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"Mozart's treatment of the concerto… may justly be regarded as his chief contribution to the growth of the instrumental forms." -- Grove's Dictionary of Music and Musicians
The wind concerti are among Mozart's most popular and often performed works -- masterful compositions in which the composer expanded the concerto form and displayed a new richness of invention, melodic range, and great command of orchestral effect.
This volume contains 10 Mozart compositions for orchestra and wind instruments -- all the ones considered complete and genuine -- reprinted directly from the authoritative Breitkopf & H#65533;rtel editions. The compositions are Bassoon Concerto, K.191; Concerto for Flute and Harp, K.299; Two Concertos for Flute, K.313 and K.314 (K.314 also performed by oboists); Four Concertos for Horn, K.412, 417, 447, 495; Clarinet Concerto, K.622; and Andante for Flute, K.315.
Now musicians and music lovers can play and study the complete scores of all 10 works, gathered here in one convenient volume. Available nowhere else at a comparable price, the scores have been clearly printed and sturdily bound for long life.

Tabla de contenidos provista por Syndetics

• "Concerto for Bassoon in B-flat Major, K.191"
• Allegro
• Andante ma Adagio. Rondo
• Tempo di Menuetto
• "Concerto for Flute and Harp in C Major, K.299"
• Allegro
• Andantino. Rondo
• Allegro
• "Concerto for Flute in G Major, K.313"
• Allegro maestoso
• Adagio non troppo. Rondo
• Tempo di Menuetto
• "Concerto for Flute in D Major, K.314"
• (probably an arrangement of an oboe concerto)
• Allegro aperto
• Andante ma non troppo
• Allegro
• "Andante for Flute and Orchestra in C Major, K.315 "
• (perhaps a simpler slow movement for K.313)
• "Concerto for Horn in D Major, K. 412 (left incomplete by Mozart)"
• (Allegro)
• Allegro
• "Concerto for Horn in E-flat Major, K.417"
• Allegro maestoso
• Andante
• Rondo
• "Concerto for Horn in E-flat Major, K.447"
• Allegro. Romanze
• Larghetto
• Allegro
• "Concerto for Horn in E-flat Major, K.495"
• Allegro moderato. Romanza
• Andante. Rondo
• Allegro vivace
• "Concerto for Clarinet in A Major, K.622"
• Allegro
• Adagio. Rondo
• Allegro

Notas de autor provistas por Syndetics

Born in Salzburg, Austria, Wolfgang Amadeus Mozart's life and musical career were fiery but brief. The son of Leopold Mozart, a musician and well-known composer, Wolfgang Mozart was a child prodigy. By the age of 5, he was writing minuets and playing the harpsichord; by the age of 8, he had written his first symphony. Because of his prodigious talent, Mozart's father took him and his sister (who was also an excellent musician) on tour throughout Europe, and he met and performed for several royal courts.

In 1769, at the age of only 13, Mozart was made concertmaster at the court of the Archbishop of Salzburg. By 1781 he had become unhappy in Salzburg and quarreled with the Archbishop. As a result, he was dismissed from his position and left for Vienna. In 1782, while in Vienna, Mozart married Constanze Weber. Although plagued by troubles, including the deaths of four of his children and his wife's ill health, he composed some of his finest works in Vienna. These included the operas The Abduction from the Seraglio (1782) and Cosi fan tutte (1790), his famous last three symphonies, several piano concertos, and many other works.

By 1788 Mozart was seriously in debt. One reason was that audiences began finding some of his latest music difficult and stayed away from his concerts. In the summer of 1791, he began suffering from fever and severe headaches. Later that year he fell into a coma and died on December 5, leaving behind his last great work, the Requiem mass, which was left unfinished. Because he was so poor, his coffin was dumped into an unmarked pauper's grave, and his place of burial remains unknown.

Mozart's talent as a musician was tremendous. He could compose whole symphonies and operas in his head, needing only to write them out for performance. His gifts as a composer of endless streams of melodies, beautifully harmonized, are astounding. His symphonies and concerti are brilliant; his chamber music, stunning. His operas Don Giovanni (1787), The Magic Flute (1791), and The Marriage of Figaro (1786), are among the best-known and beloved operas performed today. His brief life has produced nearly two centuries of deserved adulation from the trained musician, the music scholar, and unsophisticated listener.

(Bowker Author Biography)