Le Corbusier : ideas and forms / William J. R. Curtis.
Idioma: Español Oxford : Phaidon, 1986Descripción: 240 p. : ill. (some col.), plans, plates, ports. 38cmTipo de contenido:- text
- unmediaded
- Volume
- 0714827908
- NA1053.J4 C87 1986
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | NA1053.J4 C87 1996 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000051094 |
Descripciones mejoradas de Syndetics:
Le Corbusier (1887-1965) has been one of the dominant forces in twentieth-century architecture and a legendary pioneering figure. Many of the forms he created have become archetypes of modernism. Yet he was also a social visionary and a writer of powerful polemics whose ideas have generated intense and partisan controversy.
Now available for the first time in paperback, Le Corbusier: Ideas and Forms provides a comprehensive and objective survey that exposes Le Corbusier through a more balanced perspective than ever before.
Making full use of the 'Le Corbusier Archive', the author documents individual projects in detail, while linking the imaginative activities of the artist to his philosophy of life, his urban visions, his art and the cultural predicaments of his times. He analyses Le Corbusier's phenomenal powers of abstraction and synthesis, to illustrate how he created a potent architectural vocabulary based on a limited range of types and elements, and how he used it to generate architectural forms of compelling force.
This intimate and meticulous study of all Le Corbusier's major buildings - from first sketches to final achievement - reveals the artist's struggle to reconcile the ideal and the practical and to give institutions and ideologies a suitable symbolic form. It shows, in turn, how this most 'modern' of architects constantly found profound inspiration in both nature and architectural tradition.
Includes index.
Reseñas proporcionadas por Syndetics
Library Journal Review
This thorough review of Le Corbusier (1887-1965), an inescapable force in 20th-century architecture, draws on masses of documentation now available and on a close viewing of the buildings themselves. Curtis has published several works on the architect, and this is a largely successful overview of the entire oeuvre , linking Le Corbusier's ideas and philosophy to the buildings. It is a carefully considered book, based on extensive thought and study of the vast documentation, addressed to the advanced student of modernism. Though the text at times is dense, the structure of the book is very clear and the design and layout are thoughtful and sympathetic. Highly recommended. Jack Perry Brown, Art Inst. of Chicago Libs. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.Notas de autor provistas por Syndetics
William Curtis was educated at the Courtauld Institute of Art in London and Harvard University. Curtis has taught History of Architecture and Theories of Design at universities across England, the United States, Australia and Asia.
He has won worldwide acclaim for his architectural writing. His books include the bestselling Modern Architecture Since 1900 - published by Phaidon Press in 1982 - as well as Le Corbusier/English Architecture (1975) and Le Corbusier at Work (1978).
Curtis received the Founder's Award of the Society of Architectural Historians (USA) in 1982. In 1985 he was the recipient of both the critics' award of the Comité Internationale des Critiques d'Architecture and the CICA award for best article of architectural criticism world-wide in the period 1982-5. His monograph Balkrishna Doshi: an Architecture for India won him a silver medal at the world Biennale of Architecture in 1989.