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Arts & crafts design : a selected reprint of Industrial arts design / written by William H. Varnum ; foreword by Timothy L. Hansen. txt

Por: Salt Lake City : Gibbs-Smith Publisher, 1995Edición: 1st reprint edDescripción: 248 p. : ill. ; 25 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 0879056991 (pbk.)
  • 9780879056995
Otro título:
  • Arts and crafts design
Títulos uniformes: Tema(s): Clasificación CDD:
  • 20 745.4
Clasificación LoC:
  • NK1510 V3 1995
Contenidos:
Divisions of industrial arts design The primary mass and its proportions Horizontal major divisions of the primary mass Vertical major divisions of the primary mass appendages and the rules governing them Enrichment of the contours or outlines Designs in wood Enrichment of the contours or outlines designs in clay Enrichment of the contours or outlines designs in base and precious metals Surface enrichment of small primary masses in wood Surface enrichment of small primary masses in wood. (continued) Surface enrichment with minor subdivisions of large primary masses in wood Surface enrichment of clay. Surface enrichment of precious metals. Small flat planes Surface enrichment of large primary masses in base and precious metals Color: hue, value, and chroma; stains Color and its relation to industrial arts design. Large surfaces of wood; wall and ceiling areas Color and its relation to industrial arts design. Small surfaces in clay and metal Complete summary of rules Appendix (a) A complete course of study for the applied arts in the base and precious metals. Relation of the rules to the problems (b) A complete course of study for the applied arts in pottery. Relation of the rules to problems Index
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Descripciones mejoradas de Syndetics:

Originally published in 1916 when the Arts & Crafts movement was in its heyday, this is a virtual textbook of materials, color, techniques, and designs. Arts & Crafts Design is a practical guide to the creation of high-quality, high-style furnishings through the industrial arts.

"In this relativistic age in which de gustilrie non disputandum est (it is undisputed that each person has their own sense of taste), it is refreshing to look back to the early twentieth century when at least a few people were certain that there are universal rules for good art and also that they had themselves mastered these precepts and could pass them on to a society that loved commonly held values. William H. Varnum was one of those people. He offers here a textbook that will, if followed, allow students to 'directly apply well-recognized principles of design to specific materials and problems.' No situation esthetics here. In fact, he followed these principles in designing the logos representing his tools and ratio system on the cover of his book.

"The publisher of this new edition has added a useful foreword and substitued the title Arts and Crafts Design for the original (1916) Industrial Arts Design, an appropriate modification since the term "industrial" suggests factory production whereas Varnum referred to objects that today we call "Craftsman"--Rookwood pottery, Stickley furniture, Jarvie candlesticks, etc. A delightful touch is that Varnum included pictures of these objects alongside the principles by which he believed they were designed. Varnum's book offers an enlightening, if somewhat technical, insight into thinking about design before World War I. There is no doubt that the Arts and Crafts period during which the principles of simple beauty married so neatly with function can be better understood and appreciated today through Varnum's perceptions."

Robert Winter

Originally published: Industrial arts design. Peoria, Ill., Manual Arts Press, 1916.

"Peregrine Smith book"--T.p. verso.

Includes index.

Divisions of industrial arts design
The primary mass and its proportions
Horizontal major divisions of the primary mass
Vertical major divisions of the primary mass
appendages and the rules governing them
Enrichment of the contours or outlines Designs in wood
Enrichment of the contours or outlines designs in clay
Enrichment of the contours or outlines designs in base and precious metals
Surface enrichment of small primary masses in wood
Surface enrichment of small primary masses in wood. (continued)
Surface enrichment with minor subdivisions of large primary masses in wood
Surface enrichment of clay.
Surface enrichment of precious metals. Small flat planes
Surface enrichment of large primary masses in base and precious metals
Color: hue, value, and chroma; stains
Color and its relation to industrial arts design. Large surfaces of wood; wall and ceiling areas
Color and its relation to industrial arts design. Small surfaces in clay and metal
Complete summary of rules
Appendix
(a) A complete course of study for the applied arts in the base and precious metals. Relation of the rules to the problems
(b) A complete course of study for the applied arts in pottery. Relation of the rules to problems
Index

Extracto provisto por Syndetics

This book has been written with the view of presenting design from the standpoint of the industrial arts. An instructor generally experiences difficulty in finding the exact word to use when criticizing a student's drawing. The student has equal difficulty in understanding the criticism. There is little wonder that he is confused, when the rather ambiguous terms "good-looking," "ugly," "squatty," and "stiff" are used to express qualities that can be expressed only in terms of design. Excerpted from Arts and Crafts Design by William Harrison Varnum, Timothy L. Hansen All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Notas de autor provistas por Syndetics

William Harrison Varnum was an Assistant Professor of Drawing and Design at the University of Wisconsin in Madison when he wrote this book in 1916. The text was intended to be used for industrial arts courses in high school, colleges and universities, but has since transcended time and purpose.

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