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Counterpoint : Daniel Libeskind in conversation with Paul Goldberger. / txt

Por: Colaborador(es): Idioma: Español New York : Monacelli Press , 2008Edición: 1st editionDescripción: 392 p. ill. ;col. ;plans ; 27 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 9781580932066
  • 1580932061
Tema(s): Clasificación CDD:
  • 22 720.92
Clasificación LoC:
  • NA737.L46 A35 2008
Contenidos:
Counterpoint: Daniel Libeskind -- in Conversation with Paul Goldberger -- Jewish Museum Berlin -- Berlin, Germany 1999 -- Editoriale Bresciana Tower -- Brescia, Italy 2010 -- Westside Shopping and Leisure Center -- Brunnen, Switzerland 2008 -- Haeundae Udong Hyundai I’Park -- Busan, South Korea 2011 -- Danish Jewish Museum -- Copenhagen, Denmark 2003 -- The Ascent at Roebling’s Bridge -- Covington, Kentucky 2008 -- Extension to the Denver Art Museum, Frederic C. Hamilton Building -- Denver, Colorado 2006 -- Denver Art Museum Residences -- Denver, Colorado 2006 -- Military History Museum -- Dresden, Germany 2009 -- Grand Canal Square Theatre and Commercial Development -- Dublin, Ireland 2009 -- Roedingsmarkt -- Hamburg, Germany 2011 -- Creative Media Centre -- Hong Kong 2010 -- Riverstone -- Incheon, South Korea 2013 -- Jerusalem Oriya -- Jerusalem, Israel 2010 -- Reflections -- Keppel Bay, Singapore 2011 -- MGM Mirage CityCenter -- Las Vegas, Nevada 2009 -- London Metropolitan University Graduate Centre -- London, England 2004 -- Extension to the Victoria and Albert Museum -- London, England 1996 -- Imperial War Museum North -- Manchester, England 2001 -- Fiera Milano -- Milan, Italy 2014 -- 18.36.54 -- New Milford, Connecticut 2009 -- Memory Foundations -- New York, New York 2013 -- New York Tower -- New York, New York 2012 -- Felix Nussbaum Haus -- Osnabrück, Germany 1998 -- Memoria e Luce -- Padua, Italy 2005 -- Tour Signal, La Defense -- Paris, France 2008 -- Studio Weil -- Port d’Andratx, Spain 2003 -- Proportion 2008 -- The Wohl Centre -- Ramat Gan, Israel 2005 -- The Contemporary Jewish Museum -- San Francisco, California 2008 -- Tangent -- Seoul, South Korea 2005 -- Gazprom Headquarters -- St. Petersburg, Russia 2006 -- Royal Ontario Museum -- Toronto, Canada 2007 -- The L Tower and Sony Centre for the Performing Arts -- Toronto, Canada 2011 -- Hermitage-Guggenheim Vilnius Museim -- Vilnius, Lithuania 2008 -- Zlota 44 -- Warsaw, Poland 2010 -- Credits --
Resumen: Architect Daniel Libeskind, known for his dynamic, fractured compositions, is also recognized for introducing a new critical discourse to architecture. In an enormous variety of projects around the world - major cultural institutions, convention centers, universities, hotels, commercial centers, and residential work - he has manifested his commitment to expanding the horizons of architecture and urbanism. Counterpoint: Daniel Libeskind is the first comprehensive portrait of the work of Studio Daniel Libeskind, which was established in Berlin in 1989 and moved to New York in 2003 after winning the World Trade Center design competition. Drawn from a series of interviews with celebrated architecture critic Paul Goldberger, Counterpoint exemplifies Libeskind's multidisciplinary approach, which reflects a profound interest in philosophy, art, music, literature, theater, and film. Featured projects include the Jewish Museum Berlin, the Felix-Nussbaum-Haus in OsnabrA1/4ck, the recently completed Royal Ontario Museum in Toronto, the extension to the Denver Art Museum, the MGM Mirage CityCenter in Las Vegas, a multi-building complex in Busan, South Korea, and the Danish Jewish Museum in Copenhagen.
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Descripciones mejoradas de Syndetics:

Architect Daniel Libeskind, known for his dynamic, fractured compositions, is also recognized for introducing a new critical discourse to architecture. In an enormous variety of projects around the world--major cultural institutions, convention centers, universities, hotels, commercial centers, and residential work--he has manifested his commitment to expanding the horizons of architecture and urbanism. Counterpoint: Daniel Libeskind is the first comprehensive portrait of the work of Studio Daniel Libeskind, which was established in Berlin in 1989 and moved to New York in 2003 after winning the World Trade Center design competition. Drawn from a series of interviews with celebrated architecture critic Paul Goldberger, Counterpoint exemplifies Libeskind's multidisciplinary approach, which reflects a profound interest in philosophy, art, music, literature, theater, and film. Along with Memory Foundations, the master plan for the World Trade Center site, featured projects include the Jewish Museum Berlin, the Royal Ontario Museum, the extension to the Denver Art Museum, the MGM Mirage CityCenter in Las Vegas, a multi-building complex in Busan, South Korea, and projects in the United Kingdom, Switzerland, Spain, the Netherlands, Italy, Israel, Mexico, Japan, and China.

Counterpoint: Daniel Libeskind -- in Conversation with Paul Goldberger -- Jewish Museum Berlin -- Berlin, Germany 1999 -- Editoriale Bresciana Tower -- Brescia, Italy 2010 -- Westside Shopping and Leisure Center -- Brunnen, Switzerland 2008 -- Haeundae Udong Hyundai I’Park -- Busan, South Korea 2011 -- Danish Jewish Museum -- Copenhagen, Denmark 2003 -- The Ascent at Roebling’s Bridge -- Covington, Kentucky 2008 -- Extension to the Denver Art Museum, Frederic C. Hamilton Building -- Denver, Colorado 2006 -- Denver Art Museum Residences -- Denver, Colorado 2006 -- Military History Museum -- Dresden, Germany 2009 -- Grand Canal Square Theatre and Commercial Development -- Dublin, Ireland 2009 -- Roedingsmarkt -- Hamburg, Germany 2011 -- Creative Media Centre -- Hong Kong 2010 -- Riverstone -- Incheon, South Korea 2013 -- Jerusalem Oriya -- Jerusalem, Israel 2010 -- Reflections -- Keppel Bay, Singapore 2011 -- MGM Mirage CityCenter -- Las Vegas, Nevada 2009 -- London Metropolitan University Graduate Centre -- London, England 2004 -- Extension to the Victoria and Albert Museum -- London, England 1996 -- Imperial War Museum North -- Manchester, England 2001 -- Fiera Milano -- Milan, Italy 2014 -- 18.36.54 -- New Milford, Connecticut 2009 -- Memory Foundations -- New York, New York 2013 -- New York Tower -- New York, New York 2012 -- Felix Nussbaum Haus -- Osnabrück, Germany 1998 -- Memoria e Luce -- Padua, Italy 2005 -- Tour Signal, La Defense -- Paris, France 2008 -- Studio Weil -- Port d’Andratx, Spain 2003 -- Proportion 2008 -- The Wohl Centre -- Ramat Gan, Israel 2005 -- The Contemporary Jewish Museum -- San Francisco, California 2008 -- Tangent -- Seoul, South Korea 2005 -- Gazprom Headquarters -- St. Petersburg, Russia 2006 -- Royal Ontario Museum -- Toronto, Canada 2007 -- The L Tower and Sony Centre for the Performing Arts -- Toronto, Canada 2011 -- Hermitage-Guggenheim Vilnius Museim -- Vilnius, Lithuania 2008 -- Zlota 44 -- Warsaw, Poland 2010 -- Credits --

Architect Daniel Libeskind, known for his dynamic, fractured compositions, is also recognized for introducing a new critical discourse to architecture. In an enormous variety of projects around the world - major cultural institutions, convention centers, universities, hotels, commercial centers, and residential work - he has manifested his commitment to expanding the horizons of architecture and urbanism. Counterpoint: Daniel Libeskind is the first comprehensive portrait of the work of Studio Daniel Libeskind, which was established in Berlin in 1989 and moved to New York in 2003 after winning the World Trade Center design competition. Drawn from a series of interviews with celebrated architecture critic Paul Goldberger, Counterpoint exemplifies Libeskind's multidisciplinary approach, which reflects a profound interest in philosophy, art, music, literature, theater, and film. Featured projects include the Jewish Museum Berlin, the Felix-Nussbaum-Haus in OsnabrA1/4ck, the recently completed Royal Ontario Museum in Toronto, the extension to the Denver Art Museum, the MGM Mirage CityCenter in Las Vegas, a multi-building complex in Busan, South Korea, and the Danish Jewish Museum in Copenhagen.

Worldwide, Jan/14/2010, 2010-216.

Tabla de contenidos provista por Syndetics

  • Counterpoint
  • Libeskind in Conversation with
  • Jewish Museum Berlin
  • Germany Editoriale Bresciana Tower
  • Italy Westside Shopping and Leisure Center
  • Switzerland Haeundae Udong Hyundai I'Park
  • South Korea Danish Jewish Museum
  • Denmark The Ascent at Roebling's Bridge Covington
  • Kentucky Extension to the Denver Art Museum
  • Colorado Denver Art Museum Residences
  • Colorado Military History Museum
  • Germany Grand Canal Square Theatre and Commercial Development
  • Ireland Roedingsmarkt
  • Germany Creative Media Centre Hong Kong Riverstone
  • South Korea Jerusalem Oriya
  • Israel Reflections Keppel
  • Singapore MGM Mirage CityCenter Las
  • Nevada London Metropolitan University Graduate Centre London
  • England Extension to the Victoria and Albert Museum London
  • England Imperial War Museum North Manchester
  • England Fiera Milano Milan
  • Italy 18.36.54 New Milford
  • Connecticut Memory Foundations New York
  • New York New York Tower New York
  • New York Felix Nussbaum Haus Osnabruck
  • Germany Memoria e Luce Padua
  • Italy Tour Signal
  • La Defense Paris
  • France Studio Weil Port d'Andratx
  • Spain Proportion The Wohl Centre Ramat Gan
  • Israel The Contemporary Jewish Museum San Francisco
  • California Tangent Seoul
  • South Korea Gazprom Headquarters St. Petersburg
  • Russia Royal Ontario Museum Toronto
  • Canada The L Tower and Sony Centre for the Performing Arts Toronto
  • Canada Hermitage-Guggenheim Vilnius Museim Vilnius
  • Lithuania Zlota 44 Warsaw, Poland Credits

Extracto provisto por Syndetics

Daniel Libeskind in Conversation with Paul Goldberger Introduction Daniel, your practice is now a huge operation with a main office in New York, and other offices in Zurich and Milan. It's a big enterprise. A dozen years ago or so, there was only a handful of employees and a small amount of work, and the nature of that work was more academic and theoretical. How did the transition evolve from small and academic to large and, in many ways, more commercial? I like to think it's a natural evolution of a practice. I started with a single building: the Jewish Museum Berlin. I never built a building before. But even when I was doing what seemed to others to be abstract drawings, I never thought of them as theoretical but as somehow part of an investigation of architecture. The curve has gone very much more dramatically upward. I know that many architects would think that the object of their career is to build a museum. I have been fortunate to build a great number. But architecture has to engage in the whole spectrum of needs, such as housing, shopping, education, and office buildings. I certainly love the expanded opportunities. In fact, I try to blur the lines between these different typologies in order to see what is common between them as the art of architecture. I used to do one project at a time, but now I'm equally and intensely involved with many projects. I never enjoyed doing just a sketch of a concept and handing it over to others. You had anticipated my next question, which is one of management and administration. How is it possible for one man to be completely involved in all of the work in an office as large and as diverse as this now is? Well, first of all, I have Nina, who is a master at managing the complex operations of the studio. And of course, I am supported by extraordinarily bright and talented young architects from all over the world. In architecture, different projects are not done at the same time. If you have thirty projects, some are at the conceptual stage, some in development, some in working drawings, some in construction. So the demands are not beyond what I can do. It's sometimes hard to explain that even in this scope of practice, I'm still designing every window, checking every form, and coordinating every detail--making sure that each building is a hand-crafted work. And that's what I love to do! If I wasn't doing that, if I didn't allow myself to do that, I wouldn't enjoy it. The diversity of different projects, in fact, finds unexpected connections and leads to new discoveries. The complexity of practice often subverts the prejudice of theory. So the mix has enriched my world view and hasn't reduced it. Excerpted from Counterpoint: Daniel Libeskind in Conversation with Paul Goldberger by Paul Goldberger, Daniel Libeskind All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

Notas de autor provistas por Syndetics

Pulitzer Prize-winning critic Paul Goldberger is the architectural critic and a staff writer at The New Yorker.

(Bowker Author Biography)

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