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Umbrella by Taro Yashima.

Por: Series Picture PuffinDetalles de publicación: New York Viking Press 1977Descripción: [34] p. col. illISBN:
  • 0140502408
Tema(s): Clasificación LoC:
  • PZ7.Y212 Um10
Resumen: Momo eagerly waits for a rainy day so she can use the red boots and umbrella she received on her third birthday.
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Imagen de cubierta Tipo de ítem Biblioteca actual Biblioteca de origen Colección Ubicación en estantería Signatura topográfica Materiales especificados Info Vol URL Copia número Estado Notas Fecha de vencimiento Código de barras Reserva de ítems Prioridad de la cola de reserva de ejemplar Reservas para cursos
Libro Biblioteca Encarnación Valdés Colección General Juvenil J 813 Y29u (Navegar estantería(Abre debajo)) Disponible 80000001460040
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Descripciones mejoradas de Syndetics:

Momo can't wait to use the red boots and umbrella she received on her birthday. All she needs now is a rainy day! Soft illustrations portray a thoughtful story about patience and growing independence.

Momo eagerly waits for a rainy day so she can use the red boots and umbrella she received on her third birthday.

Reseñas proporcionadas por Syndetics

Booklist Review

Momo is thrilled with her birthday present of a bright blue umbrella and waits for the time she is able to use it. When the day comes, she enjoys the rain even in its most cumbersome aspects.

Notas de autor provistas por Syndetics

Taro Yashima was the pseudonym of Atsushi Iwamatsu, a Japanese artist who lived in the United Staes during World War II. Iwamatsu was born September 21, 1908, in Nejima, Kimotsuki District, Kagoshima, and raised on the southern coast of Kyushu. His father was a country doctor who collected oriental art and encouraged his son to persue a career in art. After studying for three years at the Imperial Art Academy in Tokyo, Iwamatsu became a successful illustrator and cartoonist. At one point both he and his wife, Tomoe, went to jail for his opposition to the militaristic government. In 1939, they went to the United States to study art, leaving behind their son, Mako. After Pearl Harbor, Iwamatsu joined the US Army and went to work as an artist for the Office of Strategic Services. It was then that he first used the pseudonym Taro Yashima out of fear there would be repercussions for Mako and other family members if the Japanese government knew of his employment. He died in 1994.
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