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The art of fiction illustrated from classic and modern texts David Lodge.

Por: Detalles de publicación: London Penguin 1992.Descripción: xi, 240 p. 20 cmISBN:
  • 0140174923 (pbk)
Tema(s): Clasificación CDD:
  • 809.3 20
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Explore the depth and diversity of British and American fiction with this collection from David Lodge

The articles that entertained and enlightened readers of The Independent and The Washington Post are now revised, expanded and collected together in book form in The Art of Fiction .

Passages from classic and modern fiction illustrate a range of topics, including the Intrusive Author, Suspense, the Epistolary Novel, Time-shift, Magical Realism and Symbolism. Drawing on writers as diverse as Henry James and Martin Amis, Jane Austen and Fay Weldon and Henry Fielding and James Joyce, Lodge makes accessible to the general reader the richness and variety of British and American fiction. Technical terms, such as Interior Monologue, Metafiction, Intertextuality and the Unreliable Narrator, are clearly explained and demonstrated.

Bringing to criticism the verve and humor of his own novels, Lodge provides essential reading for students of literature, aspirant writers, and anyone who wishes to understand how literature works.

Originally published in the Independent on Sunday, 1991-2.

Includes index.

Bibliography: p. 231-235.

Notas de autor provistas por Syndetics

Writing both literary criticism and novels, British author David Lodge has learned to practice what he teaches. A professor of Modern English literature, both his fiction and nonfiction have found a large readership in the United Kingdom and the United States. To maintain his dual approach to writing, Lodge has attempted to alternate a novel one year and a literary criticism the next throughout his career.

Lodge's fiction has been described as good writing with a good laugh, and he is praised for his ability to treat serious subjects sardonically. This comic touch is evident in his first novel, "The Picturegoers" (1960) in which the conflict of Catholicism with sensual desire, a recurrent theme, is handled with wit and intelligence. "How Far Can You Go" (1980) released in United States as "Souls and Bodies" (1982) also examines sexual and religious evolution in a marvelously funny way. "Changing Places: A Tale of Two Campuses" (1975, 1979), based on Lodge's experience in Berkeley as a visiting professor, won the Hawthorne Prize and the Yorkshire Post fiction prize and solidified his reputation in America. Some of the author's other hilarious novels include "Nice Work" (1989), which Lodge adapted into an award-winning television series, and "Therapy" (1995), a sardonic look at mid-life crisis.

Lodge's nonfiction includes a body of work begun in 1966 with "The Language of Fiction" and includes "The Art of Fiction: Illustrated from Classic and Modern Texts" (1992) and "The Practice of Writing: Essays, Lectures, Reviews and a Diary"(1996). In a unique approach, he often uses his own works for critical examination and tries to give prospective writers insights into the complex creative process.

David John Lodge was born in London on January 28, 1935. He has a B.A. (1955) and M.A (1959) from University College, London and a Ph.D. (1967) and an Honorary Professorship (1987) from the University of Birmingham. Lodge is a Fellow of the Royal Society of Literature.

(Bowker Author Biography)

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