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Designing with smell : practices, techniques and challenges

New York : Routledge, 2018Tipo de contenido:
  • text
Tipo de medio:
  • unmediated
Tipo de soporte:
  • volume
ISBN:
  • 9781138955547
Tema(s): Clasificación CDD:
  • 745.4
Clasificación LoC:
  • NK1520  .D473 2017
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Libro CARIBET Biblioteca Arquitectura Colección General CARIBET NK1520 .D473 2017 (Navegar estantería(Abre debajo)) Disponible 91000000053983
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Descripciones mejoradas de Syndetics:

Designing with Smell aims to inspire readers to actively consider smell in their work through the inclusion of case studies from around the world, highlighting the current use of smell in different cutting-edge design and artistic practices. This book provides practical guidance regarding different equipment, techniques, stages and challenges which might be encountered as part of this process.

Throughout the text there is an emphasis on spatial design in numerous forms and interpretations - in the street, the studio, the theatre or exhibition space, as well as the representation of spatial relationships with smell. Contributions, originate across different geographical areas, academic disciplines and professions. This is crucial reading for students, academics and practitioners working in olfactory design.

Includes index.

ED: UNIVERSITY OF SHEFFIELD.

Tabla de contenidos provista por Syndetics

  • List of Illustrations(p. xiii)
  • Notes on Contributors(p. xvii)
  • Preface(p. xxv)
  • 1 Introduction(p. 1)
  • Part I Olfactory Art(p. 5)
  • Introduction(p. 5)
  • 2 Smell the City: A Participatory Art Installation(p. 9)
  • 3 On Olfactory Space(p. 19)
  • 4 The Smell of Snow: Experiencing Wonderland through Multisensory Art(p. 32)
  • Part II Representing Smell(p. 39)
  • Introduction(p. 39)
  • 5 The GhostEood Project: Enhancing Flavor through Personalized Smellscapes(p. 43)
  • 6 Smellscape Narratives: Designing Olfactory Spaces as Infrastructure for Embodied Storytelling(p. 57)
  • 7 Communicating and Mediating Smellscapes: The Design and Exposition of Olfactory Mappings(p. 67)
  • Part III Smellscape Design and Monitoring(p. 79)
  • Introduction(p. 79)
  • 8 The Design of Urban Smellscapes with Fragrant Plants and Water features(p. 83)
  • 9 Stop and Smell the Flowers: Plant Scent in a Healing forest Garden for Patients with Stress-related Illness(p. 96)
  • 10 The Creation of Seoul Scent: Invisible Beauty(p. 102)
  • 11 Design with Smells: The Environmental Scientist's Perspective(p. 111)
  • Part IV Retail, Scent and Service Design(p. 119)
  • Introduction(p. 119)
  • 12 Designing Smell into the Consumer Experience(p. 123)
  • 13 The Use of Scent in Out Of Home (OOH) Advertising(p. 132)
  • 14 Scent and Brand Storytelling(p. 140)
  • 15 Olfactory Control, Aroma Power and Organizational Smellscapes(p. 148)
  • Part V Smell Learning Environments(p. 157)
  • Introduction(p. 157)
  • 16 Experiential Learning and Olfactory Architectures: Accommodating Smell in Teaching Practices in the Built Environment(p. 161)
  • 17 Culturalizing Scent: Current Steps towards Integrating the Sense of Smell in Art and Design Education(p. 169)
  • 18 Olfactory Education in Art and Design(p. 178)
  • 19 Situating Olfactory Literacies: An Intersensory Pedagogy by Design(p. 187)
  • Part VI Historic and Theatrical Smellscapes(p. 197)
  • Introduction(p. 197)
  • 20 Inhaling Futurism: On the Use of Olfaction in Futurism and Olfactory (Re)constructions(p. 201)
  • 21 A Dead Man's Nose: Using Smell to Explore the Battlefield of Waterloo(p. 211)
  • 22 Olfactory Design Elements in Theater: The Practical Considerations(p. 219)
  • 23 The Nose Onstage: Olfactory Perceptions and Theatrical Dimension(p. 227)
  • Part VII Smell Capture, Distillation and Diffusion(p. 237)
  • Introduction: Making Scents(p. 237)
  • 24 A DIY Guide for Extracting Scent in Your Kitchen(p. 239)
  • 25 Scenting the Antiseptic institution(p. 248)
  • 26 Indeterminate Ecologies of Scent(p. 259)
  • Afterword(p. 270)
  • Index(p. 276)

Notas de autor provistas por Syndetics

The late Victoria Henshaw's last post was as a Lecturer in Urban Design and Planning at the University of Sheffield, UK.
Kate McLean is Programme Director for Graphic Design at Canterbury Christ Church University, UK.
Dominic Medway is Professor of Marketing in the Institute of Place Management at Manchester Metropolitan University, UK.
Chris Perkins is Reader in Geography at the University of Manchester, UK.
Gary Warnaby is Professor of Retailing and Marketing in the Institute of Place Management at Manchester Metropolitan University, UK.
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