De Stijl and Dutch modernism : Michael White. txt

Por:

White, Michael

Idioma: Español Series Critical perspectives in art historyNew York : Manchester, 2003Descripción: xv, 176 p. ill. (some col.) ; 25 cmTipo de contenido:

text

Tipo de medio:

unmediaded

Tipo de soporte:

volume

ISBN:

9780719061622

Tema(s):

Clasificación CDD:

709.492 21

Clasificación LoC:

N6948.5.D42 W48 2003

Contenidos:

Contents: List of illustrations page viii -- Acknowledgements xi -- Preface xii -- List of abbreviations xvi -- Introduction : who’s afraid of red, yellow and blue? -- 1 Abstraction and utopia 12 -- 2 The monumental image of the city 44 -- 3 Advertising as fine art 77 -- 4 Structures of interior design 103 -- 5 Exhibiting style 136 -- Select bibliography 165 -- Index 171 --

List of Illustrations: 1 Theo van Doesburg, Stained-Glass Composition IV, 1917. Courtesy of Instituut Collectie Nederland facing page 80 -- 2 Barr van der Leck, Composition 1916 no. 4, 1916. Courtesy of Kröller-Müller Museum. © DACS 2003 81 -- 3 Theo van Doesburg and Cor van Eesteren, Colour Design for a Shopping Parade and Café-Restaurant, 1924. Courtesy of Netherlands Architecture Institute 81 -- 4 Vilmos Huszár, packet for Miss Blanche Virginia Cigarettes, 1927. Courtesy of Merrill C. Berman Collection. © DACS 2003 112 -- 5 Gerrit Rietveld, Axonometric Projection Schröder House, undated. Courtesy of Centraal Museum Utrecht. © DACS 2003 113 -- 6 Gerrit Rietveld, Schröder House, 1924. Courtesy of Centraal Museum Utrecht. © DACS 2003. Photograph of first floor by Frank den Oudsten 113 -- Figures : 1 Model of 'Rietveld Joint', 1958. Courtesy of Centraal Museum Utrecht. © DACS 2003 page 3 -- 2 Bart van der Leck, The Mining Business, 1914-16. Courtesy of Kröller Müller Museum. © DACS 2003 14 -- 3 Richard Roland Holst, Industry, 1903. Beurs van Berlage, Amsterdam. Photograph by Jan Derwig 18 -- 4 Installation photograph, Hollandsche Kunstenaarskring, 1917. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 21 -- 5 Piet Mondrian, Evolution, I9II. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 21 -- 6 Piet Mondrian, Self Portrait, 1918. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 27 -- 7 J. J. P. Oud, De Vonk, Noordwijkerhout, 1917-19. Photograph from De Stijl 31 -- 8 Jan Wils, De Dubbele Sleutel, Woerden, 1918. Photograph from De Stijl 36 -- 9 Cover of De Stijl, 1917 38 -- 10 Vilmos Huszár, Mechanical Dancing Figure, 1917-20. Photograph from Merz, 1923. © DACS 2003 39 -- 11 Piet Mondrian, Wingless "Paltrok' Mill in the Schinkelbuurt, c. 1898. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 48 -- 12 Michel de Klerk and Pieter Kramer, De Dageraad, Amsterdam, 1923. Photograph by Regine Prelle 52 -- 13 J.J. P. Oud, Spangen block VIII, Rotterdam, 1920. Photograph by Michael White page 54 -- 14 J. J. P. Oud, Kiefhock, Rotterdam, 192g. Photograph by Michael White 58 -- 15 Theo van Doesburg, Cité de Circulation, 192g. Courtesy of Netherlands Architecture Institute 62 -- 16 Th. K. van Lohuizen, Urban Spheres of Influence, 1925. Courtesy of Netherlands Architecture Institute 67 -- 17 Vilmos Huszár, advert for Bruynzeel, 1917. © DACS 2003 78 -- 18 Bart van der Leck, Batavier Line, 1915-16. Courtesy of Kröller Müller Museum. © DACS 2003 82 -- 19 Bart van der Leck, Delfsche Slaolie, 1919. Courtesy of Merrill C. Berman Collection. © DACS 2003 84 -- 20 Theo van Doesburg, Prima Goudsche Kaas, 1919. Courtesy of Merrill C. Berman Collection 86 -- 21 Richard Roland Holst, cover of Programma van de feesten bij de invoering van de achturendag 1919. Courtesy of Rijksmuseum, Amsterdam 87 -- 22 Cover of De Stijl, 1921. © DACS 2003 89 -- 23 Theo van Doesburg, poster for Kleine Dadasoirée, 1923. Courtesy of Centraal Museum Utrecht 90 -- 24 Theo van Doesburg and Kurt Schwitters, The Story of the Scarecrow, 1925.© DACS 2003 93 -- 25 Theo van Doesburg, advert for Fagus, 1925. Courtesy of Centraal Museum Utrecht 94 -- 26 Kurt Schwitters, Neue Gestaltung in der Typographie, 1925. © DACS 2003 95 -- 27 Theo van Doesburg, cover design for Werdegang der neue Malerei, 1925-26 Courtesy of Centraal Museum Utrecht 96 -- 28 Kurt Schwitters, Miss Blanche, 1923. Collection Werner Schmalenbach.© DACS 2003 97 -- 29 Vilmos Huszár, advert for Miss Blanche Virginia Cigarettes, illustration from iro, 1927. O DACS 2003 99 -- 30 Jan Sluijters, The family, 1925. Courtesy of Stedelijk Museum Amsterdam 105 -- 31 Johanna Van Gogh - Bonger sitting room, 1905. Courtesy of Van Gogh Museum 106 -- 32 Gerrit Rietveld, Interior for Truus Schröder, 1921. Courtesy of Centraal Museum Utrecht. © DACS 2003 107 -- 33 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 -- 34 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 -- 35 Mondrian's studio 26 rue du Depart, 1926. Photograph by Paul Delbo. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 120 -- 36 Frans Postma, reconstruction of Mondrian's studio 26 rue du Depart, 1995. © Frans Postma, Delft, Holland, 10 October 2002 122 -- 37 Theo van Doesburg, photograph of exhibition Les architectes du groupe De Stijl, 1923. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 123 -- 38 Hannes Meyer, Co-op interior, 1926. Courtesy of Deutsches Architekturmuseum 126 -- 39 Gerrit Rietveld, Schroder House, Uttrecht, 1924. Photograph by Michael White page 128 -- 40 Vilmos Huszár and Willem Roelofs, Vitrine for New York World’s Fair, 1939 DACS 2003 137 -- 41 Rijksmuseum, Amsterdam, 1885. Photograph by Regine Prelle 141 -- 42 Theo van Doesburg, diagram for Der Wille zum Stil, 1922 146 -- 43 Vilmos Huszár, trade stand for Bruynzeel, 1818. Courtesy of Rijksbureau voor Kunsthistorische Documentarie DACS 2003 152 -- 44 Piet Zwart, Jaarbeurs trade stand, 1921. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 154 -- 45 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht. DACS 2003 157 -- 46 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht DACS 2003 157 -- 47 Charles Karsten, photograph of Mondrian, 1933. Courtesy of Netherlands Architecture Institute 160 --

Existencias
Imagen de cubierta	Tipo de ítem	Biblioteca actual	Biblioteca de origen	Colección	Ubicación en estantería	Signatura topográfica	Materiales especificados	Info Vol	URL	Copia número	Estado	Notas	Fecha de vencimiento	Código de barras	Reserva de ítems	Prioridad de la cola de reserva de ejemplar	Reservas para cursos
	Libro Col. General CARIBET	CARIBET Biblioteca Arquitectura Colección General CARIBET				General N6948.5.D42 W48 2003 (Navegar estantería(Abre debajo))				1	Disponible			91000000020859

Total de reservas: 0

Descripciones mejoradas de Syndetics:

De Stijl was the title of a magazine founded in the Netherlands in 1917 and is now used to identify the abstract art and functional architecture of its major contributors: Mondrian, Van Doesburg, Van der Leck, Oud, Wils and Rietveld. This book is the first to emphasize the local context of De Stijl and explore its relationship to the distinctive character of Dutch modernism. Examines the connection between debates concerning abstraction in painting and spatiality in architecture and contemporary developments in the fields of urban planning, advertising, interior design and exhibition design. Describes the interaction between the world of mass culture and the fine arts.

Include index.

Include bibliography.

Contents:
List of illustrations page viii --
Acknowledgements xi --
Preface xii --
List of abbreviations xvi --
Introduction : who’s afraid of red, yellow and blue? --
1 Abstraction and utopia 12 --
2 The monumental image of the city 44 --
3 Advertising as fine art 77 --
4 Structures of interior design 103 --
5 Exhibiting style 136 --
Select bibliography 165 --
Index 171 --

List of Illustrations:
1 Theo van Doesburg, Stained-Glass Composition IV, 1917. Courtesy of
Instituut Collectie Nederland facing page 80 --
2 Barr van der Leck, Composition 1916 no. 4, 1916. Courtesy of Kröller-Müller
Museum. © DACS 2003 81 --
3 Theo van Doesburg and Cor van Eesteren, Colour Design for a Shopping Parade and Café-Restaurant, 1924. Courtesy of Netherlands Architecture Institute 81 --
4 Vilmos Huszár, packet for Miss Blanche Virginia Cigarettes, 1927. Courtesy of Merrill C. Berman Collection. © DACS 2003 112 --
5 Gerrit Rietveld, Axonometric Projection Schröder House, undated. Courtesy of
Centraal Museum Utrecht. © DACS 2003 113 --
6 Gerrit Rietveld, Schröder House, 1924. Courtesy of Centraal Museum Utrecht.
© DACS 2003. Photograph of first floor by Frank den Oudsten 113 --
Figures :
1 Model of 'Rietveld Joint', 1958. Courtesy of Centraal Museum Utrecht.
© DACS 2003 page 3 --
2 Bart van der Leck, The Mining Business, 1914-16. Courtesy of Kröller Müller
Museum. © DACS 2003 14 --
3 Richard Roland Holst, Industry, 1903. Beurs van Berlage, Amsterdam.
Photograph by Jan Derwig 18 --
4 Installation photograph, Hollandsche Kunstenaarskring, 1917. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 21 --
5 Piet Mondrian, Evolution, I9II. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 21 --
6 Piet Mondrian, Self Portrait, 1918. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 27 --
7 J. J. P. Oud, De Vonk, Noordwijkerhout, 1917-19. Photograph from De Stijl 31 --
8 Jan Wils, De Dubbele Sleutel, Woerden, 1918. Photograph from De Stijl 36 --
9 Cover of De Stijl, 1917 38 --
10 Vilmos Huszár, Mechanical Dancing Figure, 1917-20. Photograph from Merz, 1923. © DACS 2003 39 --
11 Piet Mondrian, Wingless "Paltrok' Mill in the Schinkelbuurt, c. 1898. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 48 --
12 Michel de Klerk and Pieter Kramer, De Dageraad, Amsterdam, 1923. Photograph by Regine Prelle 52 --
13 J.J. P. Oud, Spangen block VIII, Rotterdam, 1920. Photograph by Michael White page 54 --
14 J. J. P. Oud, Kiefhock, Rotterdam, 192g. Photograph by Michael White 58 --
15 Theo van Doesburg, Cité de Circulation, 192g. Courtesy of Netherlands Architecture Institute 62 --
16 Th. K. van Lohuizen, Urban Spheres of Influence, 1925. Courtesy of Netherlands Architecture Institute 67 --
17 Vilmos Huszár, advert for Bruynzeel, 1917. © DACS 2003 78 --
18 Bart van der Leck, Batavier Line, 1915-16. Courtesy of Kröller Müller Museum. © DACS 2003 82 --
19 Bart van der Leck, Delfsche Slaolie, 1919. Courtesy of Merrill C. Berman Collection. © DACS 2003 84 --
20 Theo van Doesburg, Prima Goudsche Kaas, 1919. Courtesy of Merrill C. Berman Collection 86 --
21 Richard Roland Holst, cover of Programma van de feesten bij de invoering van de achturendag 1919. Courtesy of Rijksmuseum, Amsterdam 87 --
22 Cover of De Stijl, 1921. © DACS 2003 89 --
23 Theo van Doesburg, poster for Kleine Dadasoirée, 1923. Courtesy of Centraal Museum Utrecht 90 --
24 Theo van Doesburg and Kurt Schwitters, The Story of the Scarecrow, 1925.© DACS 2003 93 --
25 Theo van Doesburg, advert for Fagus, 1925. Courtesy of Centraal Museum Utrecht 94 --
26 Kurt Schwitters, Neue Gestaltung in der Typographie, 1925. © DACS 2003 95 --
27 Theo van Doesburg, cover design for Werdegang der neue Malerei, 1925-26 Courtesy of Centraal Museum Utrecht 96 --
28 Kurt Schwitters, Miss Blanche, 1923. Collection Werner Schmalenbach.© DACS 2003 97 --
29 Vilmos Huszár, advert for Miss Blanche Virginia Cigarettes, illustration from iro, 1927. O DACS 2003 99 --
30 Jan Sluijters, The family, 1925. Courtesy of Stedelijk Museum Amsterdam 105 --
31 Johanna Van Gogh - Bonger sitting room, 1905. Courtesy of Van Gogh Museum 106 --
32 Gerrit Rietveld, Interior for Truus Schröder, 1921. Courtesy of Centraal Museum Utrecht. © DACS 2003 107 --
33 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 --
34 Vilmos Huszár and Jan Wils, Space Colour Composition, Berssenbrugge Studio, 1921. Courtesy of Rijksbureau voor Kunsthistorische Documentatie. © DACS 2003 110 --
35 Mondrian's studio 26 rue du Depart, 1926. Photograph by Paul Delbo. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 120 --
36 Frans Postma, reconstruction of Mondrian's studio 26 rue du Depart, 1995. © Frans Postma, Delft, Holland, 10 October 2002 122 --
37 Theo van Doesburg, photograph of exhibition Les architectes du groupe De Stijl, 1923. Courtesy of Rijksbureau voor Kunsthistorische Documentatie 123 --
38 Hannes Meyer, Co-op interior, 1926. Courtesy of Deutsches Architekturmuseum 126 --
39 Gerrit Rietveld, Schroder House, Uttrecht, 1924. Photograph by Michael White page 128 --
40 Vilmos Huszár and Willem Roelofs, Vitrine for New York World’s Fair, 1939 DACS 2003 137 --
41 Rijksmuseum, Amsterdam, 1885. Photograph by Regine Prelle 141 --
42 Theo van Doesburg, diagram for Der Wille zum Stil, 1922 146 --
43 Vilmos Huszár, trade stand for Bruynzeel, 1818. Courtesy of Rijksbureau voor Kunsthistorische Documentarie DACS 2003 152 --
44 Piet Zwart, Jaarbeurs trade stand, 1921. Courtesy of Haags Gemeentemuseum c/o Beeldrecht Hoofddorp 154 --
45 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht. DACS 2003 157 --
46 Gerrit Rietveld, Gold and Silversmiths’ Company, Amsterdam, 1921. Courtesy of Centraal Museum Utrecht DACS 2003 157 --
47 Charles Karsten, photograph of Mondrian, 1933. Courtesy of Netherlands Architecture Institute 160 --

Tabla de contenidos provista por Syndetics

List of illustrations(p. viii)
Acknowledgements(p. xi)
Preface(p. xii)
List of abbreviations(p. xvi)
Introduction: who's afraid of red, yellow and blue?(p. 1)
1 Abstraction and utopia(p. 12)
2 The monumental image of the city(p. 44)
3 Advertising as fine art(p. 77)
4 Structures of interior design(p. 103)
5 Exhibiting style(p. 136)
Select bibliography(p. 165)
Index(p. 171)

Notas de autor provistas por Syndetics

Michael White is Lecturer in History of Art at the University of York

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