Gulliver's travels Jonathan Swift.
Series A Watermill classicDetalles de publicación: Mahwah, NJ Watermill Press 1983.Descripción: 355 p. 19 cmISBN:- 089375711X
| Imagen de cubierta | Tipo de ítem | Biblioteca actual | Biblioteca de origen | Colección | Ubicación en estantería | Signatura topográfica | Materiales especificados | Info Vol | URL | Copia número | Estado | Notas | Fecha de vencimiento | Código de barras | Reserva de ítems | Prioridad de la cola de reserva de ejemplar | Reservas para cursos | |
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| Libro | Biblioteca Encarnación Valdés ESL | 813 S977g 1983 (Navegar estantería(Abre debajo)) | Disponible | 80000001446742 | ||||||||||||||
| Libro | Biblioteca Encarnación Valdés ESL | 813 S977g 1983 (Navegar estantería(Abre debajo)) | Disponible | 80000001435422 |
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School Library Journal Review
Gr 7 Up-Jonathan Swift's satirical novel was first published in 1726, yet it is still valid today. Gulliver's Travels describes the four fantastic voyages of Lemuel Gulliver, a kindly ship's surgeon. Swift portrays him as an observer, a reporter, and a victim of circumstance. His travels take him to Lilliput where he is a giant observing tiny people. In Brobdingnag, the tables are reversed and he is the tiny person in a land of giants where he is exhibited as a curiosity at markets and fairs. The flying island of Laputa is the scene of his next voyage. The people plan and plot as their country lies in ruins. It is a world of illusion and distorted values. The fourth and final voyage takes him to the home of the Houyhnhnms, gentle horses who rule the land. He also encounters Yahoos, filthy bestial creatures who resemble humans. The story is read by British actor Martin Shaw with impeccable diction and clarity and great inflection. If broken into short listening segments, the tapes are an excellent tool for presenting an abridged version of Gulliver's Travels.-Jean Deck, Lambuth University, Jackson, TN (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.CHOICE Review
This latest addition to the Cambridge series of Swift's work is an exhaustive piece of scholarship. Womersley (Univ. of Oxford, UK) has carefully prepared an edition of Gulliver's Travels that takes into account the many editions published in Swift's lifetime as well as textual history and critical reception. Womersley provides notes and commentary that open up the meaning of the text and offer insights into an 18th-century worldview. His choice of ancillary matter supports scholarly inquiry with chronologies that locate the work in both English and world history. The apparatus--especially the introduction, long notes, and passages from Swift's correspondence--provides focused access to this singular work of fiction. Appendixes, illustrations, a select bibliography, and a user-friendly index complete the volume. This edition of Swift's masterwork will be of great benefit to serious readers of Swift and to specialists in 18th-century literature. Summing Up: Highly recommended. Graduate students, researchers, faculty. M. H. Kealy Immaculata UniversityBooklist Review
Gr. 5-7. Focusing on the two adventures of Gulliver that have always appealed to children--the story of Lilliput, where the human is a giant among dwarves; and the story of Brobdingnag, where the human is a dwarf among giants--Riordan and Ambrus have adapted Swift's satiric ~fantasy into a romp for young readers. The play with size and perspective makes for vastly entertaining stories and pictures. Right at the start we see, stretched across two pages, the eighteenth-century gentleman tied firmly with ropes while at least 40 tiny men run all over him and attack him with bows and arrows that feel like sharp needles. His handkerchief is a carpet large enough to cover the state room at the palace; when he's freed, he has 300 cooks to prepare his food. The opposite happens in Brobdingnag, where the lice are the size of pigs rooting in the mud, Gulliver is horrified to see people as though through a magnifying glass ("It made me realize how ugly people are, with spots, pimples, and freckles that normally the eye does not see"), and the noise of a palace concert nearly deafens him. Particularly in Brobdingnag, Riordan keeps some of the sharpness of Swift, but Ambrus' sunny watercolor-and-ink illustrations are a bright counterpoint, mischievous more than grotesque, with lots of smiling, energetic creatures of all sizes staring at each other in amazement. ~--Hazel RochmanNotas de autor provistas por Syndetics
Apparently doomed to an obscure Anglican parsonage in Laracor, Ireland, even after he had written his anonymous masterpiece, A Tale of a Tub (c.1696), Swift turned a political mission to England from the Irish Protestant clergy into an avenue to prominence as the chief propagandist for the Tory government. His exhilaration at achieving importance in his forties appears engagingly in his Journal to Stella (1710--13), addressed to Esther Johnson, a young protegee for whom Swift felt more warmth than for anyone else in his long life. At the death of Queen Anne and the fall of the Tories in 1714, Swift became dean of St. Patrick's Cathedral, Dublin. In Ireland, which he considered exile from a life of power and intellectual activity in London, Swift found time to defend his oppressed compatriots, sometimes in such contraband essays as his Drapier's Letters (1724), and sometimes in such short mordant pieces as the famous A Modest Proposal (1729); and there he wrote perhaps the greatest work of his time, Gulliver's Travels (1726).Using his characteristic device of the persona (a developed and sometimes satirized narrator, such as the anonymous hack writer of A Tale of a Tub or Isaac Bickerstaff in Predictions for the Ensuing Year, who exposes an astrologer), Swift created the hero Gulliver, who in the first instance stands for the bluff, decent, average Englishman and in the second, humanity in general. Gulliver is a full and powerful vision of a human being in a world in which violent passions, intellectual pride, and external chaos can degrade him or her---to animalism, in Swift's most horrifying images---but in which humans do have scope to act, guided by the Classical-Christian tradition. Gulliver's Travels has been an immensely successful children's book (although Swift did not care much for children), so widely popular through the world for its imagination, wit, fun, freshness, vigor, and narrative skill that its hero is in many languages a common proper noun. Perhaps as a consequence, its meaning has been the subject of continuing dispute, and its author has been called everything from sentimental to mad. Swift died in Dublin and was buried next to his beloved "Stella."
(Bowker Author Biography)