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New York 1960 : architecture and urbanism between the Second World War and the Bicentennial. / Robert A.M. Stern, Thomas Mellins, David Fishman. txt

Por: Colaborador(es): Idioma: Español New York, NY : Monacelli Press , 1997Edición: 2nd edDescripción: 1374 p. ill. ;maps. ;plans. ; 29 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 9781885254856
  • 1885254857
Otro título:
  • New York one thousand nine hundred sixty : architecture and urbanism between the Second World War and the Bicentennial. / txt
Tema(s): Clasificación CDD:
  • 720.974710904 20
Clasificación LoC:
  • NA735.N5 S73 1997
Contenidos:
Contents -- Preface -- INTRODUCTION -- DEATH BY DEVELOPMENT -- LOWER MANHATTAN -- Lower East Side -- Civic Center -- Downtown -- On the Waterfront -- GREENWICH VILLAGE AND SOHO -- Greenwich Village -- SoHo -- MIDTOWN -- East Side: From Stuyvesant Town to Turtle Bay -- West Side: From Chelsea to Clinton Rockefeller Center -- Park Avenue -- Fifth Avenue -- Sixth Avenue -- Madison Avenue -- Third Avenue -- Times Square -- Forty-second Street -- Fifty-third Street -- Plaza District -- INTERIORS -- Art Galleries -- Restaurants and Nightclubs -- Apartments -- Offices -- Stores -- UNITED NATIONS -- ROOSEVELT ISLAND -- UPPER WEST SIDE -- The Fall -- Columbus Circle -- Lincoln Square -- Manhattantown and the West Side -- Urban Renewal Area -- Morningside Heights -- The New West Side Story -- CENTRAL PARK -- UPPER EAST SIDE -- The Plight of the Prosperous -- Fifth Avenue -- Madison Avenue -- Park Avenue -- Third Avenue -- Far East Side -- HARLEM AND UPPER MANHATTAN -- Black America's Capital City -- East Harlem -- Central Harlem -- West Harlem -- 125th Street -- Upper Manhattan -- 13 OUTER BOROUGHS -- Brooklyn -- The Bronx -- Staten Island -- Queens -- 1964-65 NEW YORK WORLD'S FAIR -- BEYOND THE BOROUGHS -- HISTORIC PRESERVATION -- NEW YORK AND THE ARTS -- New York in Painting and Sculpture -- New York in Photography -- New York on Film -- New York in Music and Dance -- Architectural Culture: Discourse -- Afterword -- Photographic Sources --
Resumen: This is the third volume (and the fourth chronologically) in architect and historian Robert A. M. Stern's monumental series of documentary studies of New York City architecture and urbanism. New York 1880, New York 1900, and New York 1930 have comprehensively covered the architects and urban planners who defined New York from the end of the nineteenth century to the middle of the twentieth century. The post-World War II era witnessed New York's reign as the unofficial but undisputed economic and artistic capital of the world. By the mid-1970s, the city had experienced a profound reversal, and both its economy and its reputation were at a historic nadir. The architectural history of the period offered an exceptionally abundant and varied mix of building styles and types, from the faltering traditionalism of the 1940s through the heyday of International Style modernism in the 1950s and 1960s to the incipient postmodernism of the 1970s. Organized geographically, New York 1960 provides an encyclopedic survey of the city's postwar architecture as well as relating a coherent story about each of its diverse neighborhoods. Primary sources are emphasized, including the commentaries of the preeminent architecture critics of the day; the text is illustrated exclusively with a rich collection of period photographs.
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Descripciones mejoradas de Syndetics:

The post-World War II era witnessed New York's reign as the unofficial but undisputed economic and artistic capital of the world. By the mid-1970s, the city had experienced a profound reversal, and both its economy and its reputation were at a historic nadir

This is the third volume (and the fourth chronologically) in architect and historian Robert A. M. Stern's monumental series of documentary studies of New York City architecture and urbanism.

New York 1880, New York 1900, and New York 1930 have comprehensively covered the architects and urban planners who defined New York from the end of the nineteenth century to the middle of the twentieth century. The post-World War II era witnessed New York's reign as the unofficial but undisputed economic and artistic capital of the world. By the mid-1970s, the city had experienced a profound reversal, and both its economy and its reputation were at a historic nadir. The architectural history of the period offered an exceptionally abundant and varied mix of building styles and types, from the faltering traditionalism of the 1940s through the heyday of International Style modernism in the 1950s and 1960s to the incipient postmodernism of the 1970s.

Organized geographically, New York 1960 provides an encyclopedic survey of the city's postwar architecture as well as relating a coherent story about each of its diverse neighborhoods. Primary sources are emphasized, including the commentaries of the preeminent architecture critics of the day; the text is illustrated exclusively with a rich collection of period photographs.

Include index

Include Bibliography

Contents --
Preface --
INTRODUCTION --
DEATH BY DEVELOPMENT --
LOWER MANHATTAN --
Lower East Side --
Civic Center --
Downtown --
On the Waterfront --
GREENWICH VILLAGE AND SOHO --
Greenwich Village --
SoHo --
MIDTOWN --
East Side: From Stuyvesant Town to Turtle Bay --
West Side: From Chelsea to Clinton Rockefeller Center --
Park Avenue --
Fifth Avenue --
Sixth Avenue --
Madison Avenue --
Third Avenue --
Times Square --
Forty-second Street --
Fifty-third Street --
Plaza District --
INTERIORS --
Art Galleries --
Restaurants and Nightclubs --
Apartments --
Offices --
Stores --
UNITED NATIONS --
ROOSEVELT ISLAND --
UPPER WEST SIDE --
The Fall --
Columbus Circle --
Lincoln Square --
Manhattantown and the West Side --
Urban Renewal Area --
Morningside Heights --
The New West Side Story --
CENTRAL PARK --
UPPER EAST SIDE --
The Plight of the Prosperous --
Fifth Avenue --
Madison Avenue --
Park Avenue --
Third Avenue --
Far East Side --
HARLEM AND UPPER MANHATTAN --
Black America's Capital City --
East Harlem --
Central Harlem --
West Harlem --
125th Street --
Upper Manhattan --
13 OUTER BOROUGHS --
Brooklyn --
The Bronx --
Staten Island --
Queens --
1964-65 NEW YORK WORLD'S FAIR --
BEYOND THE BOROUGHS --
HISTORIC PRESERVATION --
NEW YORK AND THE ARTS --
New York in Painting and Sculpture --
New York in Photography --
New York on Film --
New York in Music and Dance --
Architectural Culture: Discourse --
Afterword --
Photographic Sources --

This is the third volume (and the fourth chronologically) in architect and historian Robert A. M. Stern's monumental series of documentary studies of New York City architecture and urbanism. New York 1880, New York 1900, and New York 1930 have comprehensively covered the architects and urban planners who defined New York from the end of the nineteenth century to the middle of the twentieth century.
The post-World War II era witnessed New York's reign as the unofficial but undisputed economic and artistic capital of the world. By the mid-1970s, the city had experienced a profound reversal, and both its economy and its reputation were at a historic nadir. The architectural history of the period offered an exceptionally abundant and varied mix of building styles and types, from the faltering traditionalism of the 1940s through the heyday of International Style modernism in the 1950s and 1960s to the incipient postmodernism of the 1970s.
Organized geographically, New York 1960 provides an encyclopedic survey of the city's postwar architecture as well as relating a coherent story about each of its diverse neighborhoods. Primary sources are emphasized, including the commentaries of the preeminent architecture critics of the day; the text is illustrated exclusively with a rich collection of period photographs.

Reseñas proporcionadas por Syndetics

Publishers Weekly Review

Documenting New York City's transformation from manageable metropolis into sprawling megalopolis, this magnificent, panoramic volume sweeps from early 1940s' New York, a world capital of culture, sophistication and commerce, to the mid-'70s, when crime and near economic collapse had tarnished its image. Stunningly illustrated with some 1500 duotone period photographs, the absorbing text focuses on the 1960s and is organized geographically, from the metamorphosis of stretches of midtown into corporate America's headquarters to development projects in Harlem, the construction of Lincoln Center and the United Nations complex and efforts to preserve neighborhoods ranging from Greenwich Village to those in the other boroughs. We also get commentaries by Philip Johnson, Jane Jacobs, Lewis Mumford, Robert Moses, Ada Louise Huxtable and others reflecting on battles over architectural styles and urban-planning philosophies. An unprecedented record of New York City's dynamism and continual adaptation, this study also looks at portrayals of the city in films, paintings, sculpture, music, plays. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved

Notas de autor provistas por Syndetics

Thomas Mellins is an architectural historian & critic. He collaborated on "New York 1880", "New York 1930", & "New York 1960" & was an editor at the Institute for Architecture & Urban Studies.

(Bowker Author Biography)

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