New essays on the psychology of art Rudolf Arnheim.
Detalles de publicación: Berkeley University of California Press c1986.Descripción: xi, 331 p. ill. 24 cmISBN:- 0520055543 (pbk.)
- 701.15 A748n 19
- N71 .A675 1986
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
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| Libro | Biblioteca Encarnación Valdés Colección General bev | 701.15 A748n (Navegar estantería(Abre debajo)) | Disponible | 80000002346933 |
Descripciones mejoradas de Syndetics:
Thousands of readers who have profited from engagement with the lively mind of Rudolf Arnheim over the decades will receive news of this new collection of essays expectantly.
In the essays collected here, as in his earlier work on a large variety of art forms, Arnheim explores concrete poetry and the metaphors of Dante, photography and the meaning of music. There are essays on color composition, forgeries, and the problems of perspective, on art in education and therapy, on the style of artists' late works, and the reading of maps.
Also, in a triplet of essays on pioneers in the psychology of art (Max Wertheimer, Gustav Theodor Fechner, and Wilhelm Worringer) Arnheim goes back to the roots of modern thinking about the mechanisms of artistic perception.
Includes bibliographies and index.
pt. 1. Concerning an adoration -- pt. 2. The double-edged mind: intuition and the intellect -- Max Wertheimer and gestalt psychology -- The other Gustav Theodor Fechner -- Wilhelm Worringer on abstraction and empathy -- pt. 3. Unity and diversity of the arts -- A stricture on space and time -- Language, image, and concrete poetry -- On the nature of photography -- Splendor and misery of the photographer -- The tools of art, old and new -- pt. 4. A plea for visual thinking -- Notes on the imagery of Dante's Purgatorio -- Inverted perspective and the axiom of realism -- Brunelleschi's peepshow -- The perception of maps -- pt. 5. The rationalization of color -- Perceptual dynamics in musical expression -- pt. 6. The perceptual challenge in art education -- Victor Lowenfeld and tactility -- Art as therapy -- pt. 7. Style as a gestalt problem -- On duplication -- On the late style --- pt. 8. Objective percepts, objective values.