Contemporary Japanese architecture. / Philip Jodidio ; collaboration: Harriet Graham ; German translation, Gregor Runge ; French translation, Claire Debard. txt
Editor: Köln : Taschen, 2021Descripción: 443 p. : ill. ; photo. ; col. ; plans ; 38 cmTipo de contenido:- text
- still image
- unmediated
- volume
- 9783836575102
- 3836575108
- 3836575116
- 9783836575119
- 23 720.952
- NA1555.6 J625 2021
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección Oversize CARIBET | Oversize NA1555.6 J625 2021 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000069393 |
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The contemporary architecture of Japan has long been among the most inventive in the world, recognized for sustainability and infinite creativity. No fewer than seven Japanese architects have won the Pritzker Prize.
Since Osaka World Expo '70 brought contemporary forms center stage, Japan has been a key player in global architecture. With his intentionally limited vocabulary of geometric forms, Tadao Ando has since then put Japanese building on the world's cultural map, establishing a bridge between East and West. In the wake of Ando's mostly concrete buildings, figures like Kengo Kuma (Japan National Stadium intended for the Olympic Games), Shigeru Ban (Mount Fuji World Heritage Center), and Kazuyo Sejima (Kanazawa Museum of 21st Century Art of Contemporary Art) pioneered a more sustainable approach. Younger generations have successfully developed new directions in Japanese architecture that are in harmony with nature and connected to traditional building. Rather than planning on the drawing board, the architects presented in this collection stand out for their endless search for forms, truly reacting on their environment.
Presenting the latest in Japanese building, this book reveals how this unique creativity is a fruit of Japan's very particular situation that includes high population density, a modern, efficient economy, a long history, and the continual risk of disasters in the form of earthquakes. Accepting ambiguity, as seen in the evanescent reflections of Sejima's Kanazawa Museum, or constant change and the threat of catastrophe is a key to understanding what makes Japanese architecture different from that of Europe or America.
This XL-sized book highlights 39 architects and 55 exceptional projects by Japanese masters--from Tadao Ando's Shanghai Poly Theater, Shigeru Ban's concert hall La Seine Musical, SANAA'S Grace Farms, Fumihiko Maki's 4 World Trade Center, to Takashi Suo's much smaller sustainable dental clinic. Each project is introduced with photos, original floor plans and technical drawings, as well as insightful descriptions and brief biographies. An elaborate essay traces the country's building scene from the Metabolists to today and shows how the interaction of past, present, and future has earned contemporary Japanese architecture worldwide recognition.
Includes bibliographical references.
10 JAPAN METABOLIZING BY PHILIP JODIDIO --
26 JAPAN METABOLIZIG VON PHILIP JODIDIO --
42 JAPAN METABOLIZIG DE PHILIP JODIDIO --
60 MIKIO MIZUTA MEMORIAL HALL HITOSHI ABE SAKADO, SAITAMA, JAPAN --
68 SHANGHAI POLY THEATER TADAO ANDO JIADING, SHANGHAI, CHINA --
76 ANNO MITSUMASA ART MUSEUM TADAO ANDO KYOTANGO, KYOTO, JAPAN --
82 LOUIS VUITTON MAISON OSAKA MIDOSUJI JUN AOKI OSAKA, JAPAN --
86 THE MASS NOBUO ARAKI/THE ARCHETYPE HARAJUKU, TOKYO, JAPAN --
94 PATH ARTECHNIC TOKYO, JAPAN --
102 LA SEINE MUSICALE SHIGERU BAN ÎLE SEGUIN, BOULOGNE- BILLANCOURT, FRANCE --
110 MOUNT FUJI WORLD HERITAGE CENTER SHIGERU BAN FUJINOMIYA, SHIZUOKA, JAPAN --
116 SHONAI HOTEL SUIDEN TERRASSE SHIGERU BAN KITAKYODEN, TSURUOKA, YAMAGATA, JAPAN --
122 OMOTESANDO KEYAKI BUILDING NORIHIKO DAN SHIBUYA, TOKYO, JAPAN --
128 LOOPTECTURE A SHUHEI ENDO MINAMIAWAJI, HYOGO, JAPAN --
136 CHILDREN'S PRACTICE PITCHING FIELD MASAKI ENDOH MINAMIAIZU, FUKUSHIMA, JAPAN --
142 MOSAIC TILE MUSEUM TERUNOBU FUJIMORI KASAHARA, TAJIMI, GIFU, JAPAN --
150 OMOTESANDO BRANCHES SOU FUJIMOTO SHIBUYA, TOKYO, JAPAN --
156 NAOSHIMA PAVILION SOU FUJIMOTO NAOSHIMA, KAGAWA, JAPAN --
162 HOUSE IN KAWASAKI GO HASEGAWA KAWASAKI, KANAGAWA, JAPAN --
170 VILLA BESIDE A LAKE GO HASEGAWA HAMAMATSU, SHIZUOKA, JAPAN --
178 WHITE ROSE ENGLISH SCHOOL NAOKO HORIBE OSAKA, JAPAN --
182 OUR RECTANGLES UN IGARASHI IWAKI, HOKKAIDO, JAPAN --
190 STONE VILLA YOSUKE INOUE LAKE KAWAGUCHI, YAMANASHI, JAPAN --
198 BOTANICAL GARDEN ART BIOTOP/WATER GARDEN JUNYA ISHIGAMI NASU, TOCHIGI, JAPAN --
204 SERPENTINE GALLERY SUMMER PAVILION 2019 JUNYA ISHIGAMI LONDON, UK --
210 MINNA NO MORI GIFU MEDIA COSMOS TOYO ITO GIFU, JAPAN --
216 MEGURI NO MORI KAWAGUCHI CITY FUNERAL HALL216 TOYO ITO KAWAGUCHI, SAITAMA, JAPAN --
224 ARK NOVA LUCERNE FESTIVAL ANISH KAPOOR + ARATA ISOZAKI MATSUSHIMA, MIYAGI, JAPAN --
232 S-HOUSE YUUSUKE KARASAWA OMIYA, SAITAMA, JAPAN --
240 YUSUHARA WOODEN BRIDGE MUSEUM KENGO KUMA YUSUHURA, KOCHI, JAPAN --
250 V&A DUNDEE KENGO KUMA DUNDEE, UK --
256 JAPAN NATIONAL STADIUM KENGO KUMA TOKYO, JAPAN --
260 4 WORLD TRADE CENTER FUMIHIKO MAKI NEW YORK, USA --
268 TOKYO DENKI UNIVERSITY, TOKYO SENJU CAMPUS FUMIHIKO MAKI TOKYO, JAPAN --
272 JAPANESE SWORD MUSEUM FUMIHIKO MAKI TOKYO, JAPAN --
278 ROADSIDE STATION IN MASHIKO MOUNT FUJI ARCHITECTS STUDIO MASHIKO, TOCHIGI, JAPAN --
286 HOUSE IN SANGENJAYA JO NAGASAKA/SCHEMATA ARCHITECTS SETAGAYA, TOKYO, JAPAN --
294 C(DO-C) EBISU JO NAGASAKA/SCHEMATA ARCHITECTS EBISU, SHIBUYA, TOKYO, JAPAN --
300 RIBBON CHAPEL HIROSHI NAKAMURA & NAP ONOMICHI, HIROSHIMA, JAPAN --
308 KAMIKATZ PUBLIC HOUSE HIROSHI NAKAMURA & NAP KAMIKATSU, TOKUSHIMA, JAPAN --
314 KOHTEI KOHEI NAWA/SANDWICH FUKUYAMA, HIROSHIMA, JAPAN --
320 TESHIMA ART MUSEUM RYUE NISHIZAWA TESHIMS ISLAND, KAGAWA, JAPAN --
330 VILLA U SATOSHI OKADA ATAMI, SHIZUOKA, JAPAN --
338 MIYAJIMA MISEN OBSERVATORY HIROSHI SAMBUICHI MIYAJIMA, HIROSHIMA, JAPAN --
344 NAOSHIMA HALL HIROSHI SAMBUICHI NAOSHIMA, KAGAWA, JAPAN --
352 GRACE FARMS SANAA/KAZUYO SEJIMA + RYUNE NISHIZAWA NEW CANAAN, USA --
360 SHOGIN TACT TSURUOKA SANAA/KAZUYO SEJIMA + RYUE NISHIZAWA TSURUOKA, YAMAGATA, JAPAN --
366 MOYAMOYA FUMIHIKO SANO HIGASHIKURUME, TOKYO, JAPAN --
374 T NOIE KATSUTOSHI SASAKI TOYOTA, AICHI, JAPAN --
382 SUMIDA HOKUSAI MUSEUM KAZUYO SEJIMA SUMIDA, TOKYO, JAPAN --
390 ODAWARA ART FOUNDATION: ENOURA OBSERVATORY HIROSHI SUGIMOTO ENOURA, ODAWARA, KANAGAWA, JAPAN --
398 JIKKA ISSEI SUMA IKE, ITO, SHIZUOKA. JAPAN --
406 ISHIHARA DENTAL CLINIC TAKASHI SUO OKAYAMA, JAPAN --
412 TODOROKI HOUSE IN VALLEY TSUYOSHI TANE SETAGAYA, TOKYO, JAPAN --
418 HIROSAKI MUSEUM OF CONTEMPORARY ART TSUYOSHI TANE HIROSAKI, AOMORI, JAPAN --
426 HEISEI CHISHINKAN, KYOTO NATIONAL MUSEUM YOSHIO TANIGUCHI HIGASHIYAMA, KYOTO, JAPAN --
432 MUKU NURSERY TEZUKA ARCHITECTS FUJI, SHIZUOKA, JAPAN --
440 HELIX HOUSE MAKOTO TAKEI + CHIE NABESHIMA / TNA TOKYO, JAPAN --
"The contemporary architecture of Japan has long been among the most inventive in the world, recognized for sustainability and infinite creativity. No fewer than seven Japanese architects have won the Pritzker Prize. Since Osaka World Expo '70 brought contemporary forms center stage, Japan has been a key player in global architecture. With his intentionally limited vocabulary of geometric forms, Tadao Ando has since then put Japanese building on the world's cultural map, establishing a bridge between East and West. In the wake of Ando's mostly concrete buildings, figures like Kengo Kuma (Japan National Stadium intended for the Olympic Games, originally planned for 2020), Shigeru Ban (Mount Fuji World Heritage Center), and Kazuyo Sejima (Kanazawa Museum of 21st Century Art of Contemporary Art) pioneered a more sustainable approach. Younger generations have successfully developed new directions in Japanese architecture that are in harmony with nature and connected to traditional building. Rather than planning on the drawing board, the architects presented in this collection stand out for their endless search for forms, truly reacting on their environment. Presenting the latest in Japanese building, this book reveals how this unique creativity is a fruit of Japan's very particular situation that includes high population density, a modern, efficient economy, a long history, and the continual presence of disasters in the form of earthquakes. Accepting ambiguity, as seen in the evanescent reflections of Sejima's Kanazawa Museum, or constant change and the threat of catastrophe is a key to understanding what makes Japanese architecture different from that of Europe or America. This XL-sized book highlights 39 architects and 55 exceptional projects by Japanese masters--from Tadao Ando's Shanghai Poly Theater, Shigeru Ban's concert hall La Seine Musical, SANAA'S Grace Farms, Fumihiko Maki's 4 World Trade Center, to Takashi Suo's much smaller sustainable dental clinic. Each project is introduced with photos, original floor plans and technical drawings, as well as insightful descriptions and brief biographies. An elaborate essay traces the country's building scene from the Metabolists to today and shows how the interaction of past, present, and future has earned contemporary Japanese architecture worldwide recognition."--Publisher's description.
Parallel text in English, French and German.