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Ten canonical buildings 1950-2000 / Peter Eisenman ; foreword by Stan Allen ; edited by Ariane Lourie. txt

Por: Colaborador(es): New York : Rizzoli International Publications, Inc. , 2008Edición: First published in the United States of AmericaDescripción: 303 p. ill. (some col.), plans (some col.) 27 cmTipo de contenido:
  • text
Tipo de medio:
  • unmediaded
Tipo de soporte:
  • volume
ISBN:
  • 9780847830480
  • 0847830480
Tema(s): Clasificación CDD:
  • 720.922 22
  • 724.6 22
Clasificación LoC:
  • NA2760 E45 2008
Contenidos:
Profiles of text: Luigi Moretti, Casa "Il Girasole," 1947-50 -- The umbrella diagram: Ludwig Mies van der Rohe, Farnsworth House, 1946-51 -- Textual heresies: Le Corbusier, Palais des Congrès-Strasbourg, 1962-64 -- From plaid grid to diachronic space: Louis I. Kahn, Adler House and DeVore House, 1954-55 -- The nine-square diagram and its contradictions: Robert Venturi, Vanna Venturi House, 1959-64 -- Material inversions: James Stirling, Leicester Engineering Building, 1959-63 -- Texts of analogy: Aldo Rossi, Cemetery of San Cataldo, 1971-78 -- Strategies of the void: Rem Koolhaas, Jussieu Libraries, 1992-93 -- The deconstruction of the axis: Daniel Libeskind, Jewish Museum, 1989-99 -- The soft umbrella diagram: Frank O. Gehry, Peter B. Lewis Building, 1997-2002.
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Libro CARIBET Biblioteca Arquitectura Colección General CARIBET General NA2760 E45 2008 (Navegar estantería(Abre debajo)) 1 Disponible 91000000005967
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Descripciones mejoradas de Syndetics:

Peter Eisenman, renowned for his own controversial and influential body of work, looks at ten leading architects of the twentieth century and their theoretical positions, technological innovations, and design contributions. Eisenman identifies a project within the oeuvre of each of these architects--Luigi Moretti, Ludwig Mies van der Rohe, Le Corbusier, Louis Kahn, Robert Venturi, James Stirling, Aldo Rossi, Rem Koolhaas, Daniel Libeskind, and Frank Gehry--that has profoundly affected architectural discourse and practice. With drawings, diagrams, and always-incisive text, he presents each architect's theoretical position, and then offers detailed critical analysis of the project.

Includes bibliographical references (p. [289-299]) and index.

Profiles of text: Luigi Moretti, Casa "Il Girasole," 1947-50 -- The umbrella diagram: Ludwig Mies van der Rohe, Farnsworth House, 1946-51 -- Textual heresies: Le Corbusier, Palais des Congrès-Strasbourg, 1962-64 -- From plaid grid to diachronic space: Louis I. Kahn, Adler House and DeVore House, 1954-55 -- The nine-square diagram and its contradictions: Robert Venturi, Vanna Venturi House, 1959-64 -- Material inversions: James Stirling, Leicester Engineering Building, 1959-63 -- Texts of analogy: Aldo Rossi, Cemetery of San Cataldo, 1971-78 -- Strategies of the void: Rem Koolhaas, Jussieu Libraries, 1992-93 -- The deconstruction of the axis: Daniel Libeskind, Jewish Museum, 1989-99 -- The soft umbrella diagram: Frank O. Gehry, Peter B. Lewis Building, 1997-2002.

Notas de autor provistas por Syndetics

Peter Eisenman is an architect and the Louis I. Kahn Professor of Architecture at Yale University. His designs for the Wexner Center for the Arts at the Ohio State University and the Memorial to the Murdered Jews of Europe in Berlin both received National Honor Awards for Design from the American Institute of Architects.
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