Aalto, Utzon, Fehn : three paradigms of phenomenological architecture / Roger Tyrrell. txt
Editor: New York : Routledge, 2018Edición: First Published 2018Descripción: xxv, 219 p. ill. 24 cmTipo de contenido:- text
- unmediated
- volume
- 9781138960992
- 9781138961005
- 720.1 23
- NA2500 T975 2018
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA2500 T975 2018 (Navegar estantería(Abre debajo)) | 2 | Disponible | 91000000069336 | |||||||||||||
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA2500 T975 2018 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000059212 |
Descripciones mejoradas de Syndetics:
This book examines the work of three seminal Nordic architects - Alvar Aalto, Jørn Utzon and Sverre Fehn - from a phenomenological perspective, utilising the methodology of 'paradigm' (or 'in the manner of''). Roger Tyrrell explains how the approach of each architect is defined by the three sub-frames of the paradigm: that of the 'origin' (arche), that of 'revealing' (techne), and that of 'the poetic conjunction', in order to gain a holistic understanding of the experiential or phenomenological predisposition of the three architects. Using this method the author describes the commonalties and distinctive qualities of the architecture and design methods of Aalto, Utzon and Fehn. The final chapter projects the intellectual heritage of the three protagonists into the contemporary world, examining the work of practices from the UK, Norway and the USA that each extend this particular way of making place.
Include index.
List of Figures ix --
Acknowledgements xiii --
Foreword by Juhani Pallasmaa xv --
Preface: The Shaman, the Theoroi and the Storyteller xxiii --
1 Of Beneath the Table 1 --
2 Of Phenomenology and Paradigm 18 --
3 Alvar Aalto — the Sophisticated Shaman 54 --
4 Jorn Utzon — the Theoroi 99 --
5 Sverre Fehn — the Storyteller 134 --
6 Of Commonalities, Distinctions and Speculations 169 --
FIGURES:
1.1 Danish Landscape Parti Diagram. 3 --
1.2 Finnish Landscape Path Diagram. 4 --
1.3 Norwegian Landscape Path Diagram. 4 --
1.4 The Utzon Paradigm Framework. 6 --
2.1 Aalto Chair Components, Artek Showroom, Helsinki. 18 --
2.2 Sandbag Stepping Stone Bridge, Morocco. 21 --
2.3 Ait Benhaddou, High Atlas Mountains, Morocco. 26 --
2.4 Utzon's House, Denmark. 28 --
2.5 Kiasma, Helsinki, Steven Holl. 38 --
2.6 Sydney Opera House Plateau. 42 --
2.7 Log Foundations, Aalto Experimental House. 45 --
3.1 Helsinki Railway Station (1919). 55 --
3.2 Aalto's Paradigm. 57 --
3.3 Railway Workers Housing. 57 --
3.4 Jyvaskyla Workers Club. 58 --
3.5 Workers Housing Plinth. 59 --
3.6 Portico and Plinth of the Workers Club. 60 --
3.7 Door Handle Detail, Workers Club. 60 --
3.8 Paimio Tuberculosis Sanatorium. 63 --
3.9 Paimio Site Plan. 64 --
3.10 Paimio Staircase Detail. 65 --
3.11 Paimio Plumbing and Sanitary Ware. 66 --
3.12 Paimio Chair. 66 --
3.13 Paimio Light. 67 --
3.14 Riihitie House Entrance. 68 --
3.15 Living and Studio Space. 69 --
3.16 Landscape Setting. 70 --
3.17 Villa Mairea from the South. 72 --
3.18 Entrance Canopy. 72 --
3.19 The 'Forest Stairs'. 73 --
3.20 South Elevation Study. 74 --
3.21 Bedroom Windows to South Facade. 75 --
3.22 Tectonic Exactitude in Biomorphic Expression. 76 --
3.23 Hearth. 76 3.24 Saynatsalo Town Hall. 77 --
3.25 Elevated Council Chamber. 78 --
3.26 Elevated Courtyard. 78 --
3.27 Cloistered Circulation Route. 79 --
3.28 Stair to the Council Chamber. 80 --
3.29 Clerestory Lighting of the Public Space. 80 --
3.30 Aalto Light Fitting. 81 --
3.31 House of Culture. 81 --
3.32 Aalto's Brick. 82 --
3.33 Copper Pergola Caps. 82 --
3.34 Handrail Detail. 82 --
3.35 Wrapping Wall and Blind Facade. 83 --
3.36 Door Handle. 83 --
3.37 The Workspace. 83 --
3.38 The Studio Space. 84 --
3.39 External Amphitheatre. 84 --
3.40 Early Front Wall Sketch. 85 --
3.41 Later Front Wall Sketch. 85 --
3.42 City Theatre Plateau. 86 --
3.43 Clerestory Lights to Gallery. 87 --
3.44 Clerestory Lighting to Major Gallery. 88 --
3.45 Handrail Detail. 88 --
3.46 Amphitheatre. 88 --
3.47 Museums Juxtaposed. 89 --
3.48 Museum of Central Finland. 89 --
3.49 Aalto Museum Entrance Door. 89 --
3.50 Low-Set Window Openings and Ceramic Facade. 90 --
3.51 Experimental House Fire Pit. 91 --
3.52 Steps to the Pier Cut around Rock Outcrops. 92 --
3.53 Experimental House. 93 --
3.54 Brick Detailing. 95 --
3.55 Log and Stone Detail. 96 --
4.1 `Spidsgatter' Yacht Designed by Aage Utzon, housed in the Utzon Center, Aalborg, Denmark. 101 --
4.2 Utzon's Paradigm. 103 --
4.3 Utzon's Revised Paradigm. 104 --
4.4 Ait Benhaddou, Southern Atlas Mountains, Morocco. 105 --
4.5 Kingo Housing Project, Denmark. 106 --
4.6 Sydney Opera House - the Stereotomic Base and 'Woven' Shells. 107 --
4.7 Typical Summer House Landscape Setting - Near Elbetoft, Denmark. 108 --
4.8 The Kingo Housing Project. 108 --
4.9 Bagsvaerd Church Exterior. 110 --
4.10 Bagsvaerd Interior. 110 --
4.11 Structures of Nature. 111 --
4.12 Reinterpreted at the Opera House as Structures of Man. 111 --
4.13 Light Falling on Vaulted Surfaces, Bagsvaerd Kirke, Denmark. 113 --
4.14 The Ceramic Shells of the Opera House. 113 --
4.15 Clerestory Light Slot, Can Lis. 115 --
4.16 Can Lis Viewed from the Sea. 118 --
4.17 Can Lis - the Existential Cave. 121 --
4.18 The Cave Below Can Lis. 122 --
4.19 The Gate. 123 --
4.20 The Dancing Route. 124 --
4.21 The Ordered Route to the West. 124 --
4.22 Desk in the Bedspace. 125 --
4.23 The Gatehouse. 127 --
4.24 The Place to Be. 127 --
4.25 The Temple. 128 --
4.26 Essences. 130 --
5.1 Norwegian Landscape. 136 --
5.2 Borgund Stave Kirke, Norway. 137 --
5.3 Villa Sparre. 137 --
5.4 Fehn's Paradigm. 138 --
5.5 The Glacier Museum. 140 --
5.6 Skagestad House Stair. 141 --
5.7 Stair in the Bodker House. 142 --
5.8 Hedmark Museum. 142 --
5.9 Bodker House Fire. 143 --
5.10 Bodker House Snug. 144 --
5.11 Skagestad House. 145 --
5.12 Publisher's House, Oslo. 146 --
5.13 Villa Busk. 147 --
5.14 The Villa Busk Tower from the West. 152 --
5.15 Villa Busk Wall. 155 --
5.16 Villa Busk Tower. 156 --
5.17 Villa Busk Entry Path. 157 --
5.18 The 'Bridges': Villa Busk. 158 --
5.19 The Stair from the 'Cave', Villa Busk. 158 --
5.20 The Hearth, Villa Busk. 159 --
5.21 View from the Tower, Villa Busk. 160 --
5.22 The Bath, Villa Busk. 160 --
5.23 The View from the Living Space, Villa Busk. 161 --
5.24 The Post and Stone Detail, Villa Busk. 162 --
5.25 The Circulation Spine, Villa Busk. 163 --
5.26 Ventilation and View Disaggregated, Villa Busk. 165 --
5.27 Bathing Space, Villa Busk. 165 --
5.28 Conjunction of Concrete and Stone. 166 --
6.1 Mt Benhaddou. 171 --
6.2 Mt Benhaddou Detail. 172 --
6.3 Mt Benhaddou Landscape. 173 --
6.4 The 'Great Spot' - Can Lis. 174 --
6.5 The Bath, Villa Busk. 175 --
6.6 The Harbour Village. 177 --
6.7 Tectonic Expression with Limited Material Palette. 179 --
6.8 Oslo Opera House. 180 --
6.9 Performance Space. 181 --
6.10 The Forest of Coats. 181 --
6.11 Reindeer Pavilion. 182 --
6.12 Kampii Chapel. 184 --
6.13 St Henry's Chapel. 185 --
6.14 Turn End, Buckinghamshire. 186 --
6.15 Peter Aldington, January 2016. 186 --
6.16 Turn End. 187 6.17 Thrifty Beeches. 188 --
6.18 Thrifty Beeches 'Sedimentary' Wall. 189 --
6.19 Thrifty Beeches Sleeping Space. 190 --
6.20 Concept Sketch, Thrifty Beeches. 191 --
6.21 Tower. 193 --
6.22 Tower Stair. 193 --
6.23 Sedimentary Spine Wall. 195 --
6.24 Plywood House Rear Elevation. 196 --
6.25 Saw Plywood Detail. 197 --
6.26 Plywood Detail. 198 --
6.27 SAAW Concrete Samples. 199 --
6.28 Putney Cellar. 200 --
6.29 Putney Cellar Stairs. 201 --
6.30 Putney Cellar Wine Rack. 201 --
6.31 PCA Sketch Wall. 202 --
6.32 PCA Innisfree Competition Entry. 203 --
6.33 PCA Le Touquet House. 204 --
6.34 Kiasma. 206 --
6.35 Kiasma Weaving. 206 --
6.36 Kiasma Stair. 208 --
Notas de autor provistas por Syndetics
Roger Tyrrell is a principal lecturer in architecture at the University of Portsmouth, School of Architecture, UK, an adjunct associate professor in architecture at the University of Aalborg in Denmark, and co-director of the Jørn Utzon Research Network. Roger is also the director of CHORA (www.chora.uk.com), an international consultancy company that strives to reconnect academia with creative practice.