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A Stage 2 title (containing a 750 word vocabulary) in a series which contains some of the best classic stories in a simplified version. The series is graded in four stages, each book includes an introduction to the author and story and exercise material (comprehension and discussion questions).

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Mr. Phileas Fogg lived, In 1872, at No. 7, Saville Row, Burlington Gardens, The house in which Sheridan died in 1814. He was one of the most noticeable members of the Reform Club, though he seemed always to avoid attracting attention; an enigmatical personage, about whom little was known, except that he was a polished man of the world. People said that he resembled Byron-at least that his head was Byronic; but he was a bearded, tranquil Byron, who might live on a thousand years without growing old. Certainly an Englishman, it was more doubtful whether Phileas Fogg was a Londoner. He was never seen on 'Change, nor at the Bank, nor in the counting-rooms of the "City"; no ships ever came into London docks of which he was the owner; he had no public employment; he had never been entered at any of the Inns of Court, either at the Temple, or Lincoln's Inn, or Gray's Inn; nor had his voice ever resounded in the Court of Chancery, or in the Exchequer, or the Queen's Bench, or the Ecclesiastical Courts. He certainly was not a manufacturer; nor was he a merchant or a gentleman farmer. His name was strange To The scientific and learned societies, and he never was known to take part in the sage deliberations of the Royal Institution or the London Institution, The Artisan's Association, or the Institution of Arts and Sciences. He belonged, In fact, To none of the numerous societies which swarm in the English capital, from the Harmonic to that of the Entomologists, founded mainly For The purpose of abolishing pernicious insects. Excerpted from Around the World in Eighty Days by Jules Verne All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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Publishers Weekly Review

The sounds of a chugging steam engine and the orchestral movie-score strains that open this program set the stage for Dale's top-drawer performance of this much-loved adventure story. As one could set a clock by eccentric Phileas Fogg's daily routine, Fogg shocks everyone when he bets his personal fortune that he can complete the trip proposed in the book's title and then sets off on the wild trip. Listeners can almost envision a twinkle in Dale's eye as he delivers the lines of Fogg's traveling companion and man-servant Passepartout in an entertaining, though not over-the-top, French accent. Dale's vibrant, never-hurried reading is pleasantly punctuated by background music of the era at chapter breaks. A bonus afterword notes that this new edition pays homage to Listening Library's very first recording in 1955, of this same book. The added material also mentions the historical and social context of Verne's writings about other cultures, the tone of which would be considered insensitive or offensive by many people today. Ages 8-up. (Jan.) (c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Review

Gr 6 Up‘To most modern kids, classics may be great, worthy, even exciting stories, but they were written in and for their own times and the context can sometimes be obscure. Using the visually irresistible printing techniques popularized by the "Eyewitness" series, these two books, when prominently displayed, will probably attract more impulse readers than some of the dustier editions. But do they accomplish their stated aim? Direct textual illustration is plentiful, lively, and useful. The reproductions of prints, photographs, and maps that pepper each page and are intended to enhance readers' grasp of the times, however, are a mixed success. There is a sameness to them and an arbitrary feel to their use. Pirate buffs will find Treasure Island's variety of ship drawings, details of sailing minutiae, and photographs of pieces of eight or guns and swords quite satisfying. Verne's work is less enhanced by its graphics. This episodic travelogue would be best served by lots of clear maps with the route well marked. But the few maps shown are so small that the legends are unreadable and country and city names are blurred. Limitations aside, the initial appeal of this fresh approach may serve to attract some new readers to these enduring stories that have managed without any help for this long.‘Sally Margolis, formerly at Deerfield Public Library, IL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Notas de autor provistas por Syndetics

Jules Verne was born on February 8, 1828 in Nantes, France. He wrote for the theater and worked briefly as a stockbroker. He is considered by many to be the father of science fiction. His most popular novels included Journey to the Center of the Earth, Twenty Thousand Leagues Under the Sea, and Around the World in Eighty Days. Several of his works have been adapted into movies and TV mini-series. In 1892, he was made a Chevalier of the Legion of Honor in France. He died on March 24, 1905 at the age of 77.

(Bowker Author Biography)