Sebastiano Serlio on architecture. / by Sebastiano Serlio ; translated from the Italian with an introduction and commentary by Vaughan Hart and Peter Hicks. txt
New Haven, Conn : Yale University Press, 1996Descripción: v. <1-2> : ill. ; 28 cmTipo de contenido:- text
- unmediaded
- volume
- 9780300113051
- 0300062869
- 0300085036
- 20 720
- NA2515 S513 1996
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA2515 S513 1996 (Navegar estantería(Abre debajo)) | vol. 1 | 1 | Disponible | 91000000067843 | ||||||||||||
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA2515 S513 2001 (Navegar estantería(Abre debajo)) | vol. 2 | 1 | Disponible | 91000000067611 |
Descripciones mejoradas de Syndetics:
Sebastiano Serlio (1475-1554) was the most important architectural writer and theorist of the sixteenth century; despite this, his writings have been virtually inaccessible until now. This translation of Serlio's five-volume treatise--he died before publishing two further volumes--replaces the only other English version, one that was produced in 1611 from an inaccurate Dutch translation of the Italian original. Vaughan Hart and Peter Hicks, working directly from Serlio's own corrected editions, here provide new access to his highly influential treatise. Serlio introduced northern Europe to the principles of classical design. When Christopher Wren was building St. Paul's Cathedral and when John Wood designed the streets of Bath, for example, both architects had Serlio's books on hand.
Serlio begins with the rules of geometry and perspective, and continues with a description of the ornamental splendor of the baths, temples, arches, and palaces of ancient Rome. He includes advice on how to incorporate classical features into interior designs. In an innovative discussion of Tuscan, Doric, Ionic, and Corinthian columns, to which he added Composite, Serlio established a canon of Five Orders that held authority for over a century. He illustrates the use of these orders in twelve temple designs.
Serlio's attempt to codify the rules of a design language that utilized tradition while facilitating invention mirrors similar efforts by architects in the twentieth century to establish an architectural order through rules governing proportion and form.
Serlio's beautiful woodcut illustrations are reproduced in this edition, which also includes a thorough introduction, commentary, and glossary of terms.
Vol. 1 previously published as: The Five books of architecture. New York : Dover, 1982.
Includes bibliographical references and index.
Volume 1: Books I-V of 'Tutte L'Opere D'Architettura Et prospetiva' by Sebastiano Serlio --
Book I: On Geometry --
Book II: On Perspective --
Book III: On Antiquities --
Book IV: On the Five Styles of Buildings --
Book V: On Temples --
Commentary --
Glossary --
Bibliography --
Appendix One: Serlio's Venetian Copyrights --
Appendix Two: Serlio's Prefatory Letter to the Second and Third Editions of Book IV published in 1540 and 1544 --
Appendix Three: Editions and Translations --
Appendix Four: Maps of Europe and Rome indicating the Monuments described in Books III and IV --
Volume 2: Books VI and VII of 'Tutte L'Opere D'Architettura Et prospetiva' by Sebastiano Serlio --
VI On Habitations (Munich manuscript) --
VII On Situations --
Extraordinary Books --
Castrametation of the Romans (Book VIII) --
The Extraordinary Book of Doors --
Commentary --
Glossary --
bibliography --
Appendix One: Important Additions in the Columbia manuscript of Book VI in comparison with the Munich manuscript --
Appendix Two: Important Additions in the Vienna manuscript of Book VII in comparison with the first published edition (1575) --
Appendix Three: Serlio's unpublished 'verso' outline drawings --