Imagen de OpenLibrary

After Modern Art : 1945-2000. David Hopkins. txt

Por: Idioma: Español Series Oxford History of ArtNew York : Oxford, 2008Descripción: 282 p. ill. (some col.) ; 24 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 0192842343
  • 9780192842343
Tema(s): Clasificación CDD:
  • 709/.04 21
Clasificación LoC:
  • N6512 H657 2000
Contenidos:
Contents: Introduction I -- Chapter 1 The Politics of Modernism: Abstract Expressionism and the European Informel 5 -- Chapter 2 Duchamp’s Legacy: The Rauschenberg Johns Axis 37 -- Chapter 3 The Artist in Crisis: From Bacon to Beuys 67 -- Chapter 4 Blurring Boundaries: Pop Art, Fluxus and their Effects 95 -- Chapter 5 Modernism in Retreat : Minimalist Aesthetics and Beyond 131 -- Chapter 6 The Death of the Object : The Move to Conceptualism 161 -- Chapter 7 Postmodernism : Theory and Practice in the 1980s 197 -- Chapter 8 Into the 1990s 233 -- Notes 246 -- Further Reading 252 -- Timeline 260 -- Galleries and Websites 266 -- Picture Credits 269 -- Index 275 --
Resumen: Modern and contemporary art can be both baffling and beautiful, it can also be innovative, political, and disturbing. Closely informed by critical approaches, this book sets out to provide the first concise interpretation of this period. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds they inhabited. The theoretical and issue-based debates that have driven the art of this period art along are followed through the key movements of Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism. This book is intended as an introduction to art in the latter half of the 20th Century for students and the general reader interested in modern and contemporary art --
Valoración
    Valoración media: 0.0 (0 votos)
Existencias
Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro CARIBET Biblioteca Arquitectura Colección General CARIBET General N6512.H57 2000 (Navegar estantería(Abre debajo)) Disponible 91000000026617
Total de reservas: 0

Include index.

Contents:
Introduction I --
Chapter 1 The Politics of Modernism: Abstract Expressionism and the European Informel 5 --
Chapter 2 Duchamp’s Legacy: The Rauschenberg Johns Axis 37 --
Chapter 3 The Artist in Crisis: From Bacon to Beuys 67 --
Chapter 4 Blurring Boundaries: Pop Art, Fluxus and their Effects 95 --
Chapter 5 Modernism in Retreat : Minimalist Aesthetics and Beyond 131 --
Chapter 6 The Death of the Object : The Move to Conceptualism 161 --
Chapter 7 Postmodernism : Theory and Practice in the 1980s 197 --
Chapter 8 Into the 1990s 233 --
Notes 246 --
Further Reading 252 --
Timeline 260 --
Galleries and Websites 266 --
Picture Credits 269 --
Index 275 --

Modern and contemporary art can be both baffling and beautiful, it can also be innovative, political, and disturbing. Closely informed by critical approaches, this book sets out to provide the first concise interpretation of this period. Jackson Pollock, Andy Warhol, Cindy Sherman, and Damien Hirst are among many artists discussed, within the political and cultural worlds they inhabited. The theoretical and issue-based debates that have driven the art of this period art along are followed through the key movements of Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism. This book is intended as an introduction to art in the latter half of the 20th Century for students and the general reader interested in modern and contemporary art --

Compartir
logopucpr-y-vive

Contáctanos

¡Queremos saber de ti!

Tel. 787.841.2000 Ext. 1801

bibliotecavaldes@pucpr.edu

⁣Búscanos en las redes

© 2026 Desarrollado por Ignite Online • All Rights Reserved • Powered by Koha.