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After Universal Design: the disability design revolution / edited by Elizabeth Guffey.

Colaborador(es): Idioma: Inglés Bloomsbury Visual Arts, 2023 London, United Kingdom :Descripción: xii, 221 pages : illustrations ; 24 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediated
Tipo de soporte:
  • volume
ISBN:
  • 9781350241503
Tema(s): Clasificación CDD:
  • 23 746.92
Contenidos:
A universal conundrum / Elizabeth Guffey Section one: Agency Four commitments of crip technoscience / Kelly Fritsch and Aimi Hamraie Fixing meets expressing: design by designers with disability experience / Natalia Perez Liebergesell, Peter-Willem Vermeersch, and Ann Heylighen Case study: Brett's leather case / Jaipreet Virdi Case Study: Zebreda makes it work! and the "key" to innovation / Elizabeth Guffey Case study: privileging agency: a conversation with design and disability advocate Jessica Ryan-Ndegwa / Alison Kurdock Adams Case study: rehabilitation technology at the self-help shop then and now / Bess Williamson Case study: beyond the bespoke: agency and the hands of X / Andrew Cook and Graham Pullin Case study: re-imagining access and its pedagogies / Maggie Hendrie, Joshua Halstead, Robert Dirig, Elise Co, and Todd Masilko Section two: Equity section Equations for reducing disability stigma through design equity / Josh Halstead Making equity: how the disability community met the maker movement / Emeline Brule Case study: shaping inclusive and equitable makerspaces / Katherine M. Steele Case study: a study of skilled craftwork among blind fiber artists / Maitraye Das and Katya Borgos-Rodriguez and Anne Marie Piper Case study: Towards sensory equity: a more inclusive museum space designed from disability experience / Peter-Willem Vermeersch and Ann Heylighen Case study: The politics of friction: designing a sex toy for every body / David Serlin Case study: The face-based pain scale: a tool for whom? / Gabi Schaffzin Case study: next practice: towards equalities design / Natasha Trotman Section three: Speculation Speculative making / Sara Hendren Speculating on upstanding norms / Ashley Shew Case study: M Eifler's prosthetic memory as speculative archive / Lindsey D. Felt Case study: the way ahead / Caroline Cardus Case study: customizing reading: Harvey Lauer's "Reading machine of the future" / Mara Mills Case study: "Captioning on captioning" with Shannon Finnegan / Louise Hickman Case study: a squishy house / Emily Watlington Case study: Black disabled joy as an act of resistance / Jen White-Johnson
Resumen: "How might we develop products made with and by disabled users rather than for them? Could we change living and working spaces to make them accessible rather than designing products that "fix" disabilities? How can we grow our capabilities to make designs more "bespoke" to each individual? After Universal Design brings together scholars, practitioners, and disabled users and makers to consider these questions and to argue for the necessity of a new user-centered design. As many YouTube videos demonstrate, disabled designers are not only fulfilling the grand promises of DIY design but are also questioning what constitutes meaningful design itself. By forcing a rethink of the top-down professionalized practice of Universal Design, which has dominated thinking and practice around design for disability for decades, this book models what inclusive design and social justice can look like as activism, academic research, and everyday life practices today. With chapters, case studies, and interviews exploring questions of design and personal agency, hardware and spaces, the experiences of prosthetics' users, conventional hearing aid devices designed to suit personal style, and ways of facilitating pain self-reporting, these essays expand our understanding of what counts as design by offering alternative narratives about creativity and making. Using critical perspectives on disability, race, and gender, this book allow us to understand how design often works in the real world and challenges us to rethink ideas of "inclusion" in design"-- Publisher's description
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Descripciones mejoradas de Syndetics:

How might we develop products made with and by disabled users rather than for them? Could we change living and working spaces to make them accessible rather than designing products that "fix" disabilities? How can we grow our capabilities to make designs more "bespoke" to each individual? After Universal Design brings together scholars, practitioners, and disabled users and makers to consider these questions and to argue for the necessity of a new user-centered design.

As many YouTube videos demonstrate, disabled designers are not only fulfilling the grand promises of DIY design but are also questioning what constitutes meaningful design itself. By forcing a rethink of the top-down professionalized practice of Universal Design, which has dominated thinking and practice around design for disability for decades, this book models what inclusive design and social justice can look like as activism, academic research, and everyday life practices today.

With chapters, case studies, and interviews exploring questions of design and personal agency, hardware and spaces, the experiences of prosthetics' users, conventional hearing aid devices designed to suit personal style, and ways of facilitating pain self-reporting, these essays expand our understanding of what counts as design by offering alternative narratives about creativity and making. Using critical perspectives on disability, race, and gender, this book allow us to understand how design often works in the real world and challenges us to rethink ideas of "inclusion" in design.

A universal conundrum / Elizabeth Guffey
Section one: Agency
Four commitments of crip technoscience / Kelly Fritsch and Aimi Hamraie
Fixing meets expressing: design by designers with disability experience / Natalia Perez Liebergesell, Peter-Willem Vermeersch, and Ann Heylighen
Case study: Brett's leather case / Jaipreet Virdi
Case Study: Zebreda makes it work! and the "key" to innovation / Elizabeth Guffey
Case study: privileging agency: a conversation with design and disability advocate Jessica Ryan-Ndegwa / Alison Kurdock Adams
Case study: rehabilitation technology at the self-help shop then and now / Bess Williamson
Case study: beyond the bespoke: agency and the hands of X / Andrew Cook and Graham Pullin
Case study: re-imagining access and its pedagogies / Maggie Hendrie, Joshua Halstead, Robert Dirig, Elise Co, and Todd Masilko
Section two: Equity section
Equations for reducing disability stigma through design equity / Josh Halstead
Making equity: how the disability community met the maker movement / Emeline Brule
Case study: shaping inclusive and equitable makerspaces / Katherine M. Steele
Case study: a study of skilled craftwork among blind fiber artists / Maitraye Das and Katya Borgos-Rodriguez and Anne Marie Piper
Case study: Towards sensory equity: a more inclusive museum space designed from disability experience / Peter-Willem Vermeersch and Ann Heylighen
Case study: The politics of friction: designing a sex toy for every body / David Serlin
Case study: The face-based pain scale: a tool for whom? / Gabi Schaffzin
Case study: next practice: towards equalities design / Natasha Trotman
Section three: Speculation
Speculative making / Sara Hendren
Speculating on upstanding norms / Ashley Shew
Case study: M Eifler's prosthetic memory as speculative archive / Lindsey D. Felt
Case study: the way ahead / Caroline Cardus
Case study: customizing reading: Harvey Lauer's "Reading machine of the future" / Mara Mills
Case study: "Captioning on captioning" with Shannon Finnegan / Louise Hickman
Case study: a squishy house / Emily Watlington
Case study: Black disabled joy as an act of resistance / Jen White-Johnson

"How might we develop products made with and by disabled users rather than for them? Could we change living and working spaces to make them accessible rather than designing products that "fix" disabilities? How can we grow our capabilities to make designs more "bespoke" to each individual? After Universal Design brings together scholars, practitioners, and disabled users and makers to consider these questions and to argue for the necessity of a new user-centered design. As many YouTube videos demonstrate, disabled designers are not only fulfilling the grand promises of DIY design but are also questioning what constitutes meaningful design itself. By forcing a rethink of the top-down professionalized practice of Universal Design, which has dominated thinking and practice around design for disability for decades, this book models what inclusive design and social justice can look like as activism, academic research, and everyday life practices today. With chapters, case studies, and interviews exploring questions of design and personal agency, hardware and spaces, the experiences of prosthetics' users, conventional hearing aid devices designed to suit personal style, and ways of facilitating pain self-reporting, these essays expand our understanding of what counts as design by offering alternative narratives about creativity and making. Using critical perspectives on disability, race, and gender, this book allow us to understand how design often works in the real world and challenges us to rethink ideas of "inclusion" in design"-- Publisher's description

Tabla de contenidos provista por Syndetics

  • List of Figures(viii)
  • Acknowledgments(x)
  • Glossary of Terms(xi)
  • A Universal Conundrum Elizabeth Guffey(1)
  • Section 1 Agency(13)
  • Introduction(13)
  • Key Points(15)
  • 1 Four Commitments of Crip Technoscience(17)
  • 2 Fixing Meets Expressing: Design by Designers with Disability Experience(35)
  • 3 Case Study: Brett's Leather Case(51)
  • 4 Case Study: Zebreda Makes It Work! and the "Key" to Innovation(55)
  • 5 Case Study: Privileging Agency: A Conversation with Designer and Disability Advocate Jessica Ryan-Ndegwa(61)
  • 6 Case Study: Rehabilitation Technology at the Self-Help Shop Then and Now(65)
  • 7 Case Study: Beyond the Bespoke: Agency and Hands of X(71)
  • 8 Case Study: Re-imagining Access and Its Pedagogies(77)
  • Section 2 Equity(83)
  • Introduction(83)
  • Key Points(85)
  • 9 Equations for Reducing Disability Stigma through Design Equity(87)
  • 10 Making Equity: How the Disability Community Met the Maker Movement(99)
  • 11 Case Study: Shaping inclusive and Equitable Makerspaces(117)
  • 12 Case Study: A Study of Skilled Craftwork among Blind Fiber Artists(123)
  • 13 Case Study: Toward Sensory Equity: A More Inclusive Museum Space Designed from Disability Experience(129)
  • 14 Case Study: The Politics of Friction: Designing a Sex Toy for Every Body(135)
  • 15 Case Study: The Face-Based Pain Scale: A Tool for Whom?(141)
  • 18 Case Study: Next Practice: Toward Equalities Design(147)
  • Section 3 Speculation(153)
  • Introduction(153)
  • Key Points(155)
  • 17 Speculative Making(157)
  • 18 Speculating on Upstanding Norms(165)
  • 19 Case Study: M Eifler's Prosthetic Memory as Speculative Archive(179)
  • 20 Case Study: The Way Ahead(185)
  • 21 Case Study: Customizing Reading: Harvey Lauer's "Reading Machine of the Future"(189)
  • 22 Case Study: "Captioning on Captioning" with Shannon Finnegan(195)
  • 23 Case Study: A Squishy House(199)
  • 24 Case Study: Black Disabled Joy as an Act of Resistance(203)
  • List of Contributors(208)
  • Index(214)

Reseñas proporcionadas por Syndetics

CHOICE Review

Guffey (art and design, State Univ. of New York Purchase) has assembled essays and case studies that together build an argument--not against universal design, but rather for design practices that center particular users: people with disabilities and differences who are othered by the material cultures of contemporary life. "Universal design" is--or was--an institutional response to late-20th-century disability activism and its resulting legislative initiatives that resulted in design practices promising improved access. But it is practice done for people, reinforcing the otherness of their differences and impairments. Hence, as demonstrated, for example, by Ashley Shew's case study (chapter 18, "Speculating on Upstanding Norms"), there are episodic press releases about, e.g., expensive new wheelchairs that climb stairs--generally issued by well-meaning, able-bodied teams of undergraduate engineering students. As argued here, such designs both negate the demand for modifications of the built environment, and continue discourses about the wheelchair as something to be overcome. The essays in this book call for disability-led design that resists normalization practices and allows people with differences to define success and well-being for themselves. The book offers a recentering of disability activism within the emerging discourses and new technologies of makerspace cultures, although overall it is not well-tuned-in to prior discourses of user-centered design in technology studies. Summing Up: Recommended. Upper-division undergraduates. Graduate students, faculty, and professionals. General readers. --Jennifer L. Croissant, University of Arizona

Notas de autor provistas por Syndetics

Elizabeth Guffey is Professor of Art and Design History and Director of the MA in Modern and Contemporary Art, Criticism, and Theory of Purchase College, State University of New York, USA. She has authored and edited a number of books including Making Disability Modern (Bloomsbury, 2020) and Designing Disability (Bloomsbury, 2018). She is Founding Editor of Design and Culture and has also published essays in a number of popular publications, including The New York Times and The Nation.
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