Formulations : architecture, mathematics, culture. / Andrew Witt. txt
Series Writing architecture seriesEditor: Cambridge, Massachusetts : The MIT Press, 2021Descripción: 428 p. : ill. ; 21 cmTipo de contenido:- text
- unmediated
- volume
- 9780262543002
- 0262543001
- 23 720.1/51
- NA2750 W58 2021
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA2750 W58 2021 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000074799 |
Descripciones mejoradas de Syndetics:
An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century.
In Formulations , Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics. The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture's encounters with a range of calculational systems--techniques that architects inventively retooled for design. Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects.
Witt presents a series of extensively illustrated "biographies of method"--episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design. These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes--"theorems made flesh"--into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design.
Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques. Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
Includes bibliographical references and index.
Models, Machines, Manuals, and Cabinets --
A Machine Epistemology: Encapsulated Knowledge and the Instrumentation of Architecture --
Theorems Made Flesh: The Architectonics of Mathematical Maquettes --
Alternate Dimensions: Measuring Space from Building to Hyperbody --
A Virtuality Atlas: Stereoscopic Drawing and Geometric Dream Space --
Illusion Engines: Drawing at the Speed of Light --
Labyrinths, Topology, and Meinong's Jungle: Architecture's Impossible Objects --
All You Need is Cube: The Political Economy of Grid Space --
Geometry's Mass Media: Broadcasting Technique in Architecture's Hyperbolic Era --
Crystal Collectives: Architectures Chemical Subcultures --
Of Dabblers and Virtuosos --
"A history of the relationship between architecture and mathematics, with a special focus on the transition in the postwar period between analogue to digital design"--