Interpreting the Renaissance princes, cities, architects Manfredo Tafuri ; translated Daniel Sherer ; foreword by K. Micchael Hays.
Idioma: Inglés Lenguaje original: Italiano United States Yale University Press 2006Descripción: xxxi, 408 p., [128] p. of plates ill. 26 cmTipo de contenido:- text
- unmediaded
- volume
- 9780300111583 (hard cover : alk. paper)
- 0300111584 (hard cover : alk. paper)
- 720.945/09024 22
- NA1115 T3513 2006
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Descripciones mejoradas de Syndetics:
Manfredo Tafuri (1935-1994) is acknowledged as one of Italy's most influential architectural historians. In his final work, Interpreting the Renaissance , published here in English for the first time (the Italian edition, Ricerca del Rinascimento , appeared in 1992), Tafuri analyzes Renaissance architecture from a variety of perspectives, exploring questions that occupied him for over thirty years.
What theoretical terms were used to describe the humanist analogy between architecture and language? Is it possible to identify the political motivations behind the period's new urban strategies? And how does humanism embody both an attachment to tradition and an urge to experiment?
Tafuri studies the theory and practice of Renaissance architecture, offering new and compelling readings of its various social, intellectual and cultural contexts, while providing a broad understanding of uses of representation that shaped the entire era. He synthesizes the history of architectural ideas and projects through discussions of the great centers of architectural innovation in Italy (Florence, Rome, and Venice), key patrons from the middle of the fifteenth century (Pope Nicholas V) to the early sixteenth century (Pope Leo X), and crucial figures such as Leon Battista Alberti, Filippo Brunelleschi, Lorenzo de' Medici, Raphael, Baldassare Castiglione, and Giulio Romano.
A magnum opus by one of Europe's finest scholars, Interpreting the Renaissance is an essential book for anyone interested in the architecture and culture of fifteenth- and sixteenth-century Italy.
Include index.
Includes bibliographical references (p. 269-395) and index.
A search for paradigms: project, truth, artifice -- Cives esse non licere: Nicholas V and Leon Battista Alberti -- Princes, cities, architects -- Jugum meum suave est: architecture and myth in the era of Leo X -- Roma coda mundi: the sack of Rome: rupture and continuity -- The Granada of Charles V: palace and mausoleum -- Venetian epilogue: Jacopo Sansovino from inventio to consuetudo.
Tabla de contenidos provista por Syndetics
- Foreword(p. xi)
- Translator's Preface(p. xv)
- Preface(p. xxvii)
- List of Abbreviations(p. xxxi)
- I A Search for Paradigms: Project, Truth, Artifice(p. 1)
- II Cives Esse Non Licere: Nicholas V and Leon Battista Alberti(p. 23)
- III Princes, Cities, Architects(p. 59)
- IV Jugum Meum Suave Est: Architecture and Myth in the Era of Leo X(p. 99)
- V Roma Coda Mundi: The Sack of Rome: Rupture and Continuity(p. 157)
- VI The Granada of Charles V: Palace and Mausoleum(p. 181)
- VII Venetian Epilogue: Jacopo Sansovino from Inventio to Consuetudo(p. 219)
- Appendix Additional Documents(p. 259)
- Notes(p. 269)
- Index of Names(p. 397)
Notas de autor provistas por Syndetics
Manfredo Tafuri was Chairman of the Faculty of the History of Architecture and the Director of the Institute of History at the Architecture Institute in Venice. His numerous books include Theories and History of Architecture , Architecture and Utopia, The Sphere and the Labyrinth, and Venice and the Renaissance.K. Michael Hays is professor in the department of architecture at Harvard University.
Daniel Sherer is a historian and critic who teaches at the Columbia Graduate School of Architecture, Planning, and Preservation.