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Death in Venice, and seven other stories Thomas Mann ; translated from the German by H.T. Lowe-Porter.

Por: Colaborador(es): Series Vintage internationalDetalles de publicación: New York Vintage Books 1963.Descripción: 404 pISBN:
  • 0679722068
Tema(s): Clasificación CDD:
  • 833/.912 19
Clasificación LoC:
  • PT 2625 .A44 1963
Contenidos:
Death in Venice -- Tonio Kroger -- Mario and the magician -- Disorder and early sorrow -- A man and his dog -- The blood of the Walsungs -- Tristan -- Felix Krull.
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Libro Biblioteca de Mayagüez Colección General mb PT 2625 .A44 1963 (Navegar estantería(Abre debajo)) Disponible 50000002031481
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Descripciones mejoradas de Syndetics:

Eight complex stories illustrative of the author's belief that "a story must tell itself," highlighted by the high art style of the famous title novella.

Death in Venice -- Tonio Kroger -- Mario and the magician -- Disorder and early sorrow -- A man and his dog -- The blood of the Walsungs -- Tristan -- Felix Krull.

Tabla de contenidos provista por Syndetics

  • Death in Venice(p. 3)
  • Tonio Kroger(p. 75)
  • Mario and the Magician(p. 133)
  • Disorder and Early Sorrow(p. 179)
  • A Man and His Dog(p. 215)
  • The Blood of the Walsungs(p. 289)
  • Tristan(p. 317)
  • Felix Krull(p. 359)

Notas de autor provistas por Syndetics

Thomas Mann was born into a well-to-do upper class family in Lubeck, Germany. His mother was a talented musician and his father a successful merchant. From this background, Mann derived one of his dominant themes, the clash of views between the artist and the merchant.

Mann's novel, Buddenbrooks (1901), traces the declining fortunes of a merchant family much like his own as it gradually loses interest in business but gains an increasing artistic awareness. Mann was only 26 years old when this novel made him one of Germany's leading writers.

Mann went on to write The Magic Mountain (1924), in which he studies the isolated world of the tuberculosis sanitarium. The novel was based on his wife's confinement in such an institution. Doctor Faustus (1947), his masterpiece, describes the life of a composer who sells his soul to the devil as a price for musical genius.

Mann is also well known for Death in Venice (1912) and Mario the Magician (1930), both of which portray the tensions and disturbances in the lives of artists. His last unfinished work is The Confessions of Felix Krull, Confidence Man (1954), a brilliantly ironic story about a nineteenth-century swindler.

An avowed anti-Nazi, Mann left Germany and lived in the United States during World War II. He returned to Switzerland after the war and became a celebrated literary figure in both East and West Germany. In 1929 he was awarded the Nobel Prize for literature.

(Bowker Author Biography)

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