before World War II(p. 401)
- 19 Abstract Expressionism and the New American Sculpture(p. 437)
- 20 Postwar European Art(p. 477)
- 21 Pop Art and Europe's New Realism(p. 508)
- 22 Sixties Abstraction(p. 558)
- 23 The Second Wave of International Style Architecture(p. 602)
- 24 The Pluralistic Seventies(p. 627)
- 25 The Retrospective Eighties(p. 699)
- 26 Postmodernism in Architecture(p. 749)
- 27 Epilogue(p. 766)
- Bibliography(p. 806)
- Index(p. 829)
- Credits(p. 854)
Notas de autor provistas por Syndetics
The late H. H. Arnason was an art historian, educator, and museum administrator who, for many years, was Vice President for Art Administration of the Solomon R. Guggenheim Museum in New York. He began his professional life in academe, teaching at Northwestern University, University of Chicago, and University of Hawaii. From 1947 to 1961, Arnason was Professor and Chairman of the Department of Art at the University of MinnesotaMarla F. Prather is Curator of Twentieth-Century Art at the National Gallery of Art in Washington, D.C. A scholar and educator, she has written major sections in a number of catalogues to landmark exhibitions of twentieth-century art and artists, including those for Willem de Kooning and Alexander Calder, and has taught courses on aspects of twentieth-century art. Her B.A. and M.A. degrees are from The University of Kansas; she is a doctoral candidate at Columbia University in New York City