Boris Iofan : architect behind the Palace of the Soviets. / Maria Kostyuk, with contributions by Alessandro de Magistris, Federica Patti, and Elena Zheludkova. txt
Series Basics. 85 Boris IofanEditor: Berlin : DOM Publishers, 2019Descripción: 319 p. : ill. photo. ; 23 cmTipo de contenido:- text
- still image
- unmediated
- volume
- 9783869223124
- 386922312X
- Architect behind the Palace of the Soviets
- 23 724/.6
- NA1199.I56 K69 2019
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro Col. General CARIBET | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA1199.I56 K69 2019 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000071746 |
Descripciones mejoradas de Syndetics:
Boris Iofan is best known as the architect behind the Palace of the Soviets. Yet his style was not limited to the Socialist Classicism that flourished under Stalin. Rather, Iofan's architectural language evolved throughout his lifetime, from his eclecticist beginnings in Rome, to the grandeur of the wedding-cake style in the 1930s, to his incorporation of concrete panels under Khrushchev. This book presents a collection of essays that chart the development of the architect's variegated career that spanned nearly six decades.
Text in parallel English and Russian
Boris Iofan Architect behind the Palace of the Soviets --
1 Boris Iofan. The Principal factors in the Formation of Iofan’s style 006 --
2 Boris Iofan in Rome: Professional training, contacts, desings, and realized buildings, between 1914 and 1924 012 --
3 The sources of Boris Iofan’s ‘creative credo’ The role played by Iofan’s Italian experience and Russian avant-garde. Early designs and buildings 022 --
4 The palace of the Soviets. The design competition and Boris Iofan’s designs for the Palace of the Soviets 032 --
5 Boris Iofan and the arrangements regarding the Palace of the Soviets. 058 --
6 The USSR Pavilion for the 1937 Paris International Exposition, in the context of Boris Iofan’s creativity activity in the 1930s and 1940s 068 --
7 The postwar period in the work of Boris Iofan 080 --
8 Boris Iofan in the 1960s and 1970s: The Final Works of the Master 092 --
Boris Iofan is best known as the architect behind the Palace of the Soviets. Yet his style was not limited to the Socialist Classicism that flourished under Stalin. Rather, Iofan's architectural language evolved throughout his lifetime, from his eclecticist beginnings in Rome, to the grandeur of the wedding-cake style in the 1930s, to his incorporation of concrete panels under Khrushchev. This book presents a collection of essays that chart the development of the architect's variegated career that spanned nearly six decades.
Text in parallel English and Russian.