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This legendary book has been universally hailed as the best, the most readable and the most provocative account of modern art ever written.

Through each of the thematic chapters Hughes keeps his story grounded in the history of the 20th century, demonstrating how modernism sought to describe the experience of that era and showing how for many key art movements this was a task of vital importance.

The way in which Hughes brings that vitality and immediacy back through the well-chosen example and well-turned phrase is the heart of this book's success.

Tabla de contenidos provista por Syndetics

• 1 The Mechanical Paradise
• 2 The Abiding Violence
• 3 The Landscape of Pleasure
• 4 Trouble in Utopia
• 5 The Threshold of Liberty
• 6 The View from the Edge
• 7 Culture as Nature
• 8 The Future That Was

Notas de autor provistas por Syndetics

Robert Hughes was born in Sydney, Australia on July 28, 1938. He studied art and architecture at the University of Sydney. He pursued art criticism mostly as a sideline while painting, writing poetry and serving as a cartoonist for the weekly intellectual journal The Observer. He left Australia and spent time in Italy before settling in London, where he became a well-known critical voice and wrote for several newspapers. He was chief art critic for Time magazine for over 30 years.

He wrote several books including The Fatal Shore, American Visions: The Epic History of Art in America, Culture of Complaint: The Fraying of America, Things I Didn't Know, and Rome. He also hosted an eight-part documentary about the development of modernism from the Impressionists through Warhol entitled The Shock of the New. It was seen by more than 25 million viewers when it ran first on BBC and then on PBS. He also wrote a book by the same name about the series. He died after a long illness on August 6, 2012 at the age of 74.

(Bowker Author Biography)