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Constructing Latin America : architecture, politics, and race at the museum of modern art. / Patricio del Real. txt

Por: Editor: New Haven : Yale University Press, 2022Descripción: xi, 306 pages : ; ill. ; photo. ; maps ; col. ; 26 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediated
Tipo de soporte:
  • volume
ISBN:
  • 9780300254563
Tema(s): Clasificación CDD:
  • 23 720.980747471
Clasificación LoC:
  • NA2400 N49 2022
Contenidos:
Chapter 1 Philip Johnson versus Diego Rivera and the Battle for an American Interior -- Chapter 2 Fighting for the “New Architecture” in Mexico -- Chapter 3 Brazil Builds and the Search for a “Latin American Spirit" -- Chapter 4 Our Man in MoMA: René d' Harnoncourt, the “Mixed-Blood,” and the "Cholo” -- Chapter 5 Emergent Civilizations: U.S. “Urban Jungles” and Latin American "Weak Forms” -- Chapter 6 Henry-Russell Hitchcock Takes Latin America to the Brink -- Chapter 7 Latin America Takes Command --
Resumen: In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of "Americanness" and "modernity" in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA's role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.
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Descripciones mejoradas de Syndetics:

A nuanced look at how the Museum of Modern Art's carefully curated treatment of Latin American architecture promoted U.S. political, economic, and cultural interests

In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York.

Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of "Americanness" and "modernity" in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA's role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.

Includes bibliographical references and index.

Chapter 1 Philip Johnson versus Diego Rivera and the Battle for an American Interior --
Chapter 2 Fighting for the “New Architecture” in Mexico --
Chapter 3 Brazil Builds and the Search for a “Latin American Spirit" --
Chapter 4 Our Man in MoMA: René d' Harnoncourt, the “Mixed-Blood,” and the "Cholo” --
Chapter 5 Emergent Civilizations: U.S. “Urban Jungles” and Latin American "Weak Forms” --
Chapter 6 Henry-Russell Hitchcock Takes Latin America to the Brink --
Chapter 7 Latin America Takes Command --

In the interwar period and immediately following World War II, the U.S. government promoted the vision of a modern, progressive, and democratic Latin America and worked to cast the region as a partner in the fight against fascism and communism. This effort was bolstered by the work and products of many institutions, including the Museum of Modern Art, New York. Using modern architecture to imagine a Latin America under postwar U.S. leadership, MoMA presented blockbuster shows, including Brazil Builds (1943) and Latin American Architecture since 1945 (1955), that deployed racially coded aesthetics and emphasized the confluence of "Americanness" and "modernity" in a globalizing world. Delving into the heated debates of the period and presenting never-before-published internal documents and photos from the museum and the Nelson A. Rockefeller archives, Patricio del Real is the first to fully address MoMA's role in U.S. cultural imperialism and its consequences through its exhibitions on Latin American art and architecture.

Reseñas proporcionadas por Syndetics

CHOICE Review

When is a museum more than a museum? Can it be a political tool? The thesis of this book is that through exhibits, New York's Museum of Modern Art attempted to influence Latin America to follow American political and ideological beliefs. Nelson A. Rockefeller, a longtime MoMA trustee and its first president, played an instrumental role in this effort. During the 1930s and 1940s, Rockefeller was head of the US Office of the Coordinator of Inter-American Affairs (CIAA), which was tasked with developing an industrial and cultural relationship between the US and Latin America. Rockefeller used his ties with MoMA and MoMA's mission to promote a modern worldview that included Latin America. Race and its issues in Latin America countries would also play a large role. Del Real (history and art and architecture, Harvard) focuses on how MoMA's Department of Architecture and Design carried out this project, through numerous exhibits on Latin America architecture and Pan-American culturalism. He extensively covers the history of these exhibits from 1933 to 1955, ending with the exhibit Latin American Architecture since 1945. An interesting and thought-provoking work on cultural politics and one of the world's most influential museums. This is a well-illustrated book; extensive notes stand in for a bibliography. Summing Up: Recommended. Upper-division undergraduates through faculty; professionals. --Nora J. Quinlan, formerly, Nova Southeastern University

Notas de autor provistas por Syndetics

Patricio del Real is associate professor of history of art and architecture at Harvard University.
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