Extracto provisto por Syndetics

Chapter One In a broad Moscow street not two hundred yards from the Leningrad station, on the upper floor of an ornate and hideous hotel built by Stalin in the style known to Muscovites as Empire During the Plague, the British Council's first ever audio fair for the teaching of the English language and the spread of British culture was grinding to its excruciating end. The time was half past five, the summer weather erratic. After fierce rain showers all day long, a false sunlight was blazing in the puddles and raising vapour from the pavements. Of the passers-by, the younger ones wore jeans and sneakers, but their elders were still huddled in their warms. The room the Council had rented was not expensive but neither was it appropriate to the occasion. I have seen it. Not long ago, in Moscow on quite another mission, I tiptoed up the great empty staircase and, with a diplomatic passport in my pocket, stood in the eternal dusk that shrouds old ballrooms when they are asleep. With its plump brown pillars and gilded mirrors, it was better suited to the last hours of a sinking liner than the launch of a great initiative. On the ceiling, snarling Russians in proletarian caps shook their fists at Lenin. Their vigour contrasted unhelpfully with the chipped green racks of sound cassettes along the walls, featuring Winnie-the-Pooh and Advanced Computer English in Three Hours. The sackcloth sound-booths, locally procured and lacking many of their promised features, had the sadness of deck chairs on a rainy beach. The exhibitors' stands, crammed under the shadow of an overhanging gallery, seemed as blasphemous as betting shops in a tabernacle. Nevertheless a fair of sorts had taken place. People had come, as Moscow people do, provided they have the documents and status to satisfy the hard-eyed boys in leather jackets at the door. Out of politeness. Out of curiosity. To talk to Westerners. Because it is there. And now on the fifth and final evening the great farewell cocktail party of exhibitors and invited guests was getting into its stride. A handful of the small nomenklatura of the Soviet cultural bureaucracy was gathering under the chandelier, the ladies in their beehive hairstyles and flowered frocks designed for slenderer frames, the gentlemen slimmed by the shiny French-tailored suits that signified access to the special clothing stores. Only their British hosts, in despondent shades of grey, observed the monotone of Socialist austerity. The hubbub rose, a brigade of pinafored governesses distributed the curling salami sandwiches and warm white wine. A senior British diplomat who was not quite the Ambassador shook the better hands and said he was delighted. Only Niki Landau among them had withheld himself from the celebrations. He was stooped over the table in his empty stand, totting up his last orders and checking his dockets against expenses, for it was a maxim of Landau's never to go out and play until he had wrapped up his day's business. And in the corner of his eye -- an anxious blue blur was all that she amounted to -- this Soviet woman he was deliberately ignoring. Trouble, he was thinking as he laboured. Avoid. The air of festivity had not communicated itself to Landau, festive by temperament though he was. For one thing, he had a lifelong aversion to British officialdom, ever since his father had been forcibly returned to Poland. The British themselves, he told me later, he would hear no wrong of them. He was one of them by adoption and he had the poker-backed reverence of the convert. But the Foreign Office flunkies were another matter. And the loftier they were, and the more they twitched and smirked and raised their stupid eyebrows at him, the more he hated them and thought about his dad. For another thing, if he had been left to himself, he would never have come to the audio fair in the first place. He'd have been tucked up in Brighton with a nice new little friend he had, called Lydia, in a nice little private hotel he knew for taking little friends. "Better to keep our powder dry till the Moscow book fair in September," Landau had advised his clients at their headquarters on the Western by-pass. "The Russkies love a book, you see, Bernard, but the audio market scares them and they aren't geared for it. Go in with the book fair, we'll clean up. Go in with the audio fair, we're dead." But Landau's clients were young and rich and did not believe in death. "Niki boy," said Bernard, walking round behind him and putting a hand on his shoulder, which Landau didn't like, "in the world today, we've got to show the flag. We're patriots, see, Niki? Like you. That's why we're an offshore company. With the glasnost today, the Soviet Union, it's the Mount Everest of the recording business. And you're going to put us on the top, Niki. Because if you're not, we'll find somebody who will. Somebody younger, Niki, right? Somebody with the drive and the class." The drive Landau had still. But the class, as he himself was the first to tell you, the class, forget it. He was a card, that's what he liked to be. A pushy, short-arsed Polish card and proud of it. He was Old Nik the cheeky chappie of the Eastward-facing reps, capable, he liked to boast, of selling filthy pictures to a Georgian convent or hair tonic to a Roumanian billiard ball. He was Landau the undersized bedroom athlete, who wore raised heels to give his Slav body the English scale he admired, and ritzy suits that whistled "here I am." When Old Nik set up his stand, his travelling colleagues assured our unattributable enquirers, you could hear the tinkle of the handbell on his Polish vendor's barrow. And little Landau shared the joke with them, he played their game. "Boys, I'm the Pole you wouldn't touch with a barge," he would declare proudly as he ordered up another round. Which was his way of getting them to laugh with him. Instead of at him. And then most likely, to demonstrate his point, he would whip a comb from his top pocket and drop into a crouch. And with the aid of a picture on the wall, or any other polished surface, he'd sweep back his too black hair in preparation for fresh conquest, using both his little hands to coax it into manliness. "Who's that comely one I'm looking at over there in the corner then?" he'd ask, in his godless blend of ghetto Polish and East End cockney. "Hullo there, sweetheart! Why are we suffering all alone tonight?" And once out of five times he'd score, which in Landau's book was an acceptable rate of return, always provided you kept asking. But this evening Landau wasn't thinking of scoring or even asking. He was thinking that yet again he had worked his heart out all week for a pittance -- or, as he put it more graphically to me, a tart's kiss. And that every fair these days, whether it was a book fair or an audio fair or any other kind of fair, took a little more out of him than he liked to admit to himself, just as every woman did. And gave him a fraction too little in return. And that tomorrow's plane back to London couldn't come too soon. And that if this Russian bird in blue didn't stop insinuating herself into his attention when he was trying to close his books and put on his party smile and join the jubilant throng, he would very likely say something to her in her own language that both of them would live to regret. That she was Russian went without saying. Only a Russian woman would have a plastic perhaps-bag dangling from her arm in readiness for the chance purchase that is the triumph of everyday life, even if most perhaps-bags were of string. Only a Russian would be so nosy as to stand close enough to check a man's arithmetic. And only a Russian would preface her interruption with one of those fastidious grunts, which in a man always reminded Landau of his father doing up his shoe laces, and in a woman, Harry, bed. "Excuse me, sir. Are you the gentleman from Abercrombie & Blair?" she asked. "Not here, dear," said Landau without lifting his head. She had spoken English, so he had spoken English in return, which was the way he played it always. "Mr. Barley?" "Not Barley, dear. Landau." "But this is Mr. Barley's stand." "This is not Barley's stand. This is my stand. Abercrombie & Blair are next door." Still without looking up, Landau jabbed his pencil-end to the left, towards the empty stand on the other side of the partition, where a green-and-gold board proclaimed the ancient publishing house of Abercrombie & Blair of Norfolk Street, Strand. "But that stand is empty. No one is there," the woman objected. "It was empty yesterday also." "Correct. Right on," Landau retorted in a tone that was final enough for anybody. And he ostentatiously lowered himself further into his account book, waiting for the blue blur to remove itself. Which was rude of him, he knew, and her continuing presence made him feel ruder. "But where is Scott Blair? Where is the man they call Barley? I must speak to him. It is very urgent." Landau was by now hating the woman with unreasoning ferocity. "Mr. Scott Blair," he began as he snapped up his head and stared at her full on, "more commonly known to his intimates as Barley, is awol, madam. That means absent without leave. His company booked a stand -- yes. And Mr. Scott Blair is chairman, president, governor-general and for all I know lifetime dictator of that company. However, he did not occupy his stand -- " But here, having caught her eye, he began to lose his footing. "Listen, dear, I happen to be trying to make a living here, right? I am not making it for Mr. Barley Scott Blair, love him as I may." Then he stopped, as a chivalrous concern replaced his momentary anger. The woman was trembling. Not only with the hands that held her brown perhaps-bag but also at the neck, for her prim blue dress was finished with a collar of old lace and Landau could see how it shook against her skin and how her skin was actually whiter than the lace. Yet her mouth and jaw were set with determination and her expression commanded him. "Please, sir, you must be very kind and help me," she said as if there were no choice. Now Landau prided himself on knowing women. It was another of his irksome boasts but it was not without foundation. "Women, they're my hobby, my life's study and my consuming passion, Harry," he confided to me, and the conviction in his voice was as solemn as a Mason's pledge. He could no longer tell you how many he had had, but he was pleased to say that the figure ran into the hundreds and there was not one of them who had cause to regret the experience. "I play straight, I choose wisely, Harry," he assured me, tapping one side of his nose with his forefinger. "No cut wrists, no broken marriages, no harsh words afterwards." How true this was nobody would ever know, myself included, but there can be no doubt that the instincts that had guided him through his philanderings came rushing to his assistance as he formed his judgments about the woman. She was earnest. She was intelligent. She was determined. She was scared, even though her dark eyes were lit with humour. And she had that rare quality which Landau in his flowery way liked to call the Class That Only Nature Can Bestow. In other words, she had quality as well as strength. And since in moments of crisis our thoughts do not run consecutively but rather sweep over us in waves of intuition and experience, he sensed all these things at once and was on terms with them by the time she spoke to him again. "A Soviet friend of mine has written a creative and important work of literature," she said after taking a deep breath. "It is a novel. A great novel. Its message is important for all mankind." She had dried up. "A novel," Landau prompted. And then, for no reason he could afterwards think of, "What's its title, dear?" The strength in her, he decided, came neither from bravado nor insanity but from conviction. "What's its message then, if it hasn't got a title?" "It concerns actions before words. It rejects the gradualism of the perestroika. It demands action and rejects all cosmetic change." "Nice," said Landau, impressed. She spoke like my mother used to, Harry: chin up and straight into your face. "In spite of glasnost and the supposed liberalism of the new guidelines, my friend's novel cannot yet be published in the Soviet Union," she continued. "Mr. Scott Blair has undertaken to publish it with discretion." "Lady," said Landau kindly, his face now close to hers. "If your friend's novel is published by the great house of Abercrombie & Blair, believe me, you can be assured of total secrecy." He said this partly as a joke he couldn't resist and partly because his instincts told him to take the stiffness out of their conversation and make it less conspicuous to anybody watching. And whether she understood the joke or not, the woman smiled also, a swift warm smile of self-encouragement that was like a victory over her fears. "Then, Mr. Landau, if you love peace please take this manuscript with you back to England and give it immediately to Mr. Scott Blair. Only to Mr. Scott Blair. It is a gift of trust." What happened next happened quickly, a street-corner transaction, willing seller to willing buyer. The first thing Landau did was look behind her, past her shoulder. He did that for his own preservation as well as hers. It was his experience that when the Russkies wanted to get up to a piece of mischief, they always had other people close by. But his end of the assembly room was empty, the area beneath the gallery where the stands were was dark and the party at the centre of the room was by now in full cry. The three boys in leather jackets at the front door were talking stodgily among themselves. His survey completed, he read the girl's plastic name badge on her lapel, which was something he would normally have done earlier but her black-brown eyes had distracted him. Yekaterina Orlova, he read. And underneath, the word "October," given in both English and Russian, this being the name of one of Moscow's smaller State publishing houses specialising in translations of Soviet books for export, mainly to other Socialist countries, which I am afraid condemned it to a certain dowdiness. Next he told her what to do, or perhaps he was already telling her by the time he read her badge. Landau was a street kid, up to all the tricks. The woman might be as brave as six lions and by the look of her probably was. But she was no conspirator. Therefore he took her unhesitatingly into his protection. And in doing so he spoke to her as he would to any woman who needed his basic counsel, such as where to find his hotel bedroom or what to tell her hubby when she got home. "Got it with you then, have you, dear?" he asked, peering down at the perhaps-bag and smiling like a friend. "Yes." "In there, is it?" "Yes." "Then give me the whole bag normally," Landau said, talking her through her act. "That's the way. Now give me a friendly Russian kiss. The formal sort. Nice. You've brought me an official farewell gift on the last evening of the fair, you see. Something that will cement Anglo-Soviet relations and make me overweight on the flight home unless I dump it in the dustbin at the airport. Very normal transaction. I must have received half a dozen such gifts today already." Part of this was spoken while he crouched with his back to her. For, reaching into the bag, he had already slipped out the brown-paper parcel that was inside it and was dropping it deftly into his briefcase, which was of the home filing variety, very compendious, with compartments that opened in a fan. "Married, are we, Katya?" No answer. Maybe she hadn't heard. Or she was too busy watching him. "Is it your husband who's written the novel, then?" said Landau, undeterred by her silence. "It is dangerous for you," she whispered. "You must believe in what you are doing. Then everything is clear." As if he had not heard this warning at all, Landau selected, from a pile of samples that he had kept to give away tonight, a four-pack of the Royal Shakespeare Company's specially commissioned reading of A Midsummer Night's Dream, which he placed ostentatiously on the table and signed for her on the plastic casing with a felt-tip pen: "From Niki to Katya, Peace," and the date. Then he put the four-pack ceremoniously into the perhaps-bag for her, and gathered the handles of the bag together and pressed them into her hand, because she was becoming lifeless and he was worried she might break down or cease to function. Only then did he give her the reassurance that she seemed to be asking for, while he continued to hold her hand, which was cold, he told me, but nice. "All of us have got to do something risky now and then, haven't we, dear?" Landau said lightly. "Going to adorn the party, are we?" "No." "Like a nice dinner out somewhere?" "It is not convenient." "You want me to take you to the door?" "It doesn't matter." "I think we've got to smile, dear," he said, still in English as he walked her across the room, chatting to her like the good salesman he had once again become. Reaching the great landing, he shook her hand. "See you at the book fair, then? September. And thanks for warning me, okay? I'll bear it in mind. Still, the main thing is, we've got a deal. Which is always nice. Right?" She took his hand and seemed to draw courage from it, for she smiled again and her smile was dazed but grateful, and almost irresistibly warm. "My friend has made a great gesture," she explained as she pushed back an unruly lock of hair. "Please be sure that Mr. Barley is aware of this." "I'll tell him. Don't you worry," said Landau jauntily. He would have liked another smile just for himself, but she had lost interest in him. She was delving in her bag for her card, which he knew she had forgotten till this moment. "ORLOVA, Yekaterina Borisovna," it read, in Cyrillic one side and Roman the other, again with the name "October" in both renderings. She gave it to him, then walked stiffly down the pompous staircase, head up and one hand on the broad marble balustrade, the other hand trailing the perhaps-bag. The boys in leather jackets watched her all the way down to the hall. And Landau, while he popped the card into his top pocket with the half-dozen others he'd collected in the last two hours, saw them watch her and gave the boys a wink. And the boys after due reflection winked back at him, because this was the new season of openness when a pair of good Russian hips could be acknowledged for what they were, even to a foreigner. For the fifty minutes of revelry that remained, Niki Landau threw his heart into the party. Sang and danced for a grim-faced Scottish librarian in pearls. Recited a witty political anecdote about Mrs. Thatcher for a pair of pale listeners from the State Copyright Agency, VAAP, till they suddenly emitted wild laughter. Buttered up three ladies from Progress Publishers and, in a series of nimble journeys to his briefcase, presented each with a memento of his stay, for Landau was a natural giver and remembered names and promises, just as he remembered so many other things, with the directness of an unencumbered mind. But all the while he kept the briefcase unobtrusively in view, and even before the guests had left, he was holding it in his spare hand while he made his farewells. And when he boarded the private bus that was waiting to take the reps back to their hotel, he sat with it on his knees while he joined in a tuneful unison of rugby songs, led as usual by Spikey Morgan. "Ladies present now, boys," Landau warned and, standing up, commanded silence at the passages that he considered too broad. But even when he was playing the great conductor he contrived to keep a firm grip on the briefcase. At the hotel entrance the usual gaggle of pimps, drug-pushers and currency dealers hung around and, together with their KGB minders, watched the group enter. But Landau saw nothing in their behaviour to concern him, whether over-watchful or over-casual. The crippled old warrior who guarded the passageway to the lifts demanded as usual to see his hotel pass, but when Landau, who had already presented him with a hundred Marlboros, asked him accusingly in Russian why he wasn't out flirting with his girlfriend tonight, he gave a rasping laugh and punched him on the shoulder in goodfellowship. "If they're trying to frame me, I thought, they'd better be quick about it or the trail will be cold, Harry," he told me, taking the part of the opposition rather than his own. "When you frame, Harry, you've got to move in fast while the evidence is still planted on the victim," he explained, as if he had been framing people all his life. "Bar of the National, nine o'clock then," Spikey Morgan said to him wearily when they had fought their way out at the fourth floor. "Could be, could be not, Spikey," Landau replied. "I'm not quite myself, to be honest." "Thank God for that," said Spikey through a yawn, and plodded off into his own dark corridor watched by the evil-eyed floor concierge in her horsebox. Reaching his bedroom door Landau braced himself before putting the key into the lock. They'd do it now, he thought. Here and now would be the best time to snatch me and the manuscript. But when he stepped inside, the room was empty and undisturbed and he felt foolish for having suspected it of being any different. Still alive, he thought, and set the briefcase on the bed. Then he pulled the handkerchief-sized curtains as close as they would go, which was halfway, and hung the useless "Do Not Disturb" notice on the door, which he then locked. He emptied the pockets of his suit, including the pocket where he stored incoming business cards, pulled off his jacket and tie, his metal armbands, finally his shirt. From the fridge he poured himself half an inch of lemon vodka and took a sip. Landau was not a drinker really, he explained to me, but when in Moscow he did like a nice lemon vodka to end his day. Taking his glass to the bathroom, he stood before the mirror and for a good ten minutes anxiously examined the roots of his hair for signs of white, touching out offending spots with the aid of a new formula that was working wonders. Having completed this labour to his satisfaction, he bound his skull with an elaborate rubber turban like a bathing cap and showered, while he sang "I am the very model of a modern major-general" rather well. Then he towelled himself, vigorously for the sake of his muscle-tone, slipped into a bold flowered bathrobe and marched back to the bedroom still singing. And he did these things partly because he always did them and needed the steadying familiarity of his own routines, but partly also because he was proud of having thrown caution to the winds for once and not found twenty-five sound reasons for doing nothing, which these days he might have done. She was a lady, she was afraid, she needed help, Harry. When did Niki Landau ever refuse a lady? And if he was wrong about her, well then she'd made a crying fool of him and he might as well pack up his toothbrush and report himself at the front door of the Lubyanka for five years' study of their excellent graffiti without the option. Because he'd rather be made a fool of twenty times over than turn away that woman without a reason. And so saying, if only in his mind, for he was always alert to the possibility of microphones, Landau drew her parcel from the briefcase and with a certain shyness set to work untying the string but not cutting it, just the way he had been taught by his sainted mother, whose photograph at this moment nestled faithfully in his wallet. They've got the same glow, he thought in pleasant recognition as he worried patiently at the knot. It's the Slav skin. It's the Slav eyes, the smile. Two nice Slav girls together. The only difference was that Katya hadn't finished up in Treblinka. The knot finally yielded. Landau coiled up the string and laid it on the bed. I have to know, you see, dear, he explained to the woman Yekaterina Borisovna in his mind. I don't want to pry, I'm not the nosy one, but if I've got to con my way through Moscow customs, I'd better know what I'm conning them out of, because it helps. Delicately so as not to tear it, using both hands, Landau parted the brown paper. He did not see himself as any sort of a hero, or not yet. What was a danger to a Moscow beauty might not be a danger to him. He had grown up hard, it was true. The East End of London had been no rest cure for a ten-year-old Polish immigrant, and Landau had taken his share of split lips, broken noses, smashed knuckles and hunger. But if you had asked him now or at any time in the last thirty years what his definition of a hero was, he would have replied without a second's thought that a hero was the first man out of the back door when they started yelling for volunteers. One thing he did know as he stared at the contents of that brown-paper parcel: he had the buzz on him. Why he had it was something he could sort out later when there weren't better things to do. But if dodgy work needed to be done tonight, Niki Landau was your man. Because when Niki has the buzz, Harry, no one buzzes better, as the girls all know. The first thing he saw was the envelope. He registered the three notebooks underneath it and saw that the envelope and notebooks were joined with a thick elastic band, the kind he always saved but never found a use for. But it was the envelope that held him because it had her writing on it -- a strict copybook kind of writing that confirmed his pure image of her. One square brown envelope, glued rather messily and addressed "Personal for Mr. Bartholomew Scott Blair, urgent." Slipping it free of the elastic band, Landau held it to the light but it was opaque and revealed no shadow. He explored it with his finger and thumb. One sheet of thin paper inside, two at most. Mr. Scott Blair has undertaken to publish it with discretion, he remembered. Mr. Landau, if you love peace...give it immediately to Mr. Scott Blair. Only to Mr. Scott Blair...it is a gift of trust. She trusts me too, he thought. He turned the envelope over. The back was blank. And there being only so much that one may learn from a sealed brown envelope, and since Landau drew the line at reading Barley's or anybody else's personal mail, he opened his briefcase again and, having searched the stationery compartment, extracted from it a plain manila envelope of his own, with the words "From the desk of Mr. Nicholas P. Landau" inscribed tastefully on the flap. Then he popped the brown envelope inside the manila one and sealed it. Then he scribbled the name "Barley" on it and filed it in the compartment marked "Social," which contained such oddities as visiting cards that had been pressed on him by strangers and notes of odd commissions he had undertaken to perform for people -- such as the publishing lady who needed refills for her Parker pen or the Ministry of Culture official who wanted a Snoopy T-shirt for his nephew or the lady from October who simply happened to be passing while he was wrapping up his stand. And Landau did this because with the tradecraft that was instinctive in him, if totally untaught, he knew that his first job was to keep the envelope as far away as possible from the notebooks. If the notebooks were trouble, then he wanted nothing that would link them with the letter. And vice versa. And in this he was entirely right. Our most versatile and erudite trainers, dyed in all the oceans of our Service folklore, would not have told it to him one whit differently. Only then did he take up the three notebooks and slip off the elastic band while he kept one ear cocked for footfalls in the corridor. Three grubby Russian notebooks, he reflected, selecting the top one and turning it slowly over. Bound in crudely illustrated board, the spine in fraying cloth. Two hundred and twenty-four pages of poor-quality, feint-ruled quarto, if Landau remembered correctly from the days when he peddled stationery, Soviet price around twenty kopeks retail from any good stationer, always provided that the delivery had arrived and that you were standing in the right queue on the right day. Finally he opened the notebook and stared at the first page. She's daft, he thought, fighting off his disgust. She's in the hands of a nutter. Poor kid. Meaningless scribblings, done by a lunatic with a mapping pen, in India ink at breakneck speed and furious angles. In the margins, sideways, longways. Diagonally across itself like a doctor's writing on the blink. Peppered with stupid exclamation marks and underlinings. Some of it Cyrillic, some English. "The Creator creates creators," he read in English. "To be. Not to be. To counter-be." Followed by a burst of stupid French about the warfare of folly and the folly of warfare, followed by a barbed-wire entanglement. Thank you very much, he thought, and flipped to another page, then another, both so dense with crazy writing you could hardly see the paper. "Having spent seventy years destroying the popular will, we cannot expect it suddenly to rise up and save us," he read. A quote? A night thought? There was no way to tell. References to writers, Russian, Latin and European. Talk of Nietzsche, Kafka and people he'd never heard of, let alone read. More talk of war, this time in English: "The old declare it, the young fight it, but today the babies and old people fight it too." He turned another page and came on nothing but a round brown stain. He lifted the notebook to his nose and sniffed. Booze, he thought with contempt. Stinks like a brewery. No wonder he's a mate of Barley Blair's. A double page devoted to a series of hysterical proclamations. OUR GREATEST PROGRESS IS IN THE FIELD OF BACKWARDNESS! SOVIET PARALYSIS IS THE MOST PROGRESSIVE IN THE WORLD! OUR BACKWARDNESS IS OUR GREATEST MILITARY SECRET! IF WE DON'T KNOW OUR OWN INTENTIONS AND OUR OWN CAPACITIES, HOW CAN WE KNOW YOURS? THE TRUE ENEMY IS OUR OWN INCOMPETENCE! And on the next page, a poem, painstakingly copied from Lord knew where: He wires in and wires out, And leaves the people still in doubt Whether the snake that made the track Was going south or coming back. Scrambling to his feet, Landau strode angrily to the window, which gave on to a glum courtyard full of uncollected rubbish. "A blooming word-artist, Harry. That's what I thought he was. Some long-haired, drug-ridden, self-indulgent genius, and she's gone and thrown herself away on him same as they all do." She was lucky there was no Moscow telephone directory or he'd have rung her up and told her what she'd got. To stoke his anger, he took up the second book, licked his fingertip and whisked contemptuously through it page by page, which was how he came upon the drawings. Then everything went blank for him for a moment, like a flash of empty screen in the middle of a film, while he cursed himself for being an impetuous little Slav instead of a cool calm Englishman. Then he sat down on the bed again, but gently, as if there were someone resting in it, someone he had hurt with his premature condemnations. For if Landau despised what too often passed for literature, his pleasure in technical matters was unconfined. Even when he didn't follow what he was looking at, he could relish a good page of mathematics all day long. And he knew at one glance, as he had known of the woman Katya, that what he was looking at here was quality. Not your ruled drawing, it was true. Light sketches but all the better for it. Drawn freehand without instruments by somebody who could think with a pencil. Tangents, parabolas, cones. And in between the drawings, businesslike descriptions that architects and engineers use, words like "aimpoint" and "captive carry" and "bias" and "gravity" and "trajectory." "Some in your English, Harry, and some in your Russian." Though Harry is not my real name. r Yet when he began to compare the lettering of these beautifully written words in the second book with the rambling jungle in the first, he discovered to his astonishment certain unmistakable similarities. So that he had the sensation of looking at a kind of schizophrenic's diary with Dr. Jekyll writing one volume and Mr. Hyde the other. He looked in the third notebook, which was as orderly and purposeful as the second but arranged like a kind of mathematical log with dates and numbers and formulae, and the word "error" repeating itself frequently, often underlined or lifted with an exclamation mark. Then suddenly Landau stared, and continued staring, and could not remove his eyes from what he was reading. The cosy obscurity of the writer's technical jargon had ended with a bang. So had his philosophical ramblings and elegant annotated drawings. The words came off the page with a blazoned clarity. "The American strategists can sleep in peace. Their nightmares cannot be realised. The Soviet knight is dying inside his armour. He is a secondary power like you British. He can start a war but cannot continue one and cannot win one. Believe me." Landau looked no further. A sense of respect, mingled with a strong instinct for self-preservation, advised him that he had disturbed the tomb enough. Taking up the elastic band, he put the three notebooks together and snapped it back over them. That's it, he thought. From here on I mind my business and do my duty. Which is to take the manuscript to my adopted England and give it immediately to Mr. Bartholomew alias Barley Scott Blair. Barley Blair, he thought in amazement as he opened his wardrobe and hauled out the large aluminum hand-case where he kept his samples. Well, well. We often wondered whether we were nurturing a spy in our midst and now we know. Landau's calm was absolute, he assured me. The Englishman had once more taken command of the Pole. "If Barley could do it, I could, Harry, that's what I said to myself." And it was what he said to me too, when for a short spell he appointed me his confessor. People do that to me sometimes. They sense the unrealised part of me and talk to it as if it were the reality. Lifting the case on to the bed he snapped the locks and drew out two audio-visual kits that the Soviet officials had ordered him to remove from his display -- one pictorial history of the twentieth century with spoken commentary, which they had arbitrarily ruled to be anti-Soviet, and one handbook of the human body with action photographs and a keep-fit exercise cassette, which, after gazing longingly at the pliant young goddess in the leotard, the officials had decided was pornographic. The history kit was a glossy affair, built as a coffee-table book and containing a quantity of interior pockets for cassettes, parallel texts, progressive vocabulary cards and students' notes. Having emptied the pockets of their contents, Landau offered the notebooks to each in turn but found none large enough. He decided to convert two pockets into one. He fetched a pair of nail scissors from his sponge bag and set to work with steady hands, easing the steel staples out of the centre divide. Barley Blair, he thought again as he inserted the point of the nail scissors. I should have guessed, if only because you were the one it couldn't possibly be. Mr. Bartholomew Scott Blair, surviving scion of Abercrombie & Blair -- spy. The first staple had come loose. He gingerly extracted it. Barley Blair, who couldn't sell hay to a rich horse to save his dying mother on her birthday, we used to say: spy. He began prising the second staple. Whose principal claim to fame was that two years ago at the Belgrade book fair he had drunk Spikey Morgan under the table on straight vodkas, then played tenor sax with the band so beautifully that even the police were clapping. Spy. Gentleman spy. Well, here's a letter from your lady, as they say in the nursery rhyme. Landau picked up the notebooks and offered them to the space he had prepared but it was still not big enough. He would have to make one pocket out of three. Playing the drunk, thought Landau, his mind still on Barley. Playing the fool and fooling us. Burning up the last of your family money, running the old firm deeper into the ground. Oh yes. Except that somehow or another you always managed to find one of those smart City banking houses to bail you out in the nick of time, didn't you? And what about your chess-playing then? That should have been a clue, if Landau had only had eyes for it! How does a man who's drunk himself silly beat all comers at chess then, Harry -- straight games -- if he isn't a trained spy? The three pockets had become one pocket, the notebooks fitted more or less inside, the printed indication above them still read "Student Notes." "Notes," Landau explained in his mind to the inquisitive young customs officer at Sheremetyevo airport. "Notes, you see, son, like it says. Student's notes. That's why there's a pocket here for notes. And these notes that you are holding in your hand are the work of an actual student following the course. That's why they're here, son, do you see? They are demonstration notes. And the drawings here, they're to do with the -- " With socio-economic patterns, son. With demographic population shifts. With vital statistics that you Russkies can never get enough of, can you? Here, seen one of these? It's called a body book. Which might or might not save Landau's hide, depending on how smart the boy was, and how much they knew, and how they felt about their wives that day. But for the long night ahead of him, and for the dawn raid when they kicked the door down and burst in on him with drawn pistols and shouted, "All right, Landau, give us the notebooks!" -- for that happy moment, the kit wouldn't do at all. "Notebooks, Officer? Notebooks? Oh, you mean that bunch of junk some loony Russian beauty pressed on me at the fair tonight. I think you'll probably find them in the rubbish basket, Officer, if the maid hasn't emptied it for once in her life." For this contingency also, Landau now meticulously set the scene. Removing the notebooks from the pocket of the history kit, he placed them artistically in the wastepaper basket exactly as if he had flung them there in the rage he had felt when he had taken his first look. To keep them company, he tossed in his surplus trade literature and brochures, as well as a couple of useless farewell gifts he had received: the thin volume of yet another Russian poet, a tin-backed blotter. As a final touch, he added a pair of undarned socks that only your rich Westerner throws away. Once again I must marvel, as later we all did, at Landau's untutored ingenuity. Landau did not go out and play that night. He endured the familiar imprisonment of his Moscow hotel room. From his window he watched the long dusk turn to darkness and the dim lights of the city reluctantly brighten. He made himself tea in his little travelling kettle and ate a couple of fruit bars from his iron rations. He dwelt gratefully upon the most rewarding of his conquests. He smiled ruefully at others. He braced himself for pain and solitude and summoned up his hard childhood to help him. He went through the contents of his wallet and his briefcase and his pockets and took out everything that was particularly private to him which he would not wish to answer for across a bare table -- a hot letter a little friend sent him years ago that could still revive his appetites, membership of a certain video-by-mail club that he belonged to. His first instinct was to "burn them like in the movies" but he was restrained by the sight of the smoke detectors in the ceiling, though he'd have laid any money they didn't work. So he found a paper bag and, having torn up everything very small, he put the pieces in the bag, dropped the bag out of the window and saw it join the rubbish in the courtyard. Then he lay on the bed and watched the dark go by. Sometimes he felt brave, sometimes he was so scared that he had to drive his fingernails into his palms to hold himself together. Once he turned on the television set, hoping for nubile girl gymnasts, which he liked. But instead he got the Emperor himself telling his bemused children for the umpteenth time that the old order had no clothes. And when Spikey Morgan, half drunk at best, telephoned from the bar of the National, Landau kept him on the line for company till old Spikey fell asleep. Only once, at his lowest point, did it cross Landau's mind to present himself at the British Embassy and seek the assistance of the diplomatic bag. His momentary weakness angered him. "Those flunkies?" he asked himself in scorn. "The ones who sent my dad back to Poland? I wouldn't trust them with a picture postcard of the Eiffel Tower, Harry." Besides, that wasn't what she had asked him to do. In the morning he dressed himself for his own execution, in his best suit, with the photograph of his mother inside his shirt. And that is how I see Niki Landau still, whenever I dip into his file, or receive him for what we call a six-monthly top-up, which is when he likes to relive his hour of glory before signing yet another declaration of the Official Secrets Act. I see him stepping jauntily into the Moscow street with the metal suitcase in his hand, not knowing from Adam what's in it, but determined to risk his brave little neck for it anyway. How he sees me, if he ever thinks of me, I dare not wonder. Hannah, whom I loved but failed, would have no doubt at all. "As another of those Englishmen with hope in their faces and none in their hearts," she would say, flushing with anger. For I am afraid she says whatever comes to her these days. Much of her old forbearance is gone. Copyright © 1989 by David Cornwell Excerpted from The Russia House by John le Carré All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Reseñas proporcionadas por Syndetics

Library Journal Review

A mysterious manuscript purporting to prove the Soviet defense system is unworkable is smuggled out of Moscow. It was intended for a flaky English publisher, a womanizing saxophone-playing boozer, but the smuggler has turned it over to British intelligence. In order to prove its authenticity, they recruit the publisher as an amateur spy and send him to Moscow to reestablish contact with the author. But the ``truth'' Barley Blair finds there is love and a purpose for his shambles of a life. As always with le Carre, this is a compelling spy story, a marvelous entertainment that is also as intelligent, witty, and brooding as many more self-consciously and less satisfying literary novels. It may not be the equal of The Quest for Karla trilogy or of a A Perfect Spy but it bears all the marks of a master, of the man who has both redefined and reanimated the espionage genre. BOMC main selection.-- Charles Michaud, Turner Free Lib., Randolph, Mass. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Review

The master of the spy novel has discovered perestroika , and the genre may never be the same again . Le Carre's latest is both brilliantly up-to-date and cheeringly hopeful in a way readers of the Smiley books could never have anticipated. Barley Blair is a down-at-heels, jazz-loving London publisher who impresses a dissident Soviet physicist during a drunken evening at a Moscow Book Fair. When the physicist attempts to have Barley publish his insider's study of the chaotic state of Soviet defense, British intelligence steps in. Barley, after extensive vetting by both MI5 and the CIA, is made the go-between for further invaluable information, and in the process becomes involved with the physicist's former lover, Katya. The portraits of American and British intelligence agents are, as always, wonderfully acute, and the plot is a dazzling creation. Le Carre's Russia is funny and touching by turns but always convincing, and the love affair between Barley and Katya, subtly understated, is by far the warmest the author has created. But the singing quality of The Russia House , written at the height of le Carre's powers, is its pervading sense of the increasing waste and irrelevance of ongoing cold-war machinations: ``That is . . the tragedy of great nations. So much talent bursting to be used, so much goodness longing to come out. Yet all so miserably spoken for that sometimes we could scarcely believe it was America speaking to us at all.'' 350,000 first printing; BOMC main selection. (June) (c) Copyright PWxyz, LLC. All rights reserved

Booklist Review

Spies, in the world of le Carre's utterly absorbing glasnost novel, are no longer tortured heroes but bureaucrats with "dead suburban souls." In a story that places people ahead of ideals, human values ahead of espionage objectives, le Carre dares to redefine the terms of his genre, thus becoming the first spy novelist to come in from the cold.

Notas de autor provistas por Syndetics

David John Moore Cornwell was born in Poole, Dorsetshire, England in 1931. He attended Bern University in Switzerland from 1948-49 and later completed a B.A. at Lincoln College, Oxford. He taught at Eton from 1956-58 and was a member of the British Foreign Service from 1959 to 1964.

He writes espionage thrillers under the pseudonym John le Carré. The pseudonym was necessary when he began writing, in the early 1960s because, at that time, he held a diplomatic position with the British Foreign Office and was not allowed to publish under his own name. When his third book, The Spy Who Came in from the Cold, became a worldwide bestseller in 1964, he left the foreign service to write full time. His other works include Call for the Dead; A Murder of Quality; Tinker, Tailor, Soldier, Spy; The Honourable Schoolboy; and Smiley's People.

He has received numerous awards for his writing, including the Grand Master Award from the Mystery Writers of America in 1986 and the Diamond Dagger from the Crime Writers Association in 1988. In 2011 he accepted the Goethe Medal. And in 2020, he accepted the Olof Palme Prize. Ten of his books have been adapted for television and motion pictures including The Spy Who Came in from the Cold, The Russia House, The Constant Gardener, A Most Wanted Man, and Our Kind of Traitor.

Le Carré's memoir, The Pigeon Tunnel: Stories from my Life, became a New York Times bestseller in 2016. In 2019, he published a spy thriller, Agent Running in the Field.

John Le Carré died on December 12, 2020 from pneumonia at the age of 89.

(Bowker Author Biography)