Bibliography: p. 33.

List of Illustration:
Students Works:
1. Project for a covered patio for the Diputación Provincial de Barcelona (Provincial Government Offices). Detail in water-colour, scale 1/25. Archivesof the E.T.S.A.B., 1876 --
2. Project for a covered patio for the Diputacion Provincial of Barcelona. Published by Ràfols in 1929 1876 --
3. Projects for a cementery gateway. Published by Ràfols in 1992 and destroyed in 1936 --
4. Projects final examinations. Assembly hall for a university. Archives of the E.T.S.A.B. Section in water-colour, scale 1/100, 1877 --
First Professional Work:
5. Project for lighting for the Sea Wall in Barcelona, 1881 --
6. Lanterns on the railings of the Parque de la Ciudadela, carried out during the period when he was assistant to the Superintendent of works, J. Fontserè. Circa 1876 --
7. Lamp posts for the Plaza Real in Barcelona. 1878 --
8. Projects for a Club for the Workers’ Cooperative of Mataró. Elevation, 1883 --
9-10. Interior for the industrial plant of the Workers’ Cooperative of Mataró, with convex wooden frames forming parabolic arches. Mataró, Barcelona, 1883 --
Casa Vicens:
11. Casa Vicens, Barcelona. A General view from the Calle de las Carolinas --
12. Casa Vicens. Interior of the dining room and the “aviary” --
13. Detail of the ornamentation of the dining room ceiling --
14. Detail of the main Façade with tile facing --
15. Structure of complex brickwork in the solution of the turrets on the corners --
The villa El Capricho in Comillas, Santander:
16. General view of the building and the turret --
17. Detail of the tile facing of the turret --
18. Detail of a large window and a corner balcony --
19. Detail of the entry portico and the base of the turret --
Güell Pavilions:
20. The cupola of the stable block, seen from the main gate --
21. Detail of the finish of the exterior walls, executed in moulded plaster --
22. Metal gate “of the Dragon” at the main entrance --
23. Detail of the head of the Dragon, carried out in wrought iron --
24. Detail of the flooring of the circular stable yard, with the monogram “G” of the Güell family --
25. Interior of the stables, which now house the Gaudí chair of the E.T.S.A.B. --
School of the Teresian Nuns:
26. General view --
27. Detail of the wrought-iron entrance gate --
28. Ornamental brickwork finials and detail of the lattice windows above the main entrance --
29. Central vestibule of the building with lateral central lighting --
30. Gallery on the first floor --
31. Diaphragmatic arches of brick, in parabolic form, in the upper galleries --
Palacio Güell:
32. Main façade --
33. Coat of arms, placed in the curvilinear triangle above the arches of the main entrance, and made of wrought iron --
34. Detail of the wrought iron of the entrance grille --
35. Wrought iron in the upper part of the arches of the main entrance --
36. Bay window with wooden lattice in the rear façade --
37. Support columns for the first floor, in the basement --
38 Brickwork on the descending ramp and columns in the basement --
39. Wood and iron coffered ceiling in the visitors’ room --
40. Detail of a capital in stone and wrought iron --
41. The spaces of the central drawing room from the galleries of the mezzanine --
42. Corner of the central drawing room --
43. Interior lattice in wood and wrought iron --
44. Parabolic dome above the central drawing room --
45. Parabolic arches in the gallery at the main façade --
46. Roof terrace of the Palacio --
47. Detail of the tops of the chimneys --
48. Exterior of the dome above the central drawing room --
49. Detail of the ceramic fragment facing on the chimneys --
Episcopal Palace of Astorga:
50. View of the rear portion of the building, which contains the chapel --
51. View of the main façade --
52. Detail of the splayed arches of the entry porch --
53. Detail of the arches and pillars of the chapel --
54. Arches faced with coloured ceramics, in the apse of the chapel --
The Casa Fernández Andrés (“Casa de los Botines”):
55. General view of the building --
56. Detail of the sculpture of St. George, the work of L. Matamala --
57. Turret on one corner, with a slate roof --
58. Detail of the treatment of the wall, large windows and top of the building --
Bellesguard:
59. Main façade --
60. Detail of the large Gothic window on the first floor --
61. Detail of the arching on the upper floor --
62. Detail of the exterior railing --
63. Brick arches in then attic --
64. Detail of the brickwork of the attic arches --
65. Spatial continuity of the system of parallel arches forming the structure of the attic --
66. Vaulting of the stairwell --
67. Vaulting of the drawing room --
68. Dynamic space of the stairwell --
69. Detail of the stained glass over the main door --
Casa Calvet:
70. Main façade --
71. Detail of the balconies and bay windows --
72. Detail of the staircase --
73. The course of the staircase in a typical floor of the building --
74. Interior of the vestibule --
75. Pillar of the supporting structure of the staircase, on the ground floor --
76. The lift casing --
77. Access to the staircase and the lift --
Casa Batlló: --
78. Main façade --
79. Detail of the ornamental ceramics of the façade --
80. First floor bay window --
81. Stone structure of the bay window on the first and second floors --
82. Vestibule and foot of the staircase --
83. Detail of the tile dado in the vestibule --
84. Graduation of colours in the tile facing of the light shaft --
85. Detail of tile facing in the light shaft --
86. Large window on the first floor --
87. Interior woodwork on the first floor --
88. Access door to apartments --
89. Arching in the hallway --
90. Detail of a supporting bracket in the opening of the first floor bay window --
91. Fireplace on the first floor --
92. False helicoidal ceiling on the first floor --
93. Tops of chimneys on the terrace roof --
94. The chimney finials --
95. Ceramic Ornamentation of the turret and of the coping of the top of the façade --
Parque Güell:
96-97. The name of the Parque Güell, carried out in ceramic fragments on the enclosing wall of the property --
98. Wrought iron gate --
99. Helicoidal tower, topped with Gaudi’s usual double crucifix --
100-101. Flight of steps leading to the porticoed market --
102. Fountain in the form of a lizard --
103. Detail of the line of columns of the hypostyle hall of the market --
104. The hypostyle hall of the market, underneath the large plaza, with its ornamentation designed by Jujol --
105. Course of benches faced in ceramics (carried out by Jujol) on the top of the platform of the large plaza --
106 to 109. Details of the ornamentation carried out by Jujol on the bench continuing around the plaza and using the technique of trencadís (broken ceramics) --
110. The bench on the large plaza, with the top of the porter’s lodge --
111. Building for the porter’s lodge, next to the main gate --
112. wrought iron grille, originally in the Casa Vicens, now installed in the Parque Güell --
113. Detail of the roof faced with trencadís, on the pavilion for the porter’s lodge of the Parque --
114. Structure of the viaduct --
115. Detail of the flower borders in the viaduct --
116. Parabolic earth retention arches in the support walls of the vaiducts --
Casa Milà (La Pedrera):
117. Ensemble of the façade --
118. Detail of stone balconies and wrought iron floor --
119. Detail of the capital of a support on the ground floor --
120. The relationship between materials and colours in the undulating rhythm of the façade --
121. Access to the first floor from the interior patio --
122. Gate of the vestibule and the carriage way --
123. Detail of a stone column, in the interior patio --
124. The roughly hewn base of a column, in the access from the interior patio --
125 to 127. A variety different solutions, seen in the working of the grilles for the openings in the lower parts of the patio --
128. View of the main patio from above --
129. The top of the façade with the terrace roof and elements for ventilation and the chimneys --
130 to 134. Chimneys and ventilation opening of the apartments resolved by means of fantastic figures, which inhabit the roof of the building. In the background, the Sagrada Familia under construction --
Alterations in the Cathedral of Palma de Mallorca: --
135. The new canopy suspended over the main altar --
136. Detail of the grilles in the chancel --
137. The Archbishop’s coat of arms --
138. Detail of the new wrought iron candle holders --
139-140. Floral ornamentation, probably the work of Jujol, in the new location of the choir in the chancel --
141. A view of the space of the central nave, seen thorough the structure of the new canopy --
Projects for a hotel in New York:
142. Side view of the complex --
143. Front view of the complex --
144. Longitudinal section and ground plan of the buildings at various levels --
145. Cross section --
146. Perspective of the large interior hall --
The Chapel of the Colonia Güell:
147. View of the complex of porches in front of the crypt --
148-149. Detail of the large lateral windows of the crypt --
150. Porch and lateral façade of the crypt --
151. Detail of the porch at the front of the crypt --
152. Structure of irregular arcades and of inclined supports, which form the porches at the front of the entrance to the crypt --
153. Cross made from wrought iron plating --
154. System of inclined supports in the porch --
155. Detail of the stone columns supporting the brick arcades of the porch --
156. Interior space of the crypt --
157. Large windows in the crypt, with lantern windows --
Expiatory Church of the Sagrada Familia:
158. The façade of the Nativity --
159. Detail of a name on a capital of the façade of the Nativity --
160. Detail of the base of a column on the façade of the Nativity --
161. Interior view of the apse and eastern transept of the Church (unfinished) --
162. Figures of angles and the façade of the Nativity --
163. Groups of animals on the façade of the Nativity --
164. Abstract geometrical finish on the interior front of the eastern transept --
165. Craving of 1882, commemorating of the beginning of the work. In the background, the towers of the façade of the Nativity --
166. The symbol of a tree at the centre of the façade of the Nativity --
167. Relief carving of the Nativity --
168. Detail of palm trees at the base of the portal of the Nativity --
169. The triple portal of the Nativity --
170. Tops of the four towers of the façade of the Nativity --
171. The structure of the pinnacles of the apse. In the background, the towers of the façade of the Nativity --
172. Abstract floral top on the apex of the portal of the Nativity --
173. Detail of the keystone of the vault of the crypt --
174. Structure of the crypt in Gothic style --
175. Model of the unfinished main and lateral naves --