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Visionary architecture blueprints of the modern imagination Neil Spiller. txt

Por: Idioma: Español New York Thames & Hudson 2007Descripción: 271 p. ill. (some col.) 27 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 0500286558
  • 9780500286555
Tema(s): Clasificación CDD:
  • 724/.6 22
Clasificación LoC:
  • NA680 S75 2007
Contenidos:
Arcadia, alchemy, antiquity and machines / Nat Chard -- Absurd speeding objects and the revolutionary cabaret of science and dreams / Diller + Scofidio -- The politics and cybernetics of freedom 1950s and 1960s / NOX/Lars Spuybroek -- Iconography goes POP 1950s / Asymptote -- The second poverty of heroic structures and Arcadian networks 1960s and 1970s / C.J. Lim -- A gizmology of visionary housing a case study / Wes Jones -- Transcripts for a new détournement 1970s, 1980s and 1990s / Milenko Ivanovic -- Walking in a parkland of ecstasy, delirium and disjuncture 1980s / Morphosis -- War and relativity in the age of memorial mechanics 1980s / Felix Robbins -- The poetry of small things 1980s and 1990s / John Puttick -- Soft machines and virtual objects 1990s and beyond / Neil Spiller.
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Existencias
Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro CARIBET Biblioteca Arquitectura Colección General CARIBET General NA680 S75 2007 (Navegar estantería(Abre debajo)) 1 Disponible 91000000001388
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Descripciones mejoradas de Syndetics:

Architects have been drawing for centuries on their creative abilities to produce astonishing works of imagination, but the greatest period of experimentation has been from the Second World War to the present. This book, newly available in paperback, is a highly acclaimed survey of the breathtakingly visionary and experimental architecture of this period. With its copious illustrations and analyses of the early, radical work of many of today's most important architects, as well as seminal work of earlier practitioners, it is a complete resource for students and professionals and the authoritative source on a subject of essential interest for all in the world of architecture.

Includes bibliographical references (p. 262-269).

Arcadia, alchemy, antiquity and machines / Nat Chard -- Absurd speeding objects and the revolutionary cabaret of science and dreams / Diller + Scofidio -- The politics and cybernetics of freedom 1950s and 1960s / NOX/Lars Spuybroek -- Iconography goes POP 1950s / Asymptote -- The second poverty of heroic structures and Arcadian networks 1960s and 1970s / C.J. Lim -- A gizmology of visionary housing a case study / Wes Jones -- Transcripts for a new détournement 1970s, 1980s and 1990s / Milenko Ivanovic -- Walking in a parkland of ecstasy, delirium and disjuncture 1980s / Morphosis -- War and relativity in the age of memorial mechanics 1980s / Felix Robbins -- The poetry of small things 1980s and 1990s / John Puttick -- Soft machines and virtual objects 1990s and beyond / Neil Spiller.

Reseñas proporcionadas por Syndetics

Library Journal Review

This disappointing book surveys visionary architecture of the last 50 years, addressing everything from Constant Niewenhuys's situationist New Babylon project of the 1950s to Elizabeth Diller and Ricardo Scofidio's latest constructions. While claiming to be "the definitive history of 20th-century visionary architecture," it merely skims the first half of that century in one introductory chapter, then delves more deeply into the last 50 years in the ten remaining chapters. The organization is chronological and topical, with each chapter bearing a profile of a major designer--among whom, rather immodestly, Spiller (architecture & digital theory, University Coll. London; Digital Dreams) himself can be found. The underlying subject is the accelerating disappearance of design as an intellectual, moral, physical, and aesthetic act under the overwhelming impact of digitalization. Readers will find themselves in a hall of mirrors at a giant fun house, unable to differentiate between the real and the virtual, animate and inanimate. With precious little thoughtful analysis and a great deal of superficial description--one project after another, one designer after another, one decade after another, one movement after another--the book offers little to dispel the aura of a disappointing, disheartening, disorienting spectacle. Not recommended.--Peter Kaufman, Boston Architectural Ctr. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Notas de autor provistas por Syndetics

Neil Spiller is Vice Dean of the Bartlett School of Architecture at University College, London.
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