Digital Hadid landscapes in motion Patrik Schumacher.
Idioma: Inglés Lenguaje original: Italiano Series The IT revolution in architectureSwitzerland Birkhauser 2004Descripción: 93 p. ill. (some col.) 19 cmTipo de contenido:- text
- unmediaded
- volume
- 3764301724
- 9783764301729
- 720/.92 22
- NA1469.H33 S38 2004
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Libro | CARIBET Biblioteca Arquitectura Colección General CARIBET | General NA1469.H33 S38 2004 (Navegar estantería(Abre debajo)) | 1 | Disponible | 91000000001172 |
Descripciones mejoradas de Syndetics:
Even in her very early work, Zaha Hadid made innovative use of graphic techniques such as penetration, distortion, curvature, strongly reduced perspectives, to portray her architectural designs from a refreshing new angle. In this way her unmistakeable concepts of architectural space originated, and it is no surprise that the London architect makes full use of the full range of possibilities afforded by today's electronic design tools to create her inimitable forms. This present publication documents the most important of her recent projects, revealing how Zaha Hadid has risen to the digital challenge. Patrik Schumacher teaches at the Architectural Association in London.
Includes bibliographical references (p. [89]).
I. The prehistory of the new digitally based architecture : The quest of new design media ; Zaha Hadid in her own words ; Graphic space ; Post-modernism, deconstructivism, folding ; Mechanisms of invention --
II Current work: Towards a new digitally based architectural language : Organic interarticulation ; Center for Contemporary Arts, Rome ; Art Center, Graz ; Quebec National Library, Montreal ; One North masterplan, Singapore ; BMW plant: central building, Leipzig ; Ice-storm, Lounging environment ; Z-scape, Longing furniture ; BBC music centre and office, London ; Fine Arts Center, University of Connecticut ; Fast train station, Florence ; Fast train station, Naples ; The Temporary Guggenheim, Tokyo ; Guggenheim, Taichung.
A "The book describes the transition from drawing to computing in the work of Zaha Hadid. The hallmark of Zaha Hadid's early work was the innovation and expansion of graphic media to be utilised as new design techniques. On this basis a new architectural language and conception of space was developed. The analog techniques employed - like interpenetraion, isometric and perspectival distortion, dynamic bending and warping - anticipate the possibilities currently offered by advanced animation software. Intermediate techniques like distortion and "smearing" using the xerox machine established a fertile ground for the quick assimilation of the new digital tools in the process of form finding. The book elaborates a series of recent projects where various digital techniques have become an essential ingredient of the project development."--Jacket.
Tabla de contenidos provista por Syndetics
- Introduction(p. 4)
- I. The Prehistory of the New Digitally Based Architecture(p. 8)
- The Quest for New Design Media(p. 8)
- Zaha Hadid in Her Own Words(p. 10)
- Graphic Space(p. 15)
- Post-modernism, Deconstructivism, Folding(p. 21)
- Mechanisms of Invention(p. 26)
- II. Current Work. Towards a New Digitally Based Architectural Language(p. 30)
- Organic Interarticulation(p. 30)
- Center for Contemporary Arts, Rome(p. 33)
- Art Center, Graz(p. 38)
- Quebec National Library, Montreal(p. 40)
- One North Masterplan, Singapore(p. 44)
- BMW Plant - Central Building, Leipzig(p. 47)
- Ice-storm, Lounging Environment(p. 52)
- Z-scape, Lounging Furniture(p. 56)
- BBC Music Centre and Office, London(p. 59)
- Fine Arts Center, University of Connecticut(p. 66)
- Fast Train Station, Florence(p. 69)
- Fast Train Station, Naples(p. 74)
- The Temporary Guggenheim, Tokyo(p. 80)
- Guggenheim Museum, Taichung(p. 83)
- Further Reading(p. 89)
- Project Credits(p. 90)