La cartuja de Parma Stendhal (Henri Beyle) ; introducción de Carlos Pujol ; traducción y notas de Carlos Pujol y Tania de Bermúdez- Cañeta.
Idioma: Español Lenguaje original: Francés Series Grandes novelas de amor de la literatura Universal ; 18Detalles de publicación: Barcelona Planeta 1985.Edición: 2a ed. en Clasicos Universales PlanetaDescripción: xxv, 575 p. 18 cmISBN:- 8432038490 (pbk.)
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
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| Libro | Biblioteca Mons. Iñaki Mallona (Arecibo) Colección General ab | 843 B543c E (Navegar estantería(Abre debajo)) | Disponible | 60000001894119 |
Translation of: Chartreuse de Parme.
Notas de autor provistas por Syndetics
One of the great French novelists of the nineteenth century, Stendhal (pseudonym for Marie-Henri Beyle) describes his unhappy youth with sensitivity and intelligence in his autobiographical novel The Life of Henri Brulard. It was written in 1835 and 1836 but published in 1890, long after his death. He detested his father, a lawyer from Grenoble, France, whose only passion in life was making money. Therefore, Stendhal left home as soon as he could.Stendhal served with Napoleon's army in the campaign in Russia in 1812, which helped inspire the famous war scenes in his novel The Red and the Black (1831). After Napoleon's fall, Stendhal lived for six years in Italy, a country he loved during his entire life. In 1821, he returned to Paris for a life of literature, politics, and love affairs.
Stendhal's novels feature heroes who reject any form of authority that would restrain their sense of individual freedom. They are an interesting blend of romantic emotionalism and eighteenth-century realism. Stendhal's heroes are sensitive, emotional individuals who are in conflict with the society in which they live, yet they have the intelligence and detachment to analyze their society and its faults.
Stendhal was a precursor of the realism of Flaubert. He once described the novelist's function as that of a person carrying a mirror down a highway so that the mirror would reflect life as it was, for all society.
(Bowker Author Biography)