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Building Character : The Racial Politics of Modern Architectural Style / Charles L., II Davis and Charles L. Davis.

Por: Colaborador(es): Series Culture Politics and the Built Environment SerEditor: [Place not identified] : University of Pittsburgh Press, 2019Fecha de copyright: ©2021Edición: First editionDescripción: 1 online resource (288 pages)Tipo de contenido:
  • text
Tipo de medio:
  • computer
Tipo de soporte:
  • online resource
ISBN:
  • 9780822986638
Tema(s): Género/Forma: Formatos físicos adicionales: Print version:: Building CharacterClasificación CDD:
  • 720.1/03
Clasificación LoC:
  • NA2543.R37 D38 2019
Contenidos:
Intro -- Contents -- Acknowledgments -- Introduction: The Racialization of Architectural Character in the Long Nineteenth Century -- Part I. The Aryan Character Of Alpine Architecture -- 1. Campfires In The Salon: Viollet-le-Duc and the Modernization of the Aryan Hut -- 2. Beyond The Primitive Hut: Gottfried Semper and the Material Embodiment of Germanic Character -- Part II. The Whiteness Of American Architecture -- 3. The Search For An American Architecture: Louis Sullivan and the Physiognomic Translation of American Character -- 4. When Public Housing Was White: William Lescaze and the Americanization of the International Style -- Conclusion: Race, Nature, and Nation in Postwar American Architecture -- Notes -- Bibliography -- Index.
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Libro electrónico Biblioteca de Mayagüez Acceso en línea NA2543.R37 D38 2019 (Navegar estantería(Abre debajo)) Ebook c. 1 Disponible 50000003284220
Libro Electrónico CARIBET CARIBET Biblioteca Arquitectura Libros Electrónicos CARIBET Electrónico NA2543.R37 D38 2019 (Navegar estantería(Abre debajo)) Disponible caribet297231
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Winner, 2021 CAAA Charles Rufus Morey Book Award | Winner, 2021 On the Brinck Book Award | Shortlist, 2020 MSA First Book Prize

In the nineteenth-century paradigm of architectural organicism, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Advances in scientific race theory enabled designers to think of "race" and "style" as manifestations of natural law: just as biological processes seemed to inherently regulate the racial characters that made humans a perfect fit for their geographical contexts, architectural characters became a rational product of design. Parallels between racial and architectural characters provided a rationalist model of design that fashioned some of the most influential national building styles of the past, from the pioneering concepts of French structural rationalism and German tectonic theory to the nationalist associations of the Chicago Style, the Prairie Style, and the International Style. In Building Character , Charles Davis traces the racial charge of the architectural writings of five modern theorists--Eugene Emmanuel Viollet-le-Duc, Gottfried Semper, Louis Sullivan, Frank Lloyd Wright, and William Lescaze--to highlight the social, political, and historical significance of the spatial, structural, and ornamental elements of modern architectural styles.

Intro -- Contents -- Acknowledgments -- Introduction: The Racialization of Architectural Character in the Long Nineteenth Century -- Part I. The Aryan Character Of Alpine Architecture -- 1. Campfires In The Salon: Viollet-le-Duc and the Modernization of the Aryan Hut -- 2. Beyond The Primitive Hut: Gottfried Semper and the Material Embodiment of Germanic Character -- Part II. The Whiteness Of American Architecture -- 3. The Search For An American Architecture: Louis Sullivan and the Physiognomic Translation of American Character -- 4. When Public Housing Was White: William Lescaze and the Americanization of the International Style -- Conclusion: Race, Nature, and Nation in Postwar American Architecture -- Notes -- Bibliography -- Index.

Description based on publisher supplied metadata and other sources.

Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, 2021. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries.

Reseñas proporcionadas por Syndetics

CHOICE Review

In this historical analysis of the development of American character in architectural style, Davis (architectural history and criticism, Univ. at Buffalo, SUNY) examines the cultural politics of national building styles and how those styles reflect racial assumptions and the embodiment of the philosophical exclusion of nonwhites in society. The author looks at material cultures of primitive humans and Western Europe's developing architectural tectonics, with its implications of colonialism's influence in style and character details. He integrates race theory into architectural discourse and considers the potential influences of hegemonic definitions of national character on modern architectural style in the US. He highlights the social and cultural limits of the racial politics of American architecture with in-depth discussion and analysis of Louis Sullivan's and Frank Lloyd Wright's interpretations of the American spirit of democracy. Tracing the history of discrimination against minority classes in architectural projects and specific government policies in public housing projects, Davis highlights racial discourses that continue to emerge in the distinction of the modern American genius and pragmatism of the American architect and business leader. With its clear and well-written thesis, this book associates the influence of racial science with modern architectural theories and national architectural styles of the 19th century. Summing Up: Highly recommended. Graduate students, researchers, faculty, professionals. --S. Dorothea Scott-Fundling, Savannah College of Art and Design

Notas de autor provistas por Syndetics

Charles L. Davis II is an assistant professor of architectural history and criticism at the University at Buffalo, SUNY.
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