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A short history of the movies Gerald Mast.

Por: Detalles de publicación: Chicago University of Chicago Press 1981.Edición: 3rd edDescripción: x, 499 p., [4] leaves of plates ill. (some col.) 24 cmISBN:
  • 0226509826
Tema(s): Clasificación CDD:
  • 791.43/09 19
Clasificación LoC:
  • PN1993.5.A1 M39 1981b
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Libro Biblioteca Encarnación Valdés Colección General bev 791.43 M423s3 (Navegar estantería(Abre debajo)) Disponible 80000001213274
Total de reservas: 0

Includes index.

Bibliography: p. 453-472.

Tabla de contenidos provista por Syndetics

  • Preface
  • 1 Introductory Assumptions
  • 2 Birth
  • Persistence of Vision
  • Photography
  • Thomas Edison
  • Projection
  • The First Films
  • 3 Film Narrative, Commercial Expansion
  • Early Companies
  • Narrative
  • Business Wars
  • The Film d'Art
  • 4 Griffith
  • Apprenticeship
  • The Birth of a Nation
  • Intolerance
  • 1917-31
  • 5 Mack Sennett and the Chaplin Shorts
  • Krazy Keystones
  • Charlie
  • 6 Movie Czars and Movie Stars
  • Stars over Hollywood
  • The Emperors and Their Rule
  • Morality
  • Films and Filmmakers, 1910-28
  • The Comics
  • Hollywood and the Jazz Age
  • 7 The German Golden Age
  • Expressionism, Realism, and the Studio Film
  • Fantasy
  • Psychology
  • The End of an Era
  • 8 Soviet Montage
  • The Kuleshov Workshop
  • Sergei M. Eisenstein
  • Vsevolod I. Pudovkin
  • Other Major Figures
  • Socialist Realism
  • 9 Sound
  • Processes
  • Problems
  • Solutions
  • 10 France between the Wars
  • Surrealism and Other Movements
  • Gance and Dreyer
  • Rene Clair
  • Jean Renoir
  • Vigo and Others
  • 11 The American Studio Years: 1930-45
  • Film Cycles and Cinematic Conventions
  • The Comics
  • Masters of Mood and Action
  • 12 Hollywood in Transition: 1946-65
  • Enemies Within: Freedom of Association and Free Entertainment
  • Films in the Transitional Era
  • Surfaces and Subversion
  • Finding the Audience
  • 13 Neorealism and the New Wave
  • Italian Neorealism
  • Romantics and Antiromantics
  • France Postwar Classicism
  • 1959 and After
  • The French (and Italian) Revolution
  • 14 Emerging National Traditions 1: 1945
  • Sweden and Denmark
  • England
  • Central and Eastern Europe
  • Cinemas East
  • 15 Hollywood Renaissance: 1964-76
  • The New American Auteurs
  • The Independent American Cinema
  • 16 Emerging National Traditions 2: 1968
  • Das neue Kino
  • Third World Cinemas
  • Up from Down Under, Down from Up Above
  • Russia and the Former Soviet Union
  • Iran
  • The New Internationalism
  • 17 The Return of the Myths: 1977
  • Star Wars and the New Mythology
  • Leading Directors
  • Business and Technology
  • The Look of the Future
  • Appendix: For Further Reading and Viewing
  • Distributors
  • Glossary
  • Acknowledgments
  • Index
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