Adolf Loos, 1870-1933 : Architect, Cultural Critic, Dandy. / August Sarnitz.
Idioma: Español United States : Taschen, 2003Descripción: 96 p. ill. (some col.) ; maps ; plans ; 23cmTipo de contenido:- text
- unmediaded
- volume
- 9783822827727
- Loos [Título de cubierta]
- NA1011.5.L6 S37 2003 c.1
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro Col. General CARIBET | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA1011.5.L6 S37 2003 c.2 (Navegar estantería(Abre debajo)) | 2 | Disponible | 91000000059055 | |||||||||||||
| Libro Col. General CARIBET | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA1011.5.L6 S37 2003 c.1 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000011403 |
Descripciones mejoradas de Syndetics:
The innovative and radical early Modernist Mankind loves everything that serves his comfort. He hates everything that wants to tear him from his habitual and safe position and that bothers him. And thus he loves the building and hates art. --Adolf Loos
Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos (1870-1933) was a star in his own time, known throughout Vienna as an outspoken, audacious dandy and moralist who defied the establishment and repudiated the popular and ornamental Vienna Secession style. His work not only represented the beginning of Modernism, with its stark, unornamented style, but also revolutionized architecture by introducing the concept of "spatial plan" architecture, which allowed for economizing space by designating room sizes and heights based on their purposes. Loos also published numerous essays during his lifetime, the most notable of which is the oft-misunderstood "Ornament and Crime." About the Series:
Each book in TASCHEN's Basic Architecture Series features: an introduction to the life and work of the architect the major works in chronological order information about the clients, architectural preconditions as well as construction problems and resolutions a list of all the selected works and a map indicating the locations of the best and most famous buildings approximately 120 illustrations (photographs, sketches, drafts and plans)
Include Bibliography
Contents :
6 Introduction --
18 “The Poor Little Rich Man” --
22 Café Museum --
24 Turnowsky Apartment --
26 Adolf Loos Apartment --
28 Villa Karma --
32 Kärntner Bar --
36 House on Michaelerplatz --
42 Steiner House --
46 Kniže Men’s Outfitters --
50 Scheu House --
54 Lainz Housing Development --
56 Chicago Tribune Column --
58 Spanner Country House --
60 Tristan Tzara House --
64 Josephine Baker House --
66 Moller House --
70 Villa Müller --
78 Khuner Country House --
82 Model Houses --
84 “Ornament and Crime” --
90 Life and Work --
94 General Maps --
96 Bibliography / Credits --
Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos (1870-1933) was a star in his own time, known throughout Vienna as an outspoken, audacious dandy and moralist who defied the establishment. His work not only represented the beginning of modernism, with its stark, unornamented style, but also revolutionized architecture by introducing the concept of "spatial plan" architecture, which allowed for economizing space by designating rooms' sizes and heights based on their purposes. Loos also published numerous essays during his lifetime, the most notable of which is the oft-misunderstood "Ornament and Crime." --