Carlo Scarpa : Robert McCarter. txt
Idioma: Español Editor: London : Phaidon, 2017Descripción: 287 p. ill. ; (chiefly color), plans ; 29 cmTipo de contenido:- text
- unmediaded
- volume
- 9780714874205
- 9780714874203
- NA1123.S35 M33 2017
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro Col. General CARIBET | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA1123.S35 M33 2017 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000054270 |
"Reprinted in paperback 2017"--Colophon.
Includes a list of Scarpa's works.
Includes bibliographical references and index.
Contents:
INTRODUCTION VENUM WSW FACTUM PAGE 4 --
A MAN OF BYZANTIUM WHO CAME TO VENICE BY WAY OF GREECE PAGE 6 --
GASS DESIGNS, MURANO PAGE 16 --
NOTHING COMES FROM NOTHING PAGE 26 --
CA' FOSCARI RENOVATIONS, VENUE PAGE 32 --
BOOK PAVILION, ENTRANCE AND ITALIAN PAVILION COURTYARD, BIENNALE, VENICE PAGE 40 --
BEAUTY, ART, WONDER PAGE 46 --
GALLERIE DELL'ACCADEMIA RENOVATIONS, VENICE PAGE 50 --
CORRER MUSEUM RENOVATIONS, VENICE PAGE 56 --
PALAZZO ABATELLIS RENOVATIONS, PALERMO PAGE 62 --
ARCHITECTURE DETERMINED NOT BY THE WHOLE BUT BY THE PART PAGE 14 --
VENEZUELAN PAVILION, BIENNALE GARDENS, VENICE PAGE 18 --
VERITTI HOUSE, UDINE PAGE 86 --
CHURCH AT CORTE DI CADORE PAGE 92 --
EDIFICATION AS THE FOSTERING OF EMOTIONS PAGE 96 --
GIPSOTECA CANOVIANA ADDITION, POSSAGNO PAGE 98 --
GIVING PRESENCE TO THE ELEMENTS PAGE 112 --
OLIVETTI SHOWROOM, PIAZZA SAN MARCO, VENICE PAGE 114 --
GAVINA SHOWROOM, BOLOGNA PAGE 130 --
WORKING WITH TRACES OF THE PAST AND EXPECTATIONS OF FUTURE MEANING PAGE 136 --
CASTELVECCHIO MUSEUM RENOVATIONS, VERONA PAGE 138 --
CELEBRATION OF THE JOINT PAGE 160 --
FONDAZIONE QUERINI STAMPALIA RENOVATIONS, VENICE PAGE 162 --
THE WHOLENESS OF INSEPARABLE ELEMENTS PAGE 182 --
ZENTNER HOUSE, ZURICH, SWITZERLAND PAGE 184 --
FONDAZIONE MASIERI RENOVATIONS, VENICE PAGE 190 --
OTTOLENGHI HOUSE, BARDOLINO PAGE 200 --
THE DETAIL AS THE ADORATION OF NATURE PAGE 210 --
BANCA POPOLARE, VERONA PAGE 212 --
MAKING THE SPIRIT EXPLICIT PAGE 238 --
BRION CEMETERY, SAN VITO D'ALTIVOLE PAGE 240 --
CONCLUSION:
WE ONLY KNOW WHAT WE MAKE PAGE 212 --
APPENDIX NOTES PAGE 276 --
LIST OF WORKS 1922-1978 PAGE 278 --
BIBLIOGRAPHY PAGE 283 --
INDEX PAGE 284 --
AUTHOR'S ACKNOWLEDGEMENTS PAGE 286 --
Italian architect Carlo Scarpa (1906-1978) is a unique figure in the Modern movement and even today his work continues to challenge accepted notions of modern architecture. While intensely revered as an architect of immense detail and consideration, no comprehensive monograph has been produced on this scale to date - nothing that approaches the breadth and depth covered by this title. With an illuminating text by Robert McCarter, who has developed a reputation and following for his meticulously researched, experentially-based, and jargon-free accounts of key figures in Modern architecture, this book provides the definitive study of Scarpa's many accomplishments, including such works at the Canova Museum, the Castelvechhio Museum and the Brion Cemetery, among others --